Friday, March 14, 2025

A Statement from Columbia Journalism School Faculty Defending Press Freedom

 Via Columbia Journalism School

March 14, 2025


Freedom of the press – a bedrock principle of American democracy — is under threat in the United States. Here at Columbia University Graduate School of Journalism we are witnessing and experiencing an alarming chill. We write to affirm our commitment to supporting and exercising First Amendment rights for students, faculty, and staff on our campus — and, indeed, for all.          (more)

After Homeland Security seized and detained Mahmoud Khalil, a recent graduate of Columbia's School of Public and International Affairs, without charging him with any crime, many of our international students have felt afraid to come to classes and to events on campus. 


They are right to be worried. Some of our faculty members and students who have covered the protests over the Gaza war have been the object of smear campaigns and targeted on the same sites that were used to bring Khalil to the attention of Homeland Security. President Trump has warned that the effort to deport Khalil is just the first of many.

These actions represent threats against political speech and the ability of the American press to do its essential job and are part of a larger design to silence voices that are out of favor with the current administration. We have also seen reports that Immigration and Customs Enforcement is trying to deport the Palestinian poet and journalist Mosab Abu Toha, who has written extensively in the New Yorker about the condition of the residents of Gaza and warned of the mortal danger to Palestinian journalists. 

There are thirteen million legal foreign residents (green card holders) in the United States. If the administration can deport Khalil, it means those 13 million people must live in fear if they dare speak up or publish something that runs afoul of government views. There are more than one million international students in the United States. They, too, may worry that they are no longer free to speak their mind. Punishing even one person for their speech is meant to intimidate others into self-censorship.

One does not have to agree with the political opinions of any particular individual to understand that these threats cut to the core of what it means to live in a pluralistic democracy. The use of deportation to suppress foreign critics runs parallel to an aggressive campaign to use libel laws in novel — even outlandish ways — to silence or intimidate the independent press. The president has sued CBS for an interview with Kamala Harris which Trump found too favorable. He has sued the Pulitzer Prize committee for awarding prizes to stories critical of him. He has even sued the Des Moines Register for publishing the results of a pre-election poll that showed Kamala Harris ahead at that point in the state. Large corporations like Disney and Meta settled lawsuits most lawyers thought they could win because they did not want to risk the wrath of the Trump administration and jeopardize business they have with the federal government. Amazon and Washington Post owner Jeff Bezos decided that the paper’s editorial pages would limit themselves to pieces celebrating “free markets and individual liberties.” 

Meanwhile, the Trump administration insists on hand-picking the journalists who will be permitted to cover the White House and Pentagon, and it has banned the Associated Press from press briefings because the AP is following its own style book and refusing to refer to the Gulf of Mexico as the Gulf of America. 

The Columbia Journalism School stands in defense of First Amendment principles of free speech and free press across the political spectrum. The actions we’ve outlined above jeopardize these principles and therefore the viability of our democracy. All who believe in these freedoms should steadfastly oppose the intimidation, harassment, and detention of individuals on the basis of their speech or their journalism. 

Signed,

The Faculty of Columbia Journalism School

Thursday, March 13, 2025

Podcast: Documenting war crimes with Ron Haviv

 Via iMEDd

March 12, 2025


Listen here.

Photography Exhibition: “A Brief Guide to Investigating War Crimes”

Documenting war and war crimes is a special segment of photojournalism. Tim McShea, a student at Johns Hopkins University, discusses with Emmy nominated and award-winning photojournalist Ron Haviv the stories behind some of his iconic photos (see here) during iMEdD’s International Journalism Forum for the Forum’s pop-up newsroom. Ron Haviv is a co-founder of VII Photo Agency & The VII Foundation.  

A selection of Ron Haviv's photographs will be part of the Monroe Gallery presentation at The Photography Show presented by AIPAD in booth C8, Park Avenue Armory, NYC, April 23 - 27, 2025.

Monday, March 10, 2025

Tuesday, March 11 On Leica Stories: In Conversation with David Butow

 Via B & H Photo

March 10, 2025

black and white photograph of people with sheep with graphic text overlay "Leica Strories David Butow"


Photojournalist David Butow has documented some of the most notable events over the past few decades, from the 2003 Iraqi invasion to the Trump presidency. Join us for a conversation about David’s acclaimed career and principled approach to photojournalism. Tuesday, March 11 -  3-4 PM (Eastern)

David Butow

David Butow is an acclaimed American photojournalist whose work spans decades and continents, known particularly for his unflinching documentation of social and political issues around the world. After beginning his career as a staff photographer for various newspapers, Butow transitioned to freelance work that has appeared in major publications including National Geographic, TIME, and The New York Times Magazine. His notable projects include coverage of the 2003 Iraq invasion, the Asian tsunami of 2004-05, and the 2019 democracy protests in Hong Kong. His 2021 book "BRINK" chronicled American politics during the Trump presidency. Butow's distinctive visual style combines journalistic integrity with an artistic sensibility that captures both the gravity and humanity of his subjects, earning him recognition through multiple awards and exhibitions of his work in galleries and museums internationally.


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Saturday, March 8, 2025

Thursday, March 6, 2025

Winona LaDuke: DAPL Pipeline Lawsuit Against Greenpeace Aims to Silence Indigenous Protests, Too

 


Via Democracy Now!

As the oil company Energy Transfer sues Greenpeace over the 2016 Standing Rock protests against the Dakota Access Pipeline, we speak with Indigenous activist Winona LaDuke, who took part in that historic uprising. LaDuke is an enrolled member of the Mississippi Band of Anishinaabe who lives and works on the White Earth Nation Reservation and was among the thousands of people who joined the protests in solidarity with the Standing Rock Sioux Tribe to protect water and Indigenous lands in North Dakota. She highlights the close links between North Dakota’s government and Energy Transfer and says that while the lawsuit targets Greenpeace, Indigenous water and land defenders are also on trial. “North Dakota has really been trying to squash any kind of resistance,” says LaDuke. “If they can try to shut down Greenpeace, they’re going to shut down everybody.”










Saturday, March 1, 2025

A new show at the Rijksmuseum tries to make sense of the US with ‘American Photography’; includes Nina Berman's "Marine Wedding"

 

March 1, 2025

Via The Financial Times


"Nina Berman’s “Marine Wedding” chronicles the marriage in 2006 of mutilated Iraq War veteran Tyler Ziegel, a plastic dome replacing his broken skull, and his childhood sweetheart Renee Kline. The bride appears grief-stricken, the couple divorced within a year and Ziegel died at 30 from an overdose.


The first such major survey in a European museum, American Photography, drawn from the Rijksmuseum’s eclectic collection plus well-targeted loans, is timely, launched as Europe struggles to understand Trumpian America. Installed thematically — “Face to Face”, “At Home”, “On the Road”, “Selling Points”, “Death and Disaster” — it records how the camera has eyed the country in reportage, advertisements, protest posters, family and amateur snapshots, photo-booth strips, memorabilia." --Full article here