Thursday, December 29, 2022

Monroe Gallery of Photography sadly announces Tony Vaccaro has died at age 100

 

Photographer Tony Vaccaro raises a glass of red wine in a roast while seated at his Centennial Exhibition pop up in NYC, December, 2022
Tony Vaccaro toasts visitors at his NYC Pop Up Exhibition, December 16, 2022


Long Island City, NY -- Tony Vaccaro passed away peacefully on December 28, eight days after celebrating his 100th birthday. He was surrounded by his loving family: his son, Frank, daughter-in-law Maria, and beloved grandsons Liam and Luke. He is also survived by another son, David. Tony's wife, the former Marrimekko model Anja Vaccaro, passed away in 2013.

In late November, Tony had entered NY Harbor Veteran’s Hospital for emergency surgery for complications from an ulcer. He recovered and attended the pop-up Tony Vaccaro Centennial Exhibition of his photographs presented by Monroe Gallery of Photography in New York City December 13-18, 2022. The City of New York officially proclaimed December 20, 2022 “Tony Vaccaro Day”, and Vaccaro was feted by friends at a surprise birthday party at his favorite local Italian restaurant that evening.




Born in Greensburg, Pennsylvania, on December 20, 1922, Michelantonio Celestino Onofrio Vaccaro spent the first years of his life in the village of Bonefro, Italy, after his family left America under threat from the Mafia. Both of his parents had died by the time he was eight years old, and he was raised by an uncaring aunt and a brutal uncle. His love of photography began in Bonefro where at age ten, he began taking pictures with a box camera. When World War II broke out, the American ambassador in Rome ordered Vaccaro to return to the States. He settled in with his sisters in New Rochelle, N.Y., where he joined his high school camera club. His teacher and mentor Bertram Lewis guided him through a year of concentrated apprenticeship.

 A year later, at the age of 21, Vaccaro was drafted into the war. He was determined to photograph the war, and had his portable 35mm Argus C-3 with him from the start. By the spring of 1944 he was photographing war games in Wales. By June, now a combat infantryman in the 83rd Infantry Division, he was on a boat heading toward Omaha Beach. Tony's D-Day craft launched on D-Day, June 6th, and was staged in the channel to land June 28 (D-Day +12). For the next 272 days, Vaccaro fought and photographed on the front lines of the war. He entered Germany in December 1944, as a private in the Intelligence Platoon, and was tasked with going behind enemy lines at night. In the years after the war, he remained in Germany to photograph the rebuilding of the country for Stars and Stripes magazine. Vaccaro was awarded the Purple Heart medal for wounds received in action in the European Theater.

 Returning to the States in 1950, Vacaro started his career as a commercial photographer, eventually working for virtually every major publication: Flair, Life, Look, Harper’s Bazaar, Quick, Newsweek, Town and Country, Venture, and many more. . After the war, he replaced the searing images of horror embedded in his memory, by focusing on the splendor of life and capturing the beauty of fashion and those who gave of themselves: artists, writers, movie stars, and cultural figures. Tony went on to become one the most sought-after photographers of his day, photographing everyone from Enzo Ferrari and Sophia Loren to Pablo Picasso, Peggy Guggenheim and Frank Lloyd Wright. From 1970 to 1980 he taught photography at Cooper Union.

 “Il Maestro,” as the Italian press called him, won numerous honors and awards. These include the Art Director’s Gold Medal (New York City, 1963), The World Press Photo Gold Medal (The Hague, 1969), The Legion of Honor (Paris, 1994), The Medal of Honor (Luxembourg, 2002), Das Verdienstkreuz (Berlin, 2004), and the Minerva d’Oro (Pescara, 2014).

 

Since retiring in 1982, Vaccaro’s work has been exhibited world-wide over 250 times and has been published or been the subject of ten books and two major films. In 2014, the Museo Foto Tony Vaccaro was inaugurated in Bonefro, Italy.

 Vaccaro’s works are in numerous private and public collections including The Metropolitan Museum of Art in New York, the Georgia O’Keeffe Museum in Santa Fe, the Centre Pompidou in Paris, and the Library of Congress in Washington, DC.

 In 2016, HBO Films premiered Under Fire: The Untold Story of Private First Class Tony Vaccaro. The film tells the story of how he survived the war, fighting the enemy while also documenting his experience at great risk, developing his photos in combat helmets at night and hanging the negatives from tree branches. The film also encompasses a wide range of contemporary issues regarding combat photography such as the ethical challenges of witnessing and recording conflict, the ways in which combat photography helps to define how wars are perceived by the public, and the sheer difficulty of staying alive while taking photos in a war zone. The film led to a career renaissance for Vaccaro.

 In 2018, Vaccaro’s photographs were featured in major one-person exhibitions in Venezia, Italy; Potsdam, Germany; London, England; and Santa Fe, New Mexico. In 2019, he was inducted into the International Photography Hall of Fame in St. Louis, Mo. In 2021 the Kunsthalle Helsinki presented the exhibition Tony Vaccaro: Life Is Wonderful, a selection of 130 images from his career of nearly 80 years. From October 10 – December 4, 2022, Tony Vaccaro 100!  was exhibited at the Museum für Photographie in Braunschweig, Germany.

After surviving World War II, Vacarro recovered from two bouts with Covid-19 in 2020 and 2022. He attributed his longevity to “blind luck, determination, red wine, and chocolate”.

The New York pop-up exhibition featured the premiere showing of the trailer for the new documentary film “VACCARO BY LA VILLA” by acclaimed and award winning filmmakers, Marco and Mauro La Villa. The film tells the ‘Come-Back’ story of an extraordinary photographer, artist, and orphan that was almost forgotten and not nearly given the much deserved due and recognition for a lifetime of extraordinary work.

Filmed over the last 5 years of Tony Vaccaro’s life, “VACCARO BY LA VILLA” is scheduled for release in 2023.


Wednesday, December 28, 2022

Portraits from Three Exhibitions by Three American Photographers: Joel-Peter Witkin, Arthur Elgort, Tony Vaccaro

 Via Exibart

December 28, 2022

exterior street view of the Monroe Gallery Tony Vaccaro Pop Up Gallery at 21 Spring St in NYC
T



Around the corner, on Spring Street, there was the pop-up show of the Monroe Gallery dedicated to Tony Vaccaro: the exhibition in the temporary room with large windows has just ended, but the same exhibition continues until February 5 in Santa Fe.

