For the last several days, there has been a
lot of attention for the 40th anniversary of Woodstock. Monroe Gallery Photographers
Bill Eppridge and
John Dominis had a crucial role in documenting the event. Here are some selected highlights:
For a few days in August, 1969, on a dairy farm in upstate New York, a half-million young people got together to hang out, dance, and listen to music. Forty years later, for many people, the Woodstock Music & Art Fair is the defining event of the Sixties. For
LIFE photographer John Dominis, covering the festival became one of the most moving adventures of an amazing 25-year career. "I was much more interested in the people who were there than the musicians," he tells LIFE.com. "I liked the music okay, but I really liked the kids, and what they were doing, and how they felt about it all. I just wanted to capture that." Here,
Dominis' favorite photographs from Woodstock. And
here, he talks with CNN about the experience.
"We didn't know that it was going to be a huge event," Dominis remembers, "but I did take with me a wide angle camera for shooting big crowds, just in case. I put that in my kit, and of course I had the chance to use that camera a bit over the course of the three days I was there." To purchase a signed print of this photograph, or other classic John Dominis images,
visit the Monroe Gallery of Photography online.
Another renowned LIFE photographer,
Bill Eppridge was also at Woodstock. His photographs were recently featured in the
New York Times.
The
New York Times' excellent photo-blog Lens is featuring a slide show of
Bill Eppridge's photographs from Woodstock, along with audio of Bill's recollections.
Bill Eppridge is one of the most significant photojournalists of our time, for over four decades he has covered a remarkable assortment of stories for renowned national publications such as National Geographic, LIFE magazine and Sports Illustrated.
His collective assignments read like a list of the most important historical and cultural events from the latter half of the 20th Century. Eppridge recorded
the Beatles’ first momentous visit to the United States. He photographed a young Barbra Streisand—living in a tiny railroad apartment in Manhattan—on the verge of super stardom. He was the only photographer admitted into Marilyn Lovell’s home as her husband, Jim, made his nail-biting re-entry into the atmosphere in the crippled Apollo 13 spacecraft. He captured Clint Eastwood on the set of Dirty Harry. He was at Woodstock. And he was in Vietnam. He covered the funeral of civil rights activist
James Chaney in Mississippi. His landmark photographic essay on Needle Park heroin addiction won the National Headliner Award and inspired the motion picture Panic in Needle Park, starring Al Pacino. That photo essay is included in Things As They Are: Photojournalism in Context Since 1955, the 2005 ICP award-winning book by World Press Photo.
Eppridge spent much of 1966 and 1968 on the road with Robert F. Kennedy, covering the presidential campaign for LIFE magazine. It was Eppridge who took one of the decade’s most poignant and iconic photographs: a stunned Los Angeles busboy,
Juan Romero, cradling the candidate in the kitchen of the Ambassador Hotel, just seconds after he was shot.
Throughout his career Eppridge has been a respected force in training a new generation of photojournalists at the
University of Missouri Photojournalism Workshop, as well as at the
Eddie Adams Photography Workshop, and
Photography at the Summit, in Wyoming. His work has been exhibited at the Smithsonian Museum of American History, the Museum of Television and Radio, the High Museum of Art in Atlanta, the Visa Pour L’Image in Perpignon, France and throughout the U.S. and Europe. A comprehensive exhibit of his photographs of the Beatles are currently on a worldwide tour, and, in the spring of 2008, went on exhibit in the Beatles’ hometown of Liverpool.
Monroe Gallery of Photography is honored to represent the photography of Bill Eppridge and John Dominis. Several of their photographs are featured in the current exhibition, "
A Thousand Words: Masters of Photojournalism", on view through September 27.
