Thursday, March 13, 2025

Podcast: Documenting war crimes with Ron Haviv

 Via iMEDd

March 12, 2025


Listen here.

Photography Exhibition: “A Brief Guide to Investigating War Crimes”

Documenting war and war crimes is a special segment of photojournalism. Tim McShea, a student at Johns Hopkins University, discusses with Emmy nominated and award-winning photojournalist Ron Haviv the stories behind some of his iconic photos (see here) during iMEdD’s International Journalism Forum for the Forum’s pop-up newsroom. Ron Haviv is a co-founder of VII Photo Agency & The VII Foundation.  

A selection of Ron Haviv's photographs will be part of the Monroe Gallery presentation at The Photography Show presented by AIPAD in booth C8, Park Avenue Armory, NYC, April 23 - 27, 2025.

Monday, March 10, 2025

Tuesday, March 11 On Leica Stories: In Conversation with David Butow

 Via B & H Photo

March 10, 2025

black and white photograph of people with sheep with graphic text overlay "Leica Strories David Butow"


Photojournalist David Butow has documented some of the most notable events over the past few decades, from the 2003 Iraqi invasion to the Trump presidency. Join us for a conversation about David’s acclaimed career and principled approach to photojournalism. Tuesday, March 11 -  3-4 PM (Eastern)

David Butow

David Butow is an acclaimed American photojournalist whose work spans decades and continents, known particularly for his unflinching documentation of social and political issues around the world. After beginning his career as a staff photographer for various newspapers, Butow transitioned to freelance work that has appeared in major publications including National Geographic, TIME, and The New York Times Magazine. His notable projects include coverage of the 2003 Iraq invasion, the Asian tsunami of 2004-05, and the 2019 democracy protests in Hong Kong. His 2021 book "BRINK" chronicled American politics during the Trump presidency. Butow's distinctive visual style combines journalistic integrity with an artistic sensibility that captures both the gravity and humanity of his subjects, earning him recognition through multiple awards and exhibitions of his work in galleries and museums internationally.


Hosted by Leica

Thursday, March 6, 2025

Winona LaDuke: DAPL Pipeline Lawsuit Against Greenpeace Aims to Silence Indigenous Protests, Too

 


Via Democracy Now!

As the oil company Energy Transfer sues Greenpeace over the 2016 Standing Rock protests against the Dakota Access Pipeline, we speak with Indigenous activist Winona LaDuke, who took part in that historic uprising. LaDuke is an enrolled member of the Mississippi Band of Anishinaabe who lives and works on the White Earth Nation Reservation and was among the thousands of people who joined the protests in solidarity with the Standing Rock Sioux Tribe to protect water and Indigenous lands in North Dakota. She highlights the close links between North Dakota’s government and Energy Transfer and says that while the lawsuit targets Greenpeace, Indigenous water and land defenders are also on trial. “North Dakota has really been trying to squash any kind of resistance,” says LaDuke. “If they can try to shut down Greenpeace, they’re going to shut down everybody.”










Saturday, March 1, 2025

A new show at the Rijksmuseum tries to make sense of the US with ‘American Photography’; includes Nina Berman's "Marine Wedding"

 

March 1, 2025

Via The Financial Times


"Nina Berman’s “Marine Wedding” chronicles the marriage in 2006 of mutilated Iraq War veteran Tyler Ziegel, a plastic dome replacing his broken skull, and his childhood sweetheart Renee Kline. The bride appears grief-stricken, the couple divorced within a year and Ziegel died at 30 from an overdose.


The first such major survey in a European museum, American Photography, drawn from the Rijksmuseum’s eclectic collection plus well-targeted loans, is timely, launched as Europe struggles to understand Trumpian America. Installed thematically — “Face to Face”, “At Home”, “On the Road”, “Selling Points”, “Death and Disaster” — it records how the camera has eyed the country in reportage, advertisements, protest posters, family and amateur snapshots, photo-booth strips, memorabilia." --Full article here