Michelantonio Celestino Onofrio Vaccaro was born in Greensburg, Pennsylvania, on December 20, 1922, to Italian immigrant parents. His father Giuseppe Antonio Vaccaro (born October 14, 1874) was from Bonefro, Molise. In 1926, during the family's move to Italy, both parents died. With the outbreak of World War II, Vaccaro returned to the United States to avoid military service in Italy, but then fought in Normandy, Belgium, Luxembourg and Germany. Until 1949, Vaccaro photographed throughout Germany and Europe, documenting post-war life. After returning to the United States in 1949, he worked for Flair and Look before joining Life magazine. Between 1950 and 1973 Vaccaro worked extensively as a fashion photographer. Settled in the West Village in 1951 and then in Central Park West in 1955, since 1979 he has been in Long Island City both as a residence and for his studio, with his archive of hundreds of thousands of images. We had met him a few months ago at the AIPAD photo fair where, always with the gallery owners Sidney and Michelle Monroe and surrounded by his grandchildren and son, he welcomed visitors toasting with a glass of red.


Monroe Gallery of Photography 2022 in Review

 


David Butow: Brink


photograph of the cover of the David Butow book "Brink" showing title printed over black and white American flag

Gallery talk

Exhibition link


Ed Kashi: Abandoned Moments

color image of book cover for Abandoned Moments by Ed Kashi. The cover image shows people celebrating the Ganpati Festival to the Lord Ganesh, India


Gallery talk

Exhibition link


The LIFE Photographers

Exhibition video

Exhibition link


Imagine A World Without Photojournalism



Gallery discussion with photojournalists Nina Berman and David Butow

Exhibition link


The Legacy of Bill Eppridge

Exhibition video

Exhibition link


The Tony Vaccaro Centennial Exhibition

Graphic with Monroe Gallery - Tony Vaccaro in circle around the number 100



Exhibition video

Exhibition link


We look forward to seeing you in 2023!


Tuesday, December 27, 2022

Gabriela Campos Photo Feature in The Guardian

 Via The Guardian

December 27, 2022


Gallery photographer Gabriela Campos photographed the feature "Native American chefs are redefining the food truck scene while building a loyal customer base" for the UK Guardian Full article here.





color photo of Yyan Rainbird Taylor holding a plate full of indigenous soul food dishes that Yapopup is known for. We meet him in the Ohkay Owingeh Pueblo, not far from his grandmother’s home.
Ryan Rainbird Taylor holds a plate full of indigenous soul food dishes that Yapopup is known for. We meet him in the Ohkay Owingeh Pueblo, not far from his grandmother’s home. 
Photograph: Gabriela Campos


Pulitzer Center on Crisis Reporting 2022 A Year in Photos Includes Ed Kashi Photograph

 

Via Pulitzer Center on Crisis Reporting

December 26, 2022


One of Gallery Photographer Ed Lashi's photographs from an assignment for TIME in Qatar, documenting the impact of heat stress on workers building the World Cup stadiums, has been chosen by the Pulitzer Center for Crisis Reporting as one of the best photographs of the year.


Color photograph of a worker in construction gear drinking from a water bottle on a World Cup construction site in Lusail City, Qatar to stay hydrated during extreme heat conditions.

A worker on a World Cup construction site in Lusail City, Qatar, tries to stay hydrated during extreme heat conditions. Thousands of migrant workers died in the decade leading up to the games/ Ed Kashi | VII/TIME

"I see the issue of heat stress and work to be one of the growing challenges we face in light of climate change. Focusing on Nepalese workers who had traveled to Qatar to work on the World Cup facilities was a timely and important way to amplify this issue to a global audience.

The value of visual reporting is only growing in impact, and to have this work appear during the World Cup couldn’t have been better timing to emphasize the need to address this pressing issue." - Ed Kashi




In 2022, the Pulitzer Center supported photojournalism that captured a wide array of the year’s most definitive moments. The work featured here exemplifies visual storytelling with depth and nuance. These images show the heartbreak of conflict, demands for justice, and the global fight for liberty and equality. They beckon viewers to witness the effects of deforestation and meet the communities living on the front lines of climate change.

Together, this collection of Pulitzer Center-supported work visualizes our mission to raise awareness of underreported global issues, sustain attention on urgent stories, and hold those in power to account. Our grants and fellowships for freelance and staff photojournalists aim to cultivate equal representation of voices in our work and the journalism we support.

Photojournalism is a powerful mechanism to provoke positive change. Universally understood, visual storytelling communicates across languages, distances, and lived experiences. It takes great care, intention, and determination to produce work with such impact, and we are thankful to our grantees and reporting partners for furthering the Pulitzer Center's mission.


Friday, December 23, 2022

Tony Vaccaro centennial exhibition on view at Monroe Gallery of Photography

 Via Art Daily

December 23, 2022

color photograph of a glowing sunset portrait of the twin towers of the World Trade Center from 1979

A glowing sunset portrait of the twin towers of the World Trade Center from 1979


SANTA FE, NM.- A new exhibitions celebrates the 100th birthday of acclaimed photographer Tony Vaccaro in Santa Fe. The show has been on view at Monroe Gallery in Santa Fe since November 25, 2022, and will end on January 29, 2023.

Vaccaro is known for his photographs of WWII, which were the subject of a 2016 HBO documentary, and his editorial work for Life, Look, Newsweek, Vanity Fair and countless other publications. The exhibitions coincide with Tony Vaccaro 100! on view at the Museum für Photographie in Braunschweig, Germany. In both locations, Tony Vaccaro: The Centennial Exhibition, juxtaposes the living legend’s powerful war images with the lyrical mid-century fashion, film, and pop culture photographs that came later.

On view are more than four dozen photographs dating from 1944-1979. From the battlefields of Europe to the rooftops of Manhattan, Vaccaro trained his inimitable lens with a sensitivity derived from early hardship as an orphan in Italy. After the war, he replaced the searing images of horror embedded in his memory, by focusing on the splendor of life and capturing the beauty of fashion and those who gave of themselves: artists, writers, movie stars, and cultural figures. From a photograph of a running soldier in 1944’s Battle of the Bulge to a shot of the actress Gwen Verdon swinging in a hammock against a New York skyline, the exhibition illustrates Vaccaro’s will to live against all odds and to advance the power of beauty. Several never-before-exhibited photographs are on view: a 1951 image of a bevy of beautiful women surrounding one in a pink dress on a balcony, a 1968 shot of Vaccaro holding up a test strip during a photo shoot, and a glowing sunset portrait of the twin towers of the World Trade Center from 1979.

