Knight Science Journalism Program Names 2021-22 Project Fellows, including Nina Berman

 

Via Knight Science Journalism

July 26, 2021

Twenty-one distinguished journalists will pursue a diverse range of projects related to science, health, technology, and the environment.

The Knight Science Journalism Program (KSJ) is pleased to announce that it has selected a group of 21 distinguished science journalists for its 2021-22 project fellowship class — a cohort that ranges from award-winning freelance writers to staff reporters for outlets such as The Dallas Morning News, The New York Times, and MIT Technology Review.

It marks the second year that KSJ will offer the remote project fellowships, which were established in response to the unique challenges and public health concerns presented by the Covid-19 pandemic. The fellowships are designed to support journalists pursuing a diverse range of projects related to science, health, technology, and the environment. Each fellow will receive a stipend and a budget for project related expenses, as well as access to seminars, workshops, mentoring, and a large offering of online resources at MIT. (KSJ’s traditional in-person fellowships are expected to resume in the 2022-23 academic year.)

The newly selected fellows will pursue in-depth reporting projects probing issues such as globalization in the artificial intelligence industry, inequities in maternal health, animal lab testing, and environmental justice in the Deep South. “It’s an impressive array of projects that really embodies the multitude of ways our lives are touched by science.” said KSJ associate director Ashley Smart. “We’re proud to be able to support so much important work — and the talented journalists who are undertaking it.”

“The Knight Science Journalism Program is honored to contribute to the work being done by this talented group of science journalists,” said KSJ director Deborah Blum. “It’s a pleasure to see such innovative and insightful work across so many platforms – books, documentary films, podcasts, long-form investigative stories – all with such a promise of making a difference.”

Selected from a highly competitive pool of applicants, the 2021-22 fellowship class includes authors, reporters, documentary photographers, and multimedia journalists representing every time zone in the contiguous United States. Seven journalists will receive full-year fellowships supported by $40,000 stipends; fourteen will receive single semester fellowships supported by $20,000 stipends, with nine in the fall semester and five in the spring semester fellowships.

The Knight Science Journalism program, supported by a generous endowment from the John S. and James L. Knight Foundation, is recognized around the world as the premier mid-career fellowship program for science writers, editors, and multimedia journalists. The program’s goal is to foster professional growth among the world’s small but essential community of journalists covering science and technology, and encourage them to pursue that mission, first and foremost, in the public interest.

Since its founding in 1983, the program has hosted more than 350 fellows representing media outlets from The New York Times to Le Monde, from CNN to the Australian Broadcasting Corporation, and more. In addition to the fellowship program, KSJ publishes the award-winning digital magazine Undark and administers a national journalism prize, the Victor K. McElheny Award, honoring local and regional science reporting. KSJ’s academic home at MIT is the Department of Science, Technology and Society, which is part of the School of Humanities Arts and Social Sciences.

Nina Berman is a documentary photographer, filmmaker, author and professor at Columbia University Graduate School of Journalism. Her books include “Purple Hearts – Back from Iraq,” (Trolley, 2004), “Homeland,” (Trolley, 2008) and “An autobiography of Miss Wish” (2017). Berman’s project, When the Jets Fly, is a multi-channel documentary film, photography and audio report investigating the environmental impact of USA military training focusing on Whidbey Island, WA, and the greater Puget Sound area.

Spyware reform critical as at least 180 journalists revealed as potential Pegasus targets

 

Via The Committee To Protect Journalists

New York, July 19, 2021 – In response to reports that at least 180 journalists were identified by investigative reporters as possible targets of Pegasus spyware, produced by the Israeli company NSO Group, the Committee to Protect Journalists reaffirmed its call for immediate action by governments and companies around the world to stem abuse of powerful technology that can be used to spy on the press.

“This report shows how governments and companies must act now to stop the abuse of this spyware which is evidently being used to undermine civil liberties, not just counter terrorism and crime,” said Robert Mahoney, CPJ’s deputy executive director. “No one should have unfettered power to spy on the press, least of all governments known to target journalists with physical abuse and legal reprisals.”

