Gray Zones: Unmaking the Myth of a Polarized Nation Features Photography By Nina Berman and Ron Haviv

 Via Puffin Foundation

Gray Zones: Unmaking the Myth of a Polarized Nation

Our summer exhibit was inspired by the semiquincentennial of the United States, which feels less and less united with every passing day. And yet the reality is that all of us, whether we are urban or rural, queer or straight, born in the USA or elsewhere, share similar struggles, loves, hardships, and joys. The dominant narrative is invested in dividing us, in order to concentrate wealth and power in the hands of the few while keeping the rest of us on the margins. This exhibition – an extraordinary collection of work by highly accomplished photographers – challenges viewers to reconsider what are traditionally thought of as lines of division. It is an invitation to see ourselves in each other, regardless of race class, or other differences. It is a reminder that solidarity is not only possible but necessary if we are to continue as a nation.

The show will open on Saturday, June 20th. Puffin Brooklyn will be open that day from 12 pm to 5 pm. At 1 pm, several of the photographers, along with curator and participant Danny Wilcox Frazier, will discuss their works and the themes of the show. Light refreshments will be served, no rsvp needed. Please join us!

Opening June 20th, 2026

12 pm to 5 pm

With special panel discussion at 1 pm, featuring several photographers in the show along with curator and participant Danny Wilcox Frazier

An exhibition of work by eminent photographers that contradicts the narrative of extreme and intractable division in the USA

Featuring: Nina Berman, Sheila Pree Bright, Danny Wilcox Frazier, Jordan Gale, Ron Haviv, Tyrel Iron Eyes, Brooklynn Kascel, Erin Kirkland, Zun Lee, John Lowenstein, Carlos Javier Ortiz.

Curated by Danny Wilcox Frazier

Puffin Foundation

227 5th Ave. Brooklyn Between President and Carroll.

Photographs by Nina Berman and Ron Haviv are included in the current exhibition America The Beautiful, through August 9, 2026.

In an Age of Image Overload, AIPAD’s The Photography Show Reminds Us What a Photograph Can Do

 Via The Observer

April 23, 2026

Across historic masters, frontline documentarians and experimental voices, the fair builds a compelling case for a medium that keeps expanding without losing what makes it irreplaceable.

Ashley Gilbertson, Monsters on Halloween, 2025. © Ashley Gilbertson

Courtesy Monroe Gallery of Photography

"In the booth of Santa Fe-based Monroe Gallery of Photography, whose mission is to champion precisely those images from the 20th and 21st Centuries that exist at the singular intersection of art and journalism, is a powerful wall ensemble: two photographic portraits by Ron Haviv of figures who have already become emblematic of our troubled era—Mamdani and Zelensky—are paired with recent works capturing, in unfiltered black and white, the silent violence of ICE raids across the country as well as the vital pushback of protests in Minneapolis and beyond. Included are dramatic images by Ashley Gilbertson documenting ICE actions in Chicago; his series Monsters on Halloween captures agents driving through neighborhoods in Niles, Illinois, for hours, stopping and detaining landscapers and construction workers as residents emerge from their homes to film and protest. Mark Peterson documents ICE protests at 26 Federal Plaza in New York, and Ryan Vizzions crystallizes into an image that already feels historical, capturing the memorials following the killing of Renee Good by ICE in Minneapolis. The people portrayed here are shown as vulnerable within broader systems and dynamics, yet resilient in the strength of community.

These are “images that are embedded in our collective consciousness and which form a shared visual heritage for human society,” founder Sid Monroe told Observer, when asked about the significance of photojournalism in an era of manipulated media. Also in the booth is a group of images from Diné (Navajo) photographer Eugene Tapahe’s “Jingle Dress Project,” which aims to bring global attention to Native American issues, including land acknowledgment, women’s rights and, most urgently, the epidemic of Missing and Murdered Indigenous Women (MMIW). A powerful image of fierce Native American sisters standing in the snow against a bright blue sky, dressed in traditional, colorful clothing—resolute and determined as they face the unknown horizons of their culture—is an absolute standout of this edition.