As Vaccaro passed his 100th birthday on December 20, 2022, he has survived two bouts of Covid, and is one of the few people alive who can claim to have survived the Battle of Normandy and Covid. He attributes his longevity to “blind luck, red wine and determination.”

“To me, the greatest thing that you can do is challenge the world,” said Vaccaro. “And most of these challenges I win. That’s what keeps me going.”

Born in Greensburg, Pennsylvania, on December 20, 1922, Michelantonio Celestino Onofrio Vaccaro spent the first years of his life in the village of Bonefro, Italy, after his family left America under threat from the Mafia. Both of his parents had died by the time he was eight years old, and he was raised by an uncaring aunt and a brutal uncle. His love of photography began in Bonefro where at age ten, he began taking pictures with a box camera. When World War II broke out, the American ambassador in Rome ordered Vaccaro to return to the States. He settled in with his sisters in New Rochelle, N.Y., where he joined his high school camera club. His teacher and mentor Bertram Lewis guided him through a year of concentrated apprenticeship.

A year later, at the age of 21, Vaccaro was drafted into the war. He was determined to photograph the war, and had his portable 35mm Argus C-3 with him from the start. By the spring of 1944 he was photographing war games in Wales. By June, now a combat infantryman in the 83rd Infantry Division, he was on a boat heading toward Omaha Beach, six days after the first landings at Normandy. For the next 272 days, Vaccaro fought and photographed on the front lines of the war. He entered Germany in December 1944, as a private in the Intelligence Platoon, and was tasked with going behind enemy lines at night. In the years after the war, he remained in Germany to photograph the rebuilding of the country for Stars and Stripes magazine.

Returning to the States in 1950, Vacarro started his career as a commercial photographer, eventually working for virtually every major publication: Flair, Life, Look, Harper’s Bazaar, Quick, Newsweek, Town and Country, Venture, and many more. Tony went on to become one the most sought after photographers of his day, photographing everyone from Enzo Ferrari and Sophia Loren to Pablo Picasso, Peggy Guggenheim and Frank Lloyd Wright. From 1970 to 1980 he taught photography at Cooper Union.

“Il Maestro,” as the Italian press calls him, has won numerous honors and awards. These include the Art Director’s Gold Medal (New York City, 1963), The World Press Photo Gold Medal (The Hague, 1969), The Legion of Honor (Paris, 1994), The Medal of Honor (Luxembourg, 2002), Das Verdienstkreuz (Berlin, 2004), and the Minerva d’Oro (Pescara, 2014).

Since retiring in 1982, Vaccaro’s work has been exhibited world-wide over 250 times and has been published or been the subject of ten books and two major films. In 2014, the Museo Foto Tony Vaccaro was inaugurated in Bonefro, Italy.

Vaccaro’s works are in numerous private and public collections including The Metropolitan Museum of Art in New York, the Georgia O’Keeffe Museum in Santa Fe, the Centre Pompidou in Paris, and the Library of Congress in Washington, DC.

In 2016, HBO Films premiered Under Fire: The Untold Story of Private First Class Tony Vaccaro. The film tells the story of how he survived the war, fighting the enemy while also documenting his experience at great risk, developing his photos in combat helmets at night and hanging the negatives from tree branches. The film also encompasses a wide range of contemporary issues regarding combat photography such as the ethical challenges of witnessing and recording conflict, the ways in which combat photography helps to define how wars are perceived by the public, and the sheer difficulty of staying alive while taking photos in a war zone. The film has led to a career renaissance for Vaccaro.

In 2018, Vaccaro’s photographs were featured in major one-person exhibitions in Venezia, Italy; Potsdam, Germany; London, England; and Santa Fe, New Mexico. In 2019, he was inducted into the International Photography Hall of Fame in St. Louis, Mo. In 2021 the Kunsthalle Helsinki presented the exhibition Tony Vaccaro: Life Is Wonderful, a selection of 130 images from his career of nearly 80 year

Thursday, December 22, 2022

TIME's Top 10 Photos of 2022 includes David Butow's Image of a makeshift memorial in downtown Uvalde

 Via TIME

December 22, 2022


black and white photo of Local children and their parents react to a makeshift memorial in downtown Uvalde, nearby Robb Elementary School, on May 26


On May 24, 19 students and two teachers were killed at Robb Elementary in Uvalde, Texas. The next day, as the nation attempted to understand yet another tragedy, photographer David Butow traveled from his home in Los Angeles to document the aftermath. “I spent most of my childhood in Texas,” says Butow. “I have affection for the place, but in recent years have watched with dismay how the state government has trumpeted an aggressive pro-gun attitude, and I felt that made this event particularly tragic and ironic.”

Residents and media gathered at a local park in close proximity to the school. Butow found himself there along with a group of children and parents visiting the makeshift memorials. “I looked around my camera’s viewfinder at all those faces going through various expressions of pain and grief,” he says. “It was very, very raw and painful to watch, but it was real and it was happening right in front of me so I stayed in place for a few minutes taking dozens of pictures.”

Butow says he has mixed feelings about recording these children’s emotions in such a direct way, but he believes it is critical for the public to see the impact of the shooting. “It makes me sad and angry that Uvalde’s children suffered because of the selfishness and failures of many adults in this country who should be looking after them.”




Wednesday, December 21, 2022

Pollock Krasner House: Photographer Tony Vaccaro’s 100th Birthday/ Exhibit & Tribute

 Via Pollock Krasner House

Dec. 20, 2022



LEGENDARY PHOTOGRAPHER TONY VACCARO’S 100th BIRTHDAY

click here to view the recording of our tribute with his son Frank Vaccaro


Jackson Pollock seated in his studio with his dog, East Hampton, 1953

Imagine photographing on the front lines while being a soldier in combat during World War II. And later photographing the most celebrated artists, Pollock, Krasner, Picasso, deKooning, and others.

Joyce Raimondo, Education Coordinator, leads a discussion with Vaccaro’s son, Frank Vaccaro, about his father’s acclaimed war photographs and Vaccaro’s iconic photographs of Pollock and Lee. Helen Harrison, Director of the Pollock-Krasner House and Study Center leads a virtual tour of the barn studio where Vaccaro’s photos of Jackson and Lee are displayed.