The reporting, known as the Pegasus Project, was conducted by a consortium including investigative journalism nonprofit Forbidden Stories and global media outlets such as The Washington Post. Amnesty International, which performed technical analysis, reported that more than 180 journalists had been identified by the consortium on a list of 50,000 phone numbers allegedly linked to clients of NSO Group technology. In a statement emailed to CPJ, an NSO spokesperson said there was nothing to link the 50,000 numbers to NSO Group or Pegasus. In a rebuttal published online, the company said the consortium’s allegations were false.

NSO has repeatedly told CPJ in the past that it licenses Pegasus to fight crime and terrorism. The July 19 statement said its products were “sold to vetted foreign governments.”

“NSO Group will continue to investigate all credible claims of misuse and take appropriate action based on the results of these investigations,” it said. “This includes shutting down of a customers’ system, something NSO has proven its ability and willingness to do, due to confirmed misuse, has done multiple times in the past, and will not hesitate to do again if a situation warrants.”

CPJ has issued recommendations to policymakers and companies to combat spyware abuse against the media.

July 16: Uranium Remembrance Day

Nina Berman: Trinity Site #1, White Sands Missile Range, NM , 2016

 

On July 16, 1979, the worst accidental release of radioactive waste in US history happened at the Church Rock uranium mine and mill site.

While the Three Mile Island accident (that same year) is well known, the enormous radioactive spill in New Mexico has been largely unknown - it is the US nuclear accident that almost no one knows about. Just 14 weeks after the Three Mile Island reactor accident, and 34 years to the day of the Trinity atomic test, the small community of Church Rock, New Mexico became the scene of another nuclear tragedy. 

Nina Berman: Residents from Navajo communities gather on Uranium Remembrance Day, Church Rock, NM July 16, 2016. 

More than 1,100 tons of uranium mining tailings and 100 million gallons of radioactive material emptied through a collapsed dam and into the Puerco River, running directly through numerous communities. The" in a remote area inhabited by possibly the most poverty-stricken and disenfranchised community of people in the country - Native Americans. Rarely is the Church Rock anniversary either known or noted.

Nina Berman: Uranium Remembrance Day, Church Rock, NM 2016

Nina Berman received the 2016 Aftermath Project Grant for “Acknowledgment of Danger,” a look at the “toxic legacy of war on the American landscape.” She photographed the Church Rock community and the Trinity site as part of the project. Berman is a documentary photographer, filmmaker, author and educator. Her wide-ranging work looks at  American politics, militarism, environmental contamination and post violence trauma.  Her photographs and videos have been exhibited at more than 100 venues from the security walls of the Za’atari refugee camp to the Whitney Museum of American Art.  She is the author of Purple Hearts – Back from Iraq (2004), portraits and interviews with wounded American veterans, Homeland (2008), a look at the militarization in post-September 11 America, and most recently, An autobiography of Miss Wish (2017), a story told with a survivor of sexual violence which was shortlisted for both the Aperture and Arles book prizes.  Additional fellowships, awards, and grants include the New York Foundation for the Arts, the World Press Photo Foundation, Pictures of the Year International, the Open Society Foundation, the Center for Documentary Studies at Duke University and the Aftermath Project. She is a member of the photography and film collective NOOR images and is a professor at the Columbia University Graduate School of Journalism where she directs the photography program. She lives in her hometown of New York City.

Amalie R. Rothschild, photographer at Fillmore East, recalls brief but legendary run

 Via Fox 5 New York

June 24, 2021

Photographer at Fillmore East recalls brief but legendary run

NEW YORK - Sunday marks the 50th anniversary of the last shows performed at the legendary Fillmore East music hall where the likes of The Grateful Dead and the Beach Boys once played. 

The Fillmore is now a bank but its heyday- as a prime music venue- is remembered by resident photographer Amalie Rothschild.

I was a fly on the wall," said Rothschild. "I really didn’t want to be hit on. I wasn’t looking to hook up and my cameras were shields. I was serious. I was an artist. A photographer. I didn’t have the kind of confidence as a young woman yet, but I had the right mentality."

During its’ brief but legendary three-year run from 1968 – 1971, the roughly 2,600 seat Fillmore East in the East Village played host to a who’s who of legendary performers. Elton John, Crosby, Stills, Nash and Young, The Who, and the Allman Brothers just to name a few. 

Rothschild was, in essence, the venue’s house photographer.

"When the Fillmore opened. The tickets were $3, $4 and $5. And when they closed it was $3.50, $4.50 and $5.50, said Rothschild.

Tickets to similar see bands with similar star power today would cost $500.