Eugene Tapahe, Togetherness, Sisters, Bonneville Salt Flats, Utah, Goshute and Timpanogos, 2023 Courtesy Monroe Gallery of Photography

Completing the presentation are vintage photographs, including iconic shots by Tony Vaccaro, ranging from Enzo Ferrari and Ferrari cars to portraits of contemporary masters such as Alexander Calder in his studio. Notably, all works in Monroe’s booth—whether historically significant or iconic—remain relatively accessible, with most priced between $3,500 and $7,500."

Jingle Dress Project Photographer Eugene Tapahe At The Photography Show

 

We are honored to have Eugene Tapahe present in our booth B10 on Thursday, April 23 during The Photography Show Presented by AIPAD.

Tapahe is an artist inspired by his Diné (Navajo) traditions and modern experiences. His art reflects the beauty and resilience of Native American culture. 

A selection of never-before exhibited images from The Jingle Dress Project are featured in our booth.

Monroe Gallery of Photography
Booth B10

Park Avenue Armory

643 Park Avenue

New York, NY

10065

Monroe Gallery Announces Representation of Bing Guan

 March 31, 2025

Civil Human Rights Front Rally in Causeway Bay, Hong Kong, December 8, 2019

Santa Fe, NM - Monroe Gallery of Photography is honored to announce exclusive representation of photographer Bing Guan for fine art print sales.

Guan is a Chinese American full-time freelance photographer, journalist, and artist based in New York City. He is currently an adjunct professor of photography at the Columbia University Graduate School of Journalism. Born in Australia and raised in the United States, Bing attended Dartmouth College and holds a BA cum laude in history from Columbia University. He has reported from across the U.S., and from places including Antigua, Burma, Mexico, Rwanda, and Hong Kong.

Bing is a regular contributor to Reuters, Bloomberg, and The New York Times. He has been awarded grants from the Parsons School of Design, the Ucross Foundation, and the Virginia Center for the Creative Arts.

Bing speaks fluent Mandarin Chinese, and is certified in HEFAT and as a FAA Part 107 drone pilot. 

Monroe Gallery will exhibit examples of Guan’s work at the 2025 Photography Show presented by AIPAD in booth #C8, April 23 – 27 at The Park Avenue Armory in New York City.

Portraits from Three Exhibitions by Three American Photographers: Joel-Peter Witkin, Arthur Elgort, Tony Vaccaro

 Via Exibart

December 28, 2022

T

Tony Vaccaro: the centennial exhibit

Around the corner, on Spring Street, there was the pop-up show of the Monroe Gallery dedicated to Tony Vaccaro: the exhibition in the temporary room with large windows has just ended, but the same exhibition continues until February 5 in Santa Fe.

Michelantonio Celestino Onofrio Vaccaro was born in Greensburg, Pennsylvania, on December 20, 1922, to Italian immigrant parents. His father Giuseppe Antonio Vaccaro (born October 14, 1874) was from Bonefro, Molise. In 1926, during the family's move to Italy, both parents died. With the outbreak of World War II, Vaccaro returned to the United States to avoid military service in Italy, but then fought in Normandy, Belgium, Luxembourg and Germany. Until 1949, Vaccaro photographed throughout Germany and Europe, documenting post-war life. After returning to the United States in 1949, he worked for Flair and Look before joining Life magazine. Between 1950 and 1973 Vaccaro worked extensively as a fashion photographer. Settled in the West Village in 1951 and then in Central Park West in 1955, since 1979 he has been in Long Island City both as a residence and for his studio, with his archive of hundreds of thousands of images. We had met him a few months ago at the AIPAD photo fair where, always with the gallery owners Sidney and Michelle Monroe and surrounded by his grandchildren and son, he welcomed visitors toasting with a glass of red.

 Full article here