Tony Vaccaro: A Centennial Tribute

‘Andy Warhol and Friends’: Steve Schapiro’s Intimate Photos of Warhol, the Velvet Underground and Edie Sedgwick

Via Rolling Stone

December 21, 2022

black and white photograph of Andy Warhol swooning at Edie Sedwick at a party in  1965

Warhol at a New York party with Edie Sedgwick, 1965. “In the years that I photographed Andy, I never saw him out of his ‘character’ — except in this one photo,” Schapiro writes in the book. “He looks so charmed by his friend Edie. I find this picture to be very endearing. I call this image Andy Loves Edie.”


By 1965, Andy Warhol had already revolutionized the art world with his depictions of soup cans, Marilyn Monroe, and Brillo boxes. His interests grew to include rock & roll — he started managing the Velvet Underground and eventually produced their debut, The Velvet Underground & Nico — and he began making even more films, which starred members of his retinue including Edie Sedgwick, Gerard Malanga, and Mary Woronov, among others. Seeing how he fascinated the world, Life magazine hired photojournalist Steve Schapiro to document Warhol's cultural ascension. Ultimately, the magazine never published the story.

Schapiro, who died earlier this year after a long and distinguished career which also included many well-known images from the Civil Rights Movement, excavated the negatives from his Life shoot for a book that's just been released. Andy Warhol and Friends: 1965 – 1966 includes many never-before-seen documents of a pivotal time in Warhol's life as he helped shape popular culture for decades to come. Included are scenes from the artist's Silver Clouds exhibition in L.A. and many shots of the Velvet Underground at work, as well as an essay and captions by Warhol biographer Blake Gopnik. What follows are some of Schapiro's eye-opening images from Andy Warhol and Friends.


Full slide show here


Saturday, December 10, 2022

Photographer Tony Vaccaro, 99, captures ‘beauty of life’ — from WWII to haute couture

 Via The NY Post

December 10, 2022


Tony Vaccaro in his stufio with pictures of Calder, Sophia Loren, and Georgia O'Keeffe

What began as a childhood pastime in Italy turned into a career that took Tony Vaccaro around the world Photo credit  Manolo Salas

Tony Vaccaro took his first picture when he was 10 years old and living in Italy. He soon started toting a camera everywhere — to school, on camping trips, a visit to the Vatican, and eventually to the frontlines of World War II, where, as an American soldier, he documented the Battle of the Bulge, the Liberation of France and the tragic deaths of his comrades.

After that, Vaccaro vowed he would devote himself not to the brutality of war, but to “beauty.”

“I said to myself, ‘You must photograph those people who give mankind something,’” the 99-year-old photographer, who lives in Long Island City, told The Post. “And I went after them — all of them.”

He sure did: Vaccaro has snapped everyone from Jackson Pollock to John F. Kennedy, Jr., Sophia Loren, Lee Krasner, Frank Lloyd Wright — who gave Vaccaro one of his canes, which the shutterbug still uses today — and countless other luminaries, who often became his friends.

Vaccaro turns 100 on Dec. 20, and a new exhibit celebrates his extraordinary life and career. “Tony Vaccaro: The Centennial Exhibition” runs Dec. 13 to 18 at the Monroe Gallery of Photography pop-up at 21 Spring St., Nolita. It features some two dozen images from a deep body of work, from harrowing war photos to whimsical fashion shoots to portraits of celebrities and artists, including Eartha Kitt and Georgia O’Keeffe.

“In the process of doing that, I hope I gave mankind something back,” Vaccaro said.

Tony Vaccaro in his studio holding on of his framed photographs

Now nearly 100, Vaccaro has snapped countless celebrities, creatives and other luminaries.
Phot credit  Manolo Salas

Vaccaro likes to joke that he has survived the Battle of Normandy and two bouts of COVID, but his entire life story is one of remarkable resilience. Born in Greensburg, Penn., on December 20, 1922, he spent his early childhood in Italy after his family had to flee the States under threat of the Mafia. By the age of 5, both of his parents were dead.

“I was raised by my uncle, who physically abused me,” Vaccaro said. “But he did give me my father’s box camera, and my love for photography was born.”

As fascism swept through Italy, a teenaged Vaccaro went back to the States, reuniting with his two sisters in Westchester County. As an immigrant who didn’t speak English, carrying his camera, which he used to document his classmates and their adventures, made him feel accepted.

Tony Vaccaro on NY rooftop holding a color test strip, 1960
As a young immigrant who didn’t speak English, Vaccaro found that his camera helped him feel accepted.  Tony Vaccaro with test strip, NY, 1960
Courtesy Monroe Gallery of Photography

At 21, he was drafted into the US Army. He carried his 35 mm Argus C3, along with his gun, to the frontlines. He used army helmets to develop his film at night and hung the prints on tree branches to dry. He was shot and injured twice and got a purple heart. Afterward, he used his experience shooting on the front lines to bring life and spontaneity to the staid world of fashion shoots, much like Richard Avedon and Gordon Parks.

Vaccaro retired in the 1980s, but he still takes pictures of his 8-year-old twin grandchildren, Luke and Liam (who live in the apartment across the hall from him in Queens), and even photographed the New York City Marathon in November. He also shares an incredible array of vintage snaps on Instagram — @tonyvaccarophotographer — with the help of his daughter-in-law, Maria.

Two weeks ago, he went to the hospital with a burst stomach ulcer, and was still recovering from surgery when he spoke with The Post last week. (His son, Frank, helped Vaccaro form his responses, jogging his memory.)

Still, he has not lost his boundless zest for life.
Tony Vaccaro seated in his studio in front of his photograph of DeKooning seated

Vaccaro with a photo of Willem de Kooning — the abstract expressionist artist was one of many 20th century boldface names to befriend the photographer over the years.Manolo Salas

“I feel super,” he said over the phone from his hospital bed, adding that he credits “chocolate, red wine and determination” for his longevity.

“I have been lucky,” he said. “I want the world to know the beauty of life.”