"And the first tickets to sell out were the last four rows in the balcony, in the top of the balcony," added Rothschild.

Rothschild, who has enjoyed a long successful career as a photographer and filmmaker, captured some of her most famous photos during a Thanksgiving Day Rolling Stones Show in 1969 at Madison Square Garden. Ike and Tina Turner opened and Janis Joplin made an unexpected cameo onstage.

Amalie R. Rothschild

Janis and Tina, Madison Square Garden, November 27, 1969

"Before they went on, Janis was just standing at the side of the stage with a few friends and right as I pulled the shutter I saw someone walk into the frame and when I developed the film and developed the contact sheet, I went ‘oh" because the person who walked in was Jimi Hendrix," said Rothschild.

Historical in more ways than one. Once bands like the Rolling Stones made their leap to arenas, making more money playing fewer shows to bigger audiences, the days of smaller theaters like the Fillmore were numbered.

In April of 1971, promoter Bill Graham announced he was shutting the venue.

"No one had any clue. It was a terrible shock for the staff to take in. He could’ve kept it going for a few more years but it wouldn’t be the same," said Rothschild.

The final show was a sendoff for the ages. A June 27 1971 all-night show headlined by the house favorites, the Allman Brothers.

"As you know no one wanted it to end.. and one of my favorite pictures of the Beach Boys is that I was able to catch all of them onstage with Bill Graham behind a speaker column watching them onstage.... it went until dawn and we walked out and the sun was out and everybody was crying and we went to Ratner’s for breakfast and it was a real tear-jerker and real difficult.'

Photography Daily Podcast: Ryan Vizzionson Van Life With A Camera

 

©Ryan Vizzions: Wild Mustangs, Utah, 2021

Via Photography Daily

STORIES OF LIFE, TOLD BY PHOTOGRAPHERS

VAN LIFING WITH A CAMERA - BEST JOB EVER!

June 23, 2021

Photojournalist Ryan Vizzions excites us about being on the open road in a van, photographing every American state to produce the most remarkable life experience book. We talk about escapism, freedom, mental health, the wonder of making photographs, solitude, social media, the human spirit and how being on the road affects basic instinct and needs such as sleep. But he’s not doing this entirely alone, as you’ll find out. Ryan has been a guest once before when he talked of pictures about protest and tomorrow on the Thursday Patreon show, he talks about the most precious picture made so far, one of which you can see below; the Mustangs in Utah. Follow him on the road through his Twitter feed.

Ryan Vizzions photographs are included in the current exhibition Present Tense, and you can view his full collection here.

Video Tour of the Tony Vaccaro Exhibition "Life is Wonderful"

 Via Helsingin Taidehalli (Helsinki Art Hall)

Tony Vaccaro: Fun in Finland, 1965

Helsingin Taidehalli has added video tours of the Tony Vaccaro exhibition "Life is Wonderful", in Finnish and English.

Tony Vaccaro, Life is Wonderful, guided tour in English from Taidehalli Helsinki on Vimeo.

Related video: Tony Vaccaro at 98

Richard B. Stolley, a journalist who left an indelible imprint on two of the most influential American magazines of the 20th century and secured J.F.K. film, dies at 92

The Washington Post:

 Richard B. Stolley, a journalist who left an indelible imprint on two of the most influential American magazines of the 20th century, obtaining a copy of the Zapruder film footage of President John F. Kennedy’s assassination for Life in 1963 and later building a newsstand juggernaut as the founding editor of People, died June 16 at a hospital in Evanston, Ill. He was 92

Richard Stolley (left), former Time magazine bureau chief, and Assistant Managing Editor and Managing Editor of Life magazine, led a Q & A with photographer Tony Vaccaro (right) following the screening of the film "Underfire: The Untold Story of Pfc. Tony Vaccaro" in 2017 in Santa Fe.

Dick Stolley (right) is pictured here with photojournalist Bill Eppridge (left) at the 2011 Lucie Awards, where Eppridge received the Award for Achievement in Photojournalism. One of Eppridge's most memorable and poignant essays was his coverage of Senator Robert F. Kennedy, including the iconic photograph of the wounded Senator on the floor of the Ambassador Hotel kitchen seconds after he was shot

Life photographer Bob Gomel, Hal Wingo, journalist and editor at LIFE and PEOPLE WEEKLY magazines, and Michelle and Sid Monroe at the Monroe Gallery of Photography.

