The World Photography Festival and Sony World Photography Awards are coming to London

The World Photography Festival and Sony World Photography Awards are coming to London!
April 26 - May 1



Share your work, meet other photographers, learn new skills and get involved! Find inspiration and get your creative juices flowing during our week-long programme of events at Somerset House, and get ready to be dazzled by the vast photographic talent presented at the Sony World Photography Awards 2011 Gala Ceremony.

Whatever your photographic taste, the World Photography Festival, along with our partners including Sony, iStockphoto and blurb, will be sure to cater to it through a wide range of exhibitions, workshops, screenings and much more. If you're looking to grow as a photographer, improve your skills or maybe you're seeking a new photographic direction; register for Portfolio Reviews, peer-to-peer sessions, or drop by to visit our resident critic for some constructive advice.

At the centre of this activity, you will find the Photographers Lounge, where you can network and socialise with fellow photographers and industry folk. Ongoing Carousel Slide Slam sessions will be the highlight of the lounge whilst coffee, snacks, cold wine and beer, is served at Tom’s café and bar.

Ticket information here.

The World Photography Organisation (WPO) proudly supports professional, amateur and student photography, lending a global platform for the photographic industry to communicate, network and showcase current trends in Photojournalism, Fine Art and Commercial Photography.

APPROPRIATION: PHOTOGRAPHY, ART, AND "STEALING"

Patrick Cariou photographs of Jamaican rastafarians altered and exhibited without consent by Richard Prince. Photograph: Canal Zone

Yesterday the Guardian newspaper had an extensive article about the recent US Federal Judge's ruling against Gagosian gallery and artist Richard Prince for unfair use of 'appropriated' Patrick Cariou rastafarian images. "A New York federal court has ruled that Prince and his gallery infringed Cariou's copyright when he produced a series of works in a 2008 show using 35 pictures from the book Yes, Rasta, published by Cariou in 2000, "in their entirety, or nearly so". The ruling, which may lead to an appeal, stands to cost Prince and the Gagosian, one of the world's leading contemporary galleries, with outlets in London and New York, potentially huge sums. Eight of the works from the exhibition, which was entitled Canal Zone, have together sold for more than $10m (£6m). Seven others have been exchanged for other works of art for between $6m and $8m."
 
Prince's "Cowboy" became the most expensive photograph ever to sell at auction when New York dealer Stellan Holm bought it at Christie’s in November 2005 for $1,248,000. Later, “Marlboro Man" (Untitled, Cowboy), set a record for a photograph when it sold for $3,401,000 at Sotheby’s in New York in 2007.

As we reported on our blog after the Fall auctions, Prince’s “Cowboy” series consisted of old Marlboro cigarette print ads that he re-photographed. And the Marlboro man was based on a LIFE magazine cover of a photograph by Leonard McCombe of a real cowboy.


Similarly, the $63.36 million realized at Phillips, de Pury by Andy Warhol's “Men in Her Life?” was done in silk-screen technique: the dark black and white picture endlessly repeats a photographic image published in LIFE magazine on April 13, 1962.

In the context of the broader art market, Photography's impact, relevance, influence, and relationship to the broader fine art field is still in its infancy. Generally, the prices for the "masters" of photography are a fraction of the prices for the masters of art. But what to think when "art" sells for millions of dollars that is directly "appropriated" from photographs? We have assembled a few relevant posts, and welcome your comments.

Renowned photojournalist Bill Eppridge: When artists appropriate the work of others


"From European collagists in the early 1900s to contemporary installation artists who cull elements from the garbage bin and the Internet, the recycling of materials and ideas has been a fertile practice in modern and contemporary art. Cubist collage, montage, Pop Art, Assemblage, and Appropriation fractured pictorial conventions and led to the upheaval of aesthetic systems of order. Photography has played a catalytic role in this revolution." -- Henry Art Gallery

Jonathon Delacour: Appropriation Art and Walker Evans: Appropriation Art  appears to be the topic du jour


Peta Pixel: Photo Theft Versus Conceptual Art

Richard Prince’s Views on Copyright



Riddle time…who is the artist that produced this image? Appropriation in Photography: II. Whose Is It, Anyway?






 
Related: Thoughts on the Record Fall Auctions

Steve Schapiro, Hollywood's child

©Steve Schapiro "Brando with the cat"

Via La Lettre de la Photographie

 

A selection of Steve Schapiro’s pictures taken behind the scenes during filming of “The Godfather” and “Taxi Driver” will be on display at the A. Gallery in Paris until May 14, 2011.