"White Death" a dead soldier cover in snow, WWII, Belgium, 1944
Tony Vaccaro’s “White Death”   Tony Vaccaro, courtesy of Monroe Gallery

Vaccaro snapped this stark photo of a fallen soldier lying face down in the snow before he realized the body belonged to his friend, Pvt. Henry Irving Tannenbaum. More than 50 years later, Tannenbaum’s son Sam contacted Vaccaro to ask about his father, and the two ended up going to the field where he had been killed. “I was confused to find that the field had transformed into a forest — pine trees everywhere,” Vaccaro recalled. “The land owner told us that it wasn’t actually a forest, but that the field is used for growing Christmas trees to be sold in Spain. Can you imagine — tannenbaum means Christmas tree in German!”
WWII American soldier kissing a young girl in liberated town in France
Tony Vaccaro’s “Kiss of Liberation,” 1945.Tony Vaccaro, courtesy of Monroe Gallery

Vaccaro often credits this photo of American soldier Gene Costanzo kissing a small French girl in St. Briac, Brittany at the end of the war as his favorite picture. “The day we liberated this small town in France I will never forget,” he wrote in an Instagram post. It was an early summer morning and when news of the liberation broke, women and children flooded the streets. “I was lucky that the French kiss three times [instead of one]. Otherwise I may have missed this warm moment between the soldier and this little girl.”
a distraught German soldier returns home to find his house gone, Frankfurt, Germany, 1946
Tony Vaccaro’s “Defeated Soldier,” 1947.Tony Vaccaro, courtesy of Monroe Gallery

After the war, Stars and Stripes magazine asked Vaccaro to stay in Europe to document the rebuilding of Germany. As he was leaving the US embassy in Frankfurt to pick up his passport, he stumbled upon a German soldier crying outside what was once his home. “He had lost his wife and children,” Vaccaro said. “He had apparently been released from a prisoner camp in Texas or Oklahoma.” The experience of getting to know the enemy made him realize “we all bleed the same blood.” “When we got to know each other we were not much different,” he said.


Georgia O'Keefe on the portal of her Abiquiu home in New Mexico with s cow's skull on the door frame
Georgia O’Keeffe at home in 1960.Tony Vaccaro Courtesy Monroe Gallery of Photography

Vaccaro was assigned to photograph then 72-year-old artist O’Keeffe at her home in New Mexico for Look magazine in 1960. But when he arrived, she refused to look at him. “She was expecting a different photographer,” Vaccaro said. After five days of ignoring him, she mentioned something about Manolette, considered the greatest bullfighter of all time. “I told her that I had photographed Manolette and that I could send her a photograph,” Vaccaro recalled. “So she turned towards me, and for the next two days, never looked, nor talked, to the writer [who had accompanied Vaccaro for the story], Charlotte Willard.” Willard left “in a huff,” and Vaccaro stayed nearly two weeks, snagging scores of intimate portraits.
Gwen Verdon in a hammock on a NY rooftop, 1953

Gwen Verdon on a New York City rooftop in 1953.Tony Vaccaro, courtesy of Monroe Gallery

The Tony Award-winning actress, dancer and choreographer Gwen Verdon was one of Vaccaro’s favorite fashion subjects. “She was a sensation,” he recalled. “She did anything and tried everything.” The photographer was shooting Verdon for a quickie fashion shoot and had to improvise something on the outside balcony of the 12th floor of LOOK magazine, so he tied a hammock and instructed Verdon to lounge on it. “I also had a basket of apples at the studio that day, and we ended up rolling them all on the floor of the photoshoot.”


color photo of Gicenchy holding a camera to his eye by his pool in the South of France, 1961
Givenchy at home with partner Phillip in 1961.Tony Vaccaro  Courtesy Monroe Gallery of Photography


Vaccaro struck up a friendship with the French couturier Hubert de Givenchy after photographing him and his designs for various magazines. After one shoot, Vaccaro joined Givenchy and his partner Philip by their pool and taught the designer how to use a camera, which Vaccaro of course documented with his own point-and-shoot.

 
color photograph of Eartha Kitt being dressed by designed Givenchy in his Paris showroom

Eartha Kitt at Givenchy’s showroom in 1961.Tony Vaccaro, courtesy of Monroe Gallery

Vaccaro caught the frenzy chaos of a fitting with superstar Eartha Kitt at Givenchy’s Paris showroom. To the right, you can spot the shutterbug holding his camera, “just having fun.”
The Fashion Train, New York, 1960


color photograph of fashion model in pink outfit and hat with suitcase on a commuter train in NY

Tony Vaccaro’s “The Fashion Train” 1961Tony Vaccaro  Courtesy Monroe Gallery of Photography


Vaccaro took this picture in 1960 for Good Housekeeping of a fashion model walking through a smoke-filled train. He strove for naturalism in his fashion shoots. “Over time I was able to remove anything artificial – even poses,” he said. “I put my subjects in an environment — their favorite environment — and then I took photos.”


models in colorful Marimekko dresses with colorful umbrellas on a dock in Finland
Tony Vaccaro’s “Fun in Finland” 1965. The model on the left, Anja Lehto, would later become his wife.Tony Vaccaro  Courtesy Monroe Gallery of Photography


Vaccaro shot many campaigns for the Finnish brand, Marimekko, mainly because he was in love with one of the company’s models, Anja Lehto, shown here on the left. “I met her in 1961, when LIFE magazine sent me to 57th Street, between Park and Madison, to photograph [the brand],” he recalled. “Girl number one came in, did her walk, girl number three, girl number four — I looked at her and said, ‘That’s my wife.’” It took a couple years and photoshoots — Lehto was married to Finnish royalty at the time — but the two got hitched in 1963 and had two children. (She died in 2013.)
38

model with an architectural hat resembling the Guggenheim museum in front of the Guggenheim, NY, 1960
Tony Vaccaro’s “The Guggenheim Hat” 1960 Tony Vaccaro  Courtesy Monroe Gallery of Photography


Vaccaro had incredible freedom in his photo shoots, and when LOOK magazine sent him this sculptural hat to shoot for a story, he immediately knew he wanted to photograph the model Isabella wearing it in front of his favorite museum, the Guggenheim in New York City.



21 Spring Street, NY


Tony Vaccaro The Centennial Exhibition Santa Fe ongoing through January 15, 2023
112 Don Gaspar Avenue, Santa Fe, NM

Tuesday, December 6, 2022

Gallery Photographer David Butow's Image from Uvalde Selected As One Of Time's Top Photos of 2022

 


black and white photograph of Local children and their parents standing by a makeshift memorial with crosses in downtown Uvalde, nearby Robb Elementary School, on May 26 by David Butow
Local children and their parents react to a makeshift memorial in downtown Uvalde, nearby Robb Elementary School, on May 26. David Butow—Redux


View David Butow's gallery prints here

Sunday, December 4, 2022

Tony Vaccaro Centennial Events

black and white photograph of Tony Vaccaro in the LOOK magazine studio with camera and lights, 1957
Tony Vaccaro at LOOK magazine Studio, NY, 1957
 

Saturday, December 10 2:00 - 3:00 p.m. EST: Tony Vaccaro: A Centennial Tribute With The Pollock-Krasner House and Study Center

This special Zoom event celebrates the birthday of acclaimed photographer Tony Vaccaro, who will turn 100 on December 20. Best known for his images of Europe immediately after World War II, Tony later became a fashion and lifestyle photographer. He photographed Jackson Pollock and Lee Krasner in their home and studio in 1953. Family members will present a selection of Tony’s iconic photos, and Joyce will lead a virtual tour of the barn studio where his photos of Jackson and Lee are displayed. Participants are invited to pay tribute to Tony during open sharing.

