Foto 026 - Nina Berman by Michael Howard
In this episode, Michael talks with Nina Berman, a documentary photographer, filmmaker, and professor whose work interrogates the relationship between power, militarization, and the American experience. Over a career spanning three decades, Nina has consistently focused her lens on systems of violence and their aftermath, from war zones to police training grounds to the staged patriotism of political spectacle.
A Guggenheim Fellow, two-time World Press Photo winner, and professor at Columbia Journalism School, Nina is also the author of three major books: Purple Hearts – Back from Iraq, Homeland, and An Autobiography of Miss Wish. Her photographs have been exhibited in venues such as the Whitney Museum, the Brooklyn Museum, and the Museum of Fine Arts, Houston.
In this conversation, she discusses how her work has evolved from portraits of wounded veterans to broader investigations into how militarized thinking permeates everyday American life. She reflects on the ethics of long-term documentary work, the emotional cost of sustained witnessing, and why photography remains a vital civic act.
This is a powerful episode with one of the most uncompromising voices in American documentary photography — a conversation about courage, clarity, and using your camera to look directly at the systems that define our time.
A Guggenheim Fellow, two-time World Press Photo winner, and professor at Columbia Journalism School, Nina is also the author of three major books: Purple Hearts – Back from Iraq, Homeland, and An Autobiography of Miss Wish. Her photographs have been exhibited in venues such as the Whitney Museum, the Brooklyn Museum, and the Museum of Fine Arts, Houston.
In this conversation, she discusses how her work has evolved from portraits of wounded veterans to broader investigations into how militarized thinking permeates everyday American life. She reflects on the ethics of long-term documentary work, the emotional cost of sustained witnessing, and why photography remains a vital civic act.
This is a powerful episode with one of the most uncompromising voices in American documentary photography — a conversation about courage, clarity, and using your camera to look directly at the systems that define our time.
