Via Women Photograph
December 15, 2025
Monroe Gallery of Photography specializes in 20th- and 21st-century photojournalism and humanist imagery—images that are embedded in our collective consciousness and which form a shared visual heritage for human society. They set social and political changes in motion, transforming the way we live and think—in a shared medium that is a singular intersectionality of art and journalism. — Sidney and Michelle Monroe
Via Women Photograph
December 15, 2025
Flag Day is a holiday celebrated on June 14 in the United States. It commemorates the adoption of the flag of the United States on June 14, 1777 by resolution of the Second Continental Congress.
Throughout history, flags have elevated the emotional impact of images.
Perhaps the most iconic of all flag photos is Joe Rosenthal’s Pulitzer Prize-winning photograph of six U.S. Marines raising the American flag on Mount Suribachi on Iwo Jima. It was taken on Friday, February 23, 1945, five days after the Marines landed on the island. Almost instantly, the image came to symbolize American courage, resilience, and unity in the face of adversity, becoming a powerful emblem of the nation's resolve during World War II.
In the aftermath of the terrorist attacks on September 11, 2001, Thomas E. Franklin documented three New York firefighters raising the American flag amid the wreckage of the fallen World Trade Center towers. Like Rosenthal’s photo, it was universally embraced, an uplifting photo that defined resilience and unity.
The weaponization of the flag has similarly produced iconic photographs. In 1976, Stanley Forman photographed a white protester outside City Hall assaulting an African American attorney with the American flag. “The photo shocked Boston” made front pages across the U.S. and also won a Pulitzer Prize. Captioned “The Soiling of Old Glory”, to this day it offers a dramatic window onto the turbulence of the 1970s and race relations in America.
And most recently, on February 22, 2025 – almost exactly 80 years to the day after Joe Rosenthal’s Iwo Jima Photograph - Tracy Barbutes photographed an inverted American flag — historically used as a sign of distress — off the side of El Capitan, a towering rock formation in Yosemite National Park, hung to protest the Trump administration’s cuts to the National Park Service. Hundreds of visitors had gathered to photograph an annual phenomenon in the park known as firefall, when the setting sun causes a seasonal waterfall on El Capitan to glow orange. One spectator commented: “I feel like our national parks are national treasures, and they need to be protected, as does our democracy. It was a call to action and a call for hope.”
April 10, 2025
Monroe Gallery Announces Representation of Tracy Barbutes Instantly Iconic Photograph of Upside Down Flag Protest At Yosemite National Park
On February 22, 2025 – almost exactly 80 years to the day after Joe Rosenthal’s Iwo Jima Photograph - Tracy Barbutes photographed an inverted American flag — historically used as a sign of distress — off the side of El Capitan, a towering rock formation in Yosemite National Park, hung to protest the Trump administration’s cuts to the National Park Service. Hundreds of visitors had gathered to photograph an annual phenomenon in the park known as firefall, when the setting sun causes a seasonal waterfall on El Capitan to glow orange. One spectator commented: “I feel like our national parks are national treasures, and they need to be protected, as does our democracy. It was a call to action and a call for hope.”
"Heading to Yosemite that Saturday, I had been told there might be some form of protest at El Capitan (Tu-tok-ah-nu-lah), the park’s iconic 3,000-foot granite monolith.
There were unconfirmed reports that at least one recently-fired park employee would rappel with an American flag to protest his firing, as well as to protest the thousands of federal jobs lost due to the Trump administration/Elon Musk DOGE cuts.
The event would likely happen near Horsetail Fall, during “firefall” – a natural phenomenon that draws thousands of spectators each February.
I stood under El Cap, something I’ve done hundreds of times, and as I documented the unfurling of that upside down American flag, an act signaling distress, I couldn’t help but think of the paradox of the overall situation as we were gathered on colonized Indigenous land.
There wasn’t an immediate or overwhelming reaction from the crowd, though there was no missing the event. While intent on capturing a series of images, I was mindful that I was documenting a bold, courageous, historic act.
It wasn’t until later that night and the next morning as the image went viral that I began to understand what those actions, and the image, meant. Did Nate Vance, the fired park employee behind the flag protest, and his cohorts, shake people out of a collective stupor and spark a movement of resistance." -- Tracy Barbutes
Barbutes is a photojournalist, writer, and wildfire photographer based near Yosemite.
Original article posted on July 12, 2024
"Throughout history, flags have elevated the emotional impact of images, attracting photographers — and photo editors — like moths to a flame." click to read full article
The article analyzes several photographs, including these by Gallery photographers:
January 12, 2022
Gallery photographer Stanley Forman has retired after 55 years cruising the streets of Boston in search of breaking news.
"If there’s a definitive Pulitzer Prize-winning photo, it’s “The Soiling of Old Glory” — Stanley Forman’s spot news winner for the Boston Herald American in 1976. In it, a youth turns an American flag into a weapon to use against a Black man at a school busing protest.
Then again, make that two definitive photos: The year before, Forman also won the Pulitzer for spot news with a harrowing image of a woman and her goddaughter falling out of the sky in his photo, “Fire Escape Collapse.”
Forman, 76, who began in newspapers in 1966 and switched to TV news videography two decades later, spent 55 years cruising the streets of Boston in search of breaking news, much of that time in a gas-guzzling Mercury Monarch. He retired on Dec. 31.
Or so he says.
“I have a great home life,” he said by phone from his home in Boston’s northern suburbs on the first weekend of the rest of his life. His primary plan is providing daycare for his four-month-old grandson, adding: “And I can do a limited amount of chasing on my own.”
Read full article here Jewish photographer who won Pulitzer retires – The Forward