Zoom registration here


Through Saturday, December 10: Tony Vaccaro 100: A Life of a Photographer from War to Culture at the Museum für Photographie Braunschweig, Germany. Finissage on Sunday, Dec. 10, 2022.


Two new exhibitions will celebrate the 100th birthday of acclaimed photographer Tony Vaccaro in New York City and Santa Fe

December 13 - 18: The Tony Vaccaro Centennial Exhibition NYC Pop Up

21 Spring Street, New York City; open daily 10-5


Ongoing through January 15, 2023: The Tony Vaccaro Centennial Exhibition, Monroe Gallery of Photography, Santa Fe, NM


Please contact the Gallery for further information.

Thursday, December 1, 2022

Tony Vaccaro: A Centennial Tribute With The Pollock-Krasner House and Study Center

 

Via Pollock-Krasner House and Study Center

Tony Vaccaro: A Centennial Tribute

 

photograph of Tony Vaccaro with camera around his nexk

Saturday, December 10 

2:00 - 3:00 p.m. EST

This special Zoom event celebrates the birthday of acclaimed photographer Tony Vaccaro, who will turn 100 on December 20. Best known for his images of Europe immediately after World War II, Tony later became a fashion and lifestyle photographer. He photographed Jackson Pollock and Lee Krasner in their home and studio in 1953.

Family members will present a selection of Tony’s iconic photos, and Joyce will lead a virtual tour of the barn studio where his photos of Jackson and Lee are displayed. Participants are invited to pay tribute to Tony during open sharing.

Zoom registration here


Related: The Tony Vaccaro Centennial Exhibitions in Santa Fe and New York

Thursday, November 24, 2022

Celebrating Tony Vaccaro’s cinematic photography Life behind the lens

 Via Huck

November 24, 2022

Text by Miss Rosen

Photography © Tony Vaccaro courtesy of Monroe Gallery

A new exhibition is marking the photographer’s 100th birthday with a look back at his extraordinary career.

Photographer Tony Vaccaro, who celebrates his 100th birthday on 20 December 2022, has lead a life as cinematic as the pictures he’s made. In honour of his 80-year career, gallerist Sid and Michelle Monroe are curating Tony Vaccaro: The Centennial Exhibition, two major shows in New York and Santa Fe, New Mexico.

Featuring works from the photographer’s storied career, The Centennial Exhibition brings together images made while Vaccaro was serving on the frontlines of World War II, and later as a portrait and fashion photographer for Life, Flair, and Harper’s Bazaar during the golden age of magazines.

Whether photographing fashion designer Hubert de Givenchy in the atelier with Hollywood icon Eartha Kitt or art collector Peggy Guggenheim relaxing in a Venetian gondola, Vaccaro crafted exquisite portraits of the 20th century’s most influential artists, actors, filmmakers, leaders, and luminaries.

Tony’s sensitivity to his subjects was derived from his early hardship as an orphan in Italy,” say the Monroes, who began working with the photographer in 2016. At the age of four, both Vaccaro’s parents died, and he was sent to live with an aunt and uncle. His early years were marked by physical and emotional abuse, and as soon as World War II erupted, he returned to the U.S., the nation of his birth.

Vaccaro took up photography in high school, a skill that served him well when he was drafted to serve in the 83rd Infantry Division, nicknamed ‘Thunderbolt’. As a scout, Vaccaro photographed the frontlines of battle in Normandy, Belgium, Luxembourg, and Germany – despite being wounded twice.

“After the war, Tony replaced the searing images of horror embedded in his memory by focusing on the splendour of life,” say the Monroes. “His experiences left a deep wound in his being, and in response he made a conscious decision to celebrate beauty and creativity.”


color photo of Eartha Kitt and Givenchy, Paris, 1961

Eartha Kitt and Givenchy, Paris, 1961

Comfortable with a full range of cameras in the studio and the field, the photographer could easily adapt to whatever the moment might demand. “Whenever possible, he preferred to spend days, if not weeks, with his subjects, to create a natural relationship between him and his subject,” the Monroes say.

Vaccaro, who has survived two bouts of Covid, remains incredibly active, maintaining his running practice, which he established as a high school athlete in the 1940s. Now enjoying a career renaissance, he has been enthusiastically involved in the exhibition preparations and is excited to share his work with new audiences.

“To this day, Tony speaks passionately about man’s inhumanity to man,” the Monroes say. “He is among the few remaining veterans of an actual fight against fascism, Nazism, and dictatorships.”

They share a quote from Vaccaro, whose life experience has taught him the necessity of unity: “We call each other German, French, Italian. There is no Italian blood. There is no French blood. It’s human blood. On this Earth there is one humanity. In a way, photography was my way of telling the world, ‘We have better things to do that to kill ourselves.’”



color photo of Extras in windows of building and sitting outside on the set of 8 1/2, Lazio, Italy, 1962

Extras on the set of 8 1/2, Lazio, Italy, 1962


Givenchy getting out of his car inParis, 1961

Givenchy Paris, 1961


Georgia O’Keeffe on her Abiquiu Portal with cow skull over doorway , NM 1960

Georgia O’Keeffe Abiquiu Portal, NM 1960


Tony Vaccaro: The Centennial Exhibition is on view November 25, 2022 – January 15, 2023 at Monroe Gallery in Santa Fe, New Mexico, and December 13–18, 2022 at 21 Spring Street in New York City. 

Saturday, November 19, 2022

Tony Vaccaro photography exhibits celebrate his 100th birthday

 

Via See Great Art

November 17, 2022

model in architectural hat resembling the Guggenheim Museum in front of the Guggenheim museum in NY, 1960

Tony Vaccaro, The Guggenheim Hat, New York, 1960. © ALL PHOTOGRAPHS TONY VACCARO / ALL PHOTOGRAPHS COURTESY MONROE GALLERY OF PHOTOGRAPHY.