In 1971, when Francis Ford Coppola began working on “The Godfather”, Steve Schapiro was a young photographer, 37 years old, known for his work published in Life, Look, Newsweek, and on movie sets. It is for this reason that Paramount offered him exclusive coverage of the making of “The Godfather”. This unique status provided him access to an exceptional “cast”, capturing the private moments with Brando that would become the film’s iconic images. His reputation would certainly contribute, four years later, to his being named official set photographer for Martin Scorcese’s new movie, “Taxi Driver”. There too, Steve Schapiro’s pictures would become icons. Robert de Niro (Travis Bickle) pointing his gun in front of a mirror, or Jodie Foster (Iris) waiting in front of a hotel entrance.

©Steve Schapiro "The Whisper"

These 35 enlargements (40 × 50cm or 75 × 100cm) are the renowned pictures hanging on the walls of the A. Gallery. Slide show here.

Pictures from the sets of “Midnight Cowboy” and “Chinatown” will also be on display at the A. Gallery. Several recent and to be published books are also featuring his photographs. “Schapiro’s Heros”, 2007, Powerhouse Books, and “The Godfather Family Album”, a collection of set pictures from the “Godfather” saga, published by Taschen. “Taxi Driver” also published by Taschen and “Chinatown” soon to be released by the same editor.



Bernard Perrine

Correspondant for The Institut of France

Bernard.Perrine1@orange.fr

Steve Schapiro “You talkin’ to me ?”
Until May 14

A. galerie
Rue Léonce Reynaud, 12
75116 Paris

Links
http://www.a-galerie.fr/exhibitions.php


Related: Steve Schapiro: American Edge and review in ARTnews

McLeans Canada: Scenes from the AIPAD photography show in NYC

Via MCLEANS

Every year, the world’s best galleries and photographers come together to pitch their wares under the same roof at the AIPAD (Association of International Photography Art Dealers) Photography Show New York, held in the Park Avenue Armory. For photographers, dealers, and art-lovers, this is the Big One.

The AIPAD Photography Show New York

Portraits of some of the prominent gallery owners showing at The AIPAD Photography Show New York: (clockwise) Robert Mann of Robert Mann Gallery in New York City, Kim Bourus of Higher Pictures in New York City, Deborah Bell of Deborah Bell Photographs in New York City, and Sidney S. Monroe of Monroe Gallery in Santa Fe, NM. Photo by Zoran Milich

Full slide show here 

ELIZABETH TAYLOR: February 27 1932 - March 22, 2011

Sid Avery: Elizabeth Taylor Sunning Herself on the Marfa, Texas Set of "Giant"

New York Times Obituary here

LIFE: Unpublished Elizabeth Taylor Photographs

United States Couple Create Photo Exhibits of War Dead, Booked in 39 Communities

 

The exhibit featuring photos of war dead from Nebraska and western Iowa opened in November and has been booked in 39 communities across the state

Via artdaily.org

OMAHA, NE (REUTERS).- A traveling photo exhibit of members of the military from two states who were killed in the Afghanistan and Iraq wars has inspired its creators to put together similar displays across the country.


Bill and Evonne Williams. of Omaha, Nebraska, formed Patriotic Productions Inc. to create and display "Remembering Our Fallen" exhibits in other states that will feature photos and information on each service member killed.

"We need to remember their names," Evonne Williams said.

The exhibit featuring photos of war dead from Nebraska and western Iowa opened in November and has been booked in 39 communities across the state.

The Williams hope to organize and mount exhibits in five states a year. They said inspiration for the project came from reading newspaper coverage of the wars, especially stories of the families of those killed.

The couple has four sons who have served or are currently serving in the Army or Marine Corps.

The project is not the first time the Williams' rallied to recognize America's veterans. They raised about $1.2 million and organized Honor Flights to fly 1,500 World War II veterans from the Midwest to Washington, D.C., to see the World War Two Memorial in 2008 and 2009.

(Editing by Greg McCune)

© Thomson Reuters 2011. All rights reserved.

GOING HOME

Ernst Haas: Utah, 1952

We sincerely and graciously thank each and everyone of you who visited our booth at this years AIPAD Photography Show. We look forward to keeping in touch with all of our new friends, and hope you might find time to visit us in Santa Fe.

SCENES FROM THE AIPAD PHOTOGRAPHY SHOW

Saturday at Booth #417

Stephen Wilkes, Bill Eppridge, and Neil Leifer

Jay Maisel and Stephen Wilkes

Please join us for the final day of the 2011 AIPAD Photography Show Sunday, March 20, 11 - 6 PM.