Richard Stolley, the Man Who Launched PEOPLE Magazine, Dies at 92

Santa Fean recalls day he secured rights to video of JFK assassination  

Present Tense at Monroe Gallery of Photography

 

Ryan Vizzions, The Nation’s Capitol, Washington DC, January 13, 2021 (2021)

Via Pasatiempo, The Santa Fe New Mexican

June 18, 2021

Michael Abatemarco

Staff Writer

Photography is among the most essential messaging tools for documenting the extraordinary political, social, and economic events of contemporary times. The group exhibition Present Tense, Monroe Gallery of Photography features images that were all taken in the past few years and that underscore the upheaval and intimate and public dramas occurring in the social spheres as captured by a new wave of independent photojournalists. Images include the 2017 white supremacist tiki-torch rally at the University of Virginia, the protests at the Standing Rock Indian Reservation, the January 6 storming of the United States Capitol, the protests that followed the police killings of Michael Brown and George Floyd. Photographers include Ryan Vizzions, David Butow, Ashley Gilbertson, Sanjay Suchak, and Gabriela Campos. The exhibition is currently on view and runs through Aug. 22.

Monroe Gallery of Photography, 112 Don Gaspar Ave., 505-992-0800, monroegallery.com

Present Tense (Photography Show)

 

David Butow:  January 13, 2021, US Capitol, defenders of democracy, Washington, DC

Via The Santa Fe Reporter

Present Tense (Photography Show)

 Monroe Gallery of Photography

Fri, Jun 18 - Aug 22, 2021

FULL DESCRIPTION

A significant exhibition documenting recent extraordinary political, social, and economic events, including the COVID-19 Pandemic.

For 20 years, Monroe Gallery of Photography has presented visual moments indispensable to an understanding of 20th- and 21st-century societal and political change. PRESENT TENSE, however, is entirely unique in the Gallery’s history: its first multi-photojournalist presentation of age- and perception-changing news events of just the last few years, as well as a celebration of the new wave of independent photojournalists who are battling both real situational danger and gathering selective public denial of journalism broadly.

Depicting moments both momentous and intimate, but all radiating with meaning, PRESENT TENSE was conceived as a collective way of briefly pausing the roil and rush of virtual imagery we are all subject to—a storm of constantly flickering perceptions—and recognize, through painstakingly curated photographs, that we are living in an epoch-changing history in terms of societal understanding, betterment, and, ultimately, survivability.

Monroe Gallery of Photography

112 Don Gaspar Ave. Santa Fe NM 87501

www.monroegallery.com

505-992-0800

Watch a brief video introduction to the exhibit on YouTube here.

"Life Is Wonderfull" showcases the life's work of 98-year-old top photographer Tony Vaccaro from World War II to fashion and art

 

Via YLE (translated from Finnish)

June 13, 2021

BY STINA  ALAPIRTTI

Art Hall's summer exhibition is about war, love and Marimekko – a 98-year-old American photographer dreamed of an exhibition in Finland for a long time

The exhibition, called Life Is Wonderful, showcases the life's work of 98-year-old top photographer Tony Vaccaro from World War II to fashion and art. There are also plenty of pictures of Finland and Marimekko in the 1960s.

Tony Vaccaro came to Finland to film Marimekko for LIFE magazine in 1965. He photographed both Marimekko's fashion in Porvoo and Helsinki, as in this photo, and the fashion house's behind-the-scenes activities. Photo: Tony Vaccaro / Art Hall

Helsinki Art Hall is a life of history in itself, but photographs from the middle of the 20th century bring a new layer to it. In the photographs, world stars, soldiers and models come to life for a moment, as if there were small windows to the past on the walls. One room is dedicated entirely to Marimekko, who turns 70 this year.

Photographer Tony Vaccaro's exhibition will be on display at the Helsinki Art Hall during the summer Life is wonderful. Vaccaro is a 98-year-old American-Italian photographer who began his career filming on the front in World War II. He still works even though he retired officially as early as the 1980s.

Exhibition Manager Eeva Holkeri from The Art Hall of Helsinki says that Vaccaro has wanted to get the exhibition to Finland for a long time. Life is wonderful is his first extensive exhibition here.