Monroe Gallery of Photography will present two major exhibitions celebrating Tony Vaccaro’s 100th birthday. “Tony Vaccaro: The Centennial Exhibition” opens in Santa Fe, NM on Friday, November 25, with Tony Vaccaro appearing remotely live from his New York home at 5:30 pm. The exhibition will continue through January 15, 2023.

A special satellite Tony Vaccaro photography exhibit presented by Monroe Gallery will be on view at 21 Spring Street in New York, December 13 – 18. Tony Vaccaro will be in attendance for a private reception Thursday, December 15, from 5-7 pm.; RSVP mandatory, please contact the Gallery if you’re interested in attending (505.992.0800; E-mail: info@monroegallery.com).

The exhibits span Tony Vaccaro photography 80-year career and feature several never-before-exhibited photographs.

Born in Greensburg, Pennsylvania on December 20, 1922, Tony Vaccaro spent the first years of his life in the village of Bonefro, Italy after his family left America under threat from the Mafia. His mother died during childbirth a few years before tuberculosis claimed his father. By age 5, he was an orphan in Italy, raised by an uncaring aunt and enduring beatings from an uncle. By World War II he was an American G.I., drafted into the war, and by June, now a combat infantryman in the 83rd Infantry Division, he was on a boat heading toward Omaha Beach, six days after the first landings at Normandy. Denied access to the Signal Corps, Tony was determined to photograph the war, and had his portable 35mm Argus C-3 with him from the start. For the next 272 days he photographed his personal witness to the brutality of war.

After the war, Tony remained in Germany to photograph the rebuilding of the country for “Stars and Stripes” magazine. Returning to the US in 1950, Tony started his career as a commercial photographer, eventually working for virtually every major publication: Look, LIFE, Harper’s Bazaar, Town and Country, Newsweek, and many more. Tony went on to become one the most sought-after photographers of his day.

As an antidote to man’s inhumanity, Tony Vaccaro photography focused his lens on those who gave of themselves: artists, writers, movie stars, and the beauty of fashion. By focusing on the splendor of life, Tony replaced the images of horror embedded in his eyes from war. This exhibition illustrates his will to live and advance the power of beauty in the life we all share.

As Tony nears his 100th birthday, he has survived two bouts with COVID-19, and is one of the few people alive who can claim to have survived the Battle of Normandy and COVID-19. He attributes his longevity to “blind luck, red wine” and determination.

“To me, the greatest thing that you can do is challenge the world,” he has said. “And most of these challenges I win. That’s what keeps me going.”

On December 20, Tony Vaccaro celebrates his 100th birthday, an inspiration to us all.



color photograph of Tony Vaccaro holding a film test strip in NY, 1960

Tony Vaccaro with Test Strip NYC, 1960. Copyright Tony Vaccaro, courtesy Monroe Gallery.

Wednesday, November 16, 2022

CENTER: Grab a Hunk of Lightning Showing Saturday, Nov. 19

Dorothea Lange: Grab A Hunk of Lightning Teaser Trailer from Katahdin Productions on Vimeo.

 

Via CCA

November 16, 2022

Grab A Hunk of Lightning is narrated and directed by the legendary photographer Dorothea Lange’s granddaughter, award-winning filmmaker Dyanna Taylor, telling the compelling story of the passion, vision, and drive that made Lange one of the most important documentary photographers of the 20th century. On November 19 at 7:30pm, Dyanna Taylor joins us for an in-person Q&A in this special presentation of the film in conjunction with the 2022 CENTER Review Santa Fe Photo Symposium.


While Lange’s haunting image The Migrant Mother is one of the most recognized photographs in the world, few know the full range and depth of Lange’s work or the suffering and sensitivity that drew her to empathize with the people she photographed. Grab A Hunk of Lightning brings the wide scope of Lange’s work and sensibility to the screen.

Saturday, November 12, 2022

Tony Vaccaro: The Centennial Exhibition

Via F-Stop

November 12, 2022


screen shot of F-Stop article on Tony Vaccaro Centennial exhibits in New York and Santa Fe with photo of 3 models with umbrellas in Finland, 1965

 


Tony Vaccaro: The Centennial Exhibition

Santa Fe: Nov. 25, 2022-Jan. 15, 2023
New York City: Dec. 13 - 18, 2022


“Vaccaro is known for his photographs of WWII, which were the subject of a 2016 HBO documentary, and his editorial work for Life, Look, Newsweek, Vanity Fair and countless other publications. The exhibitions coincide with Tony Vaccaro 100! on view at the Museum für Photographie in Braunschweig, Germany. In both locations, Tony Vaccaro: The Centennial Exhibition, will juxtapose the living legend’s powerful war images with the lyrical mid-century fashion, film, and pop culture photographs that came later. Vaccaro will be in attendance for a reception in New York. ”

Monroe Gallery

112 Don Gaspar, Santa Fe, NM
www.monroegallery.com

Sunday, November 6, 2022

WAR/PHOTOGRAPHY: Empathy As A Perspective with Anne Wilkes Tucker

 

The Democratic Lens Scholar Lectures

Examining how images have shaped America’s collective memory and inspired individuals to participate in civic life.

Sunday, November 20

Livestream and La Fonda on the Plaza, Lumpkins Ballroom 100 E. San Francisco St. Santa Fe, NM 87501

Lectures are free and open to the public. Attend live online or in person at Santa Fe's La Fonda on the Plaza Hotel.

10-11 am | Photography & Restitution: The Civil Potential of the Image with Laura Wexler, Charles H. Farnam Professor of American Studies & Women's, Gender, & Sexuality Studies, Yale University

11-12 pm | WAR/PHOTOGRAPHY: Empathy As A Perspective with Anne Wilkes Tucker, Curator Emerita, The Museum of Fine Arts, Houston

12-1 pm | What Can’t Be Unseen: Photography & Activism with Kymberly Pinder, Ph.D., Dean, Yale School of Art, Yale University

1-1:30 pm| Q&A with Moderator Will Wilson, Photographer & Program Head of Photography, Santa Fe Community College

Reserve here

Anne Wilkes Tucker is one of the four authors of War/Photography: Images of Armed Conflict and its Aftermath, a 612-page survey of images made of wars, from the Crimean War (1853-1856) through the Iraq War (2003-2011). The 2012 book was produced to document Tucker’s monumental exhibit of images of war at the Museum of Fine Arts, Houston.

Tucker will speak on War/Photography: Empathy as a Perspective as one of three scholars presenting at a Nov. 20 Review Santa Fe symposium called The Democratic Lens: Photography and Civic Engagement, sponsored by CENTER and funded by the National Endowment for the Humanities. The symposium is free and can be attended online or in person.