"A Visual Escape: AIPAD photo show is a must see for aficionados"

Behind The Lens
A Visual Escape


Section Sponsored By AIPAD photo show is a must see for aficionados.
By Bob Krasner

Friends


Photo editor Adrienne Aurichio, photographer (and husband) Bill Eppridge with photographer (and friend) Stephen Wilkes. Credit: Bob Krasner


So you like photography? You'll want to go to the AIPAD Photography Show. You love photography? You may not want to leave.


Over 75 photo dealers from all over the world have moved into the Park Avenue Armory in NYC for the weekend. Coming from London, China and numerous U.S. locations, these dealers have brought with them the cream of their collections for the benefit of serious collectors and the window shoppers among us.

The range of work on display is fascinating. Classic works by Brassai and Ansel Adams sit next to Bettie Page's naughty nudes.

Prices range, too. The Halsted Gallery offered original vintage prints which ran from $600 to $130,000. From Franklin, Minn., they are the oldest photography gallery in the country, according to Wendy Halsted-Beard.

One could spend too much time at their space alone, perusing images from Andre Kertesz, Arnold Newman, Irving Penn, Henri Cartier-Bresson, Berenice Abbott and Brett Weston, to name a few.

The show leans to the classic photographers and we were thrilled to be looking at and sometimes holding vintage prints by some of our favorites, such as Robert Frank, Lee Friedlander, Ray Metzker and the aforementioned Cartier-Bresson. There were some surprises too in the form of recently discovered work by Leopoldo Pomes (Michael Hoppen Gallery) and G.P. Fieret (Deborah Bell).

Moving on, we found contemporary work as well. The John Cleary Gallery had many fine examples of Maggie Taylor's work. Her creations were a beautiful example of how one can digitally create an image that is about something more than how to use photoshop. Niniane Kelley, from the gallery, noted that Taylor "leads the pack in digital, surreal work."

If you are lucky, you may have a chance to talk to some of the artists. Stephen Wilkes took the time to explain how he painstakingly created his images of the High Line and Times Square (12 hours in a cherry-picker and a whole lot of post-production).

We were also fortunate to spend time chatting with Bill Eppridge, whose 40-plus years as a photojournalist have been documented in National Geographic, LIFE magazine and Sports Illustrated. He was in Vietnam and Woodstock and is well known for his tragic image of Bobby Kennedy moments after being shot. He was having a great time at the show, being "surprised every time you turn around."

If you suffer from visual overload, stay home. But if you go, make sure you give yourself a few hours to visit all the booths. And bring a camera -- you'll probably be inspired to use it when you leave!

A GREAT ESCAPE:
The AIPAD Photography Show New York
March 18 - 21, 2010 Park Avenue Armory at 67th Street
643 Park Avenue
New York, NY 10065-6122
Show Hours
Thursday, March 17 11 a.m. to 7 p.m.
Friday, March 18 11 a.m. to 7 p.m.
Saturday, March 19 11 a.m. to 7 p.m.
Sunday, March 20 11 a.m. to 6 p.m.

Tickets are only available for purchase during Show hours.
Each ticket admits one person.
Admission
$40 for run-of-show
Includes exhibition access for Thursday, Friday, Saturday and Sunday, plus one show catalogue (as available). Does not include panel discussions.
$25 daily
Only includes exhibition access for Thursday, Friday, Saturday or Sunday.
$10 daily with valid student ID
Only includes exhibition access for Thursday, Friday, Saturday or Sunday.
Special Events
$10 per session for Saturday panel discussions
Seating for panel discussions is limited and available on a first-come, first-served basis. Download the panel discussion program.

Related: THE AIPAD PHOTOGRAPHY SHOW: "Where photojournalism is exhibited alongside artier and more experimental work

FRIDAY UPDATE FROM THE AIPAD PHOTOGRAPHY SHOW

Reports from the 2011 AIPAD Show are being published across the print and blog spectrum. We are pleased to share this report from Elizabeth Avedon:

AIPAD Photography Show


March 17-20 • Park Ave Armory x 67th St

Photo Collector's Alert: The Association of International Photography Art Dealers, the best of the best, are here in NYC this weekend. Check out all the modern, contemporary work, old masters, civil war treasures, salt prints and painted tin types. It's like the History of Photography all under one roof - only it's for sale. Mona Kuhn at M+B #109, The Oval Office, 2001 at Monroe Gallery #417, Laura Gilpin's 1928 Narcissus platinum print at Scheinbaum & Russek #214...over 70 galleries