"Vaccaro has a connection to Finland through his late wife Anja Vaccaro, but also through Marimekko. The gallery representing Vaccaro was asked if such an exhibition would succeed," Holkeri says.

Anja Vaccaro was related to Lehto. The photographer and Lehto, who worked as Marimekko's model, fell in love on the set of Marimekko.

Vaccaro's studio is now run by Vaccaro and Lehto's son Frank Vaccaro and his wife. 

The exhibition contains 130 photographs from Vaccaro's nearly 80-year career. According to Holker, the demarcation was a challenging task, but at present the exhibition creates a comprehensive picture of Vaccaro's production from the 1940s until the 1970s.

The pictures will be available at the Helsinki Art Hall in Töölö on 8 May. Until 18 August.

According to exhibition manager Eeva Holker, the Life is Wonderful exhibition shows a cross-section of Vaccaro's entire production. In the background, a fashion photo taken by Vaccaro. 

Photo: Terhi Liimu / Yle

Tough background

Michael "Tony" Vaccaro was born in 1922 in Pennsylvania, USA to immigrant parents from Italy. The family soon moved back to Italy, where they were met with great grief. Both parents passed away and Tony Vaccaro was orphaned at the age of four. Her sister was put in an orphanage, and little Tony was brought to her uncle's farm to be raised by her grandmother and uncle. Uncle abused Tony, who also had to work on the farm.

 
Tony Vaccaro left for the United States at the age of just 17, in the run-up to World War II in 1939. The departure was partly influenced by the fascism that invaded Italy. In the United States, Vaccaro went to high school and joined the army. He was sent to the front in 1944.

Vaccaro was interested in photography at school and bought his first camera in 1942. In the war, he was sent to the front line, and Vaccaro took about 8,000 photographs in the midst of the war. After the war ended, he stayed in Europe to photograph the trail and reconstruction of the war and returned to the United States in 1949.

Vaccaro fought in World War II and stayed after peace came to describe the reconstruction of Europe. This picture is from Nice, France dating back to 1947. Photo: Tony Vaccaro / Art Hall

Although the first half of Vaccaro's life was fraught with difficulties, even war, according to Eeva Holker, she has still maintained a bright attitude to life and a quest for beauty.

"Even though Vaccaro started his career in The Second World War, his pictures show hope, joy and a glimpse of positivity. It seems justified to say that Vaccaro's attitude to life is that life is wonderful," Holkeri says.

Celebrity photographer

Vaccaro is especially well known as a fashion and lifestyle photographer. He filmed for several of the most important US period publications of that time, such as Life and Harper's Bazaar. The exhibition features pictures he took of public figures from the 1960s and 1970s, including Pablo Picasso, Muhammad Ali, Leonard Cohen, Jackson Pollock and Sophia Loren.

A picture taken by Vaccaro of artist Georgia O' Keeffe in front of her work. Vaccaro spent a long time with Georgia O'Keeffe in New Mexico in 1960. Photo: Tony Vaccaro / Art Hall

A large part of the exhibition consists of pictures Vaccaro took of Marimekko's activities and fashion in 1965. Vaccaro came to Finland to describe Marimekko, who has become a phenomenon around the world, for Life magazine.

Marimekko was founded in 1951 and became an international phenomenon in the 1960s. Vaccaro photographed a fashion house in Porvoo and Helsinki in 1965. The photo shows models in Marimekko's clothes. Photo: Tony Vaccaro / Art Hall

Vaccaro photographed Finnish models in Porvoo and Helsinki, and in the pictures Marimekko's colourful dresses glow against the rainy industrial landscape and the models play in Finnish nature and on the streets of Helsinki.The pictures also show Vaccaro's future wife at the time: Finnish model Anja Kyllikki Lehto. Lehto and Vaccaro had met in 1963 in New York on Marimekko's business trip, on which Vaccaro had photographed Lehto."It is said that it was love at first sight. When Tony saw Anja, she knew she never wanted to let this go. Pictures of Anja show love, Holkeri says.Vaccaro and Lehto were married until 1979. They had two sons together. Lehto died in 2013.

This picture, called Anja and oranges, was shot in Ischia, Italy, in 1964. The photo shows Vaccaro's spouse Anja Kyllikki Lehto, later Vaccaro. Photo: Tony Vaccaro / Art Hall

View available original prints from Tony Vaccaro here