Tucker will discuss how empathy plays a largely unexamined role in war, including for photographers who become involved with their subjects after photographing them. For example, one Los Angeles Times photographer took time off from his job to take a soldier he had photographed who was suffering from PTSD to a rehabilitation center and stayed with him for a month, Tucker says.

“I just want people to understand, when they get all ‘rah-rah’ about war, that the war doesn’t end for soldiers,” she says. “There is still a soldier a day in the U.S. who kills him- or herself.” 

Friday, November 4, 2022

Ed Kashi Photographs Featured in TIME Cover Story

 


image of TIME cover with story about Qatar  hosting the 2022 World Cup soccer championships and Migrant labor toll

November 3, 2022


"TIME published a story I worked on with Aryn Baker and Tom Laffay focused on the health impacts of heat stress on workers in an increasingly hotter planet.

Our journey started in Nepal, a country that sends many of its young men to toil in the Arab Gulf states. These young men are often forced to labor in extremely hot conditions, with temperatures of 120 degrees Fahrenheit coupled with 80% humidity, for long hours. This has led to an increase in the epidemic of Chronic Kidney Disease of Non-Traditional Causes (CKDnt), an illness I have documented through the past decade in seven countries along the global hot zones.

Over the next few weeks, I'll be sharing photographs from this assignment, as our team followed the flow of laborers from countries like Nepal to Qatar. Many of these workers helped build the stadiums and other vital infrastructure for the upcoming World Cup, which begins on November 22 in Doha, Qatar. As our attentions turn to soccer and this momentous championship, we must also keep in mind the hard work of these migrant laborers who have sacrificed so much to make the next World Cup possible." -- Ed Kashi

Read the full story by TIME: https://bit.ly/3sVmdTJ

Saturday, October 22, 2022

Resilience - stories of women inspiring change features Anna Boyiazis' "Finding Freedom in the Water"

 Via World Press Photo

October 21, 2022


The World Press Photo Foundation presents a selection of stories, awarded in the annual World Press Photo Contest from 2000 to 2021, that highlight the resilience and challenges of women, girls and communities around the world.

Gender equality and justice are fundamental human rights critical in supporting cohesive societies. Yet women around the world face deeply entrenched inequality and remain underrepresented in political and economic roles. Worldwide in 2021, women represented just 26.1% of some 35,500 parliament seats, only 22.6% of over 3,400 ministers, and 27% of all managerial positions. Violence against women prevails as a serious global health and protection issue. An estimated one in three women will experience physical or sexual abuse in her lifetime.

This joint exhibition conveys the commitment of the Netherlands to women’s rights and gender equality and justice. Multiple voices, documented by 17 photographers of 13 different nationalities, offer insights into issues including sexism, gender-based violence, reproductive rights, and access to equal opportunities. The selection of stories explores how women and gender issues have evolved in the 21st century and how photojournalism has developed in the ways of portraying them.


color photograph of young woman learning to float, in the Indian Ocean, off Nungwi, Zanzibar,  November 2016

A young woman learns to float, in the Indian Ocean, off Nungwi, Zanzibar, on 24 November 2016. Credit/©: Anna Boyiazis.

Finding Freedom in the Water shares the story of students from the Kijini Primary School who learn to swim and perform rescues, in the Indian Ocean, off of Muyuni Beach, Zanzibar. Traditionally, girls in the Zanzibar Archipelago have been discouraged from learning how to swim, largely due to the absence of modest swimwear. The Panje Project teaches local women and girls swimming skills in an effort to reduce high rates of drowning.

This story awarded in the 2018 World Press Photo Contest can be considered an example of photojournalism with a solutions approach. Rather than focusing only on problems, solutions journalism reports on how people are trying to deal with difficult social issues and what we can learn from their efforts. The series looks at how teaching women a vital skill like swimming can be an important step towards emancipation and gender justice.


'Resilience: stories of women inspiring change’ is on display in:


Sao Paulo, Brazil - 14 October to 6 November
Athens, Greece - 28 October to 18 November
Brasilia, Brazil - 4 to 20 November
Belo Horizonte, Brazil - 9 to 26 November
Porto Alegre, Brazil - 16 November to 4 December

Istanbul, Turkey - 24 November to 15 December
Dhaka, Bangladesh - 25 November to 10 December
Skopje, Macedonia - 25 November to 11 December

Ankara, Turkey - 25 November to 15 December

Friday, October 21, 2022

Public guided tour of the exhibition Tony Vaccaro 100! at the Museum of Photography Braunschweig

Via Museum of Photography Braunschweig


Tony Vaccaro 100!  Public guided tour

Sunday, 23.10.2022, 4 pm

Admission: 3,50€ / 2 €

black and white photograph of Georgia O'Keefe inside a car holding a piece of Swiss cheese up to her eye

Tony Vaccaro, 'Georgia O'Keeffe with Cheese, New Mexico, 1960' © Tony Vaccaro Studio, Courtesy of Monroe Gallery of Photography and the Tony Vaccaro Studio


In a public guided tour, the extensive work of the almost 100-year-old Tony Vaccaro will be presented.

Both the photographs he took during his time in World War 2 as a US soldier in the last years

of the war and his later works as a portrait photographer of the art and culture scene in the USA and

Europe are discussed.

More information here


Tony Vaccaro: The Centennial Exhibition: New York - Santa Fe

Thursday, October 20, 2022

The magazine that gave photography unprecedented power

 Via The Washington Post

October 20, 2022


photograph of covers of 3 LIFE magazine issues
© Ann and Graham Gund Gallery/Photograph copyright Museum of Fine Arts, Boston/Ann and Graham Gund Gallery
Photograph copyright Museum of Fine Arts, Boston


This fact floored me: Between the Great Depression and the Vietnam War, according to the organizers of “Life Magazine and the Power of Photography,” an exhibition at Boston’s Museum of Fine Arts, “the majority of photographs printed and consumed in the United States appeared on the pages of illustrated magazines.”

Today, with photographs published and consumed everywhere, it’s staggering to think that their dissemination was ever so concentrated.

Preeminent among illustrated magazines was Life. Published as a weekly news magazine between 1936 and 1972, Life magazine sold in the tens of millions. When you include pass-along readership, its pages regularly reached about one-quarter of America’s population. -- click to continue with full article


Life Magazine and the Power of Photography Through Jan. 16 at the Museum of Fine Arts, Boston. mfa.org.


Related exhibit: The LIFE Photographers