Showing posts with label Stephen Wilkes. Show all posts
Showing posts with label Stephen Wilkes. Show all posts

Friday, April 5, 2013

Town & Country at the AIPAD show for a sampling of this week's favorite art





Via Town & Country

The Exhibitionist
Town & Country hits the Affordable Art Fair and the AIPAD show for a sampling of this week's favorite art 

Stephen Wilkes

The TIME photographer Stephen Wilkes rented a helicopter in the immediate aftermath of hurricane Sandy. This shot, “Hurricane Sandy, Seaside Heights, New Jersey, 2012,” captures the eerie beauty of the day as the storm abates. The Jet Star roller coaster, which floated away from its mooring in the floods, sits far offshore, an incongruous wreck that’s the only visible reminder of the recent devastation. ($25,000, at the Monroe booth.)
Courtesy of Monroe Gallery - Booth #419

Monday, January 28, 2013

The AIPAD Photography Show To Be Held in New York on April 4-7 at the Park Avenue Armory



Frieke Janssens, Ringlings, 2011. Digital chromogenic dye print mounted to plexi, 35 x 35 inches. Courtesy Catherine Edelman Gallery, Chicago

Via artdaily.org

January 27, 2013

NEW YORK, NY.- The AIPAD Photography Show New York, one of the world’s most important annual photography events, will be held April 4-7, 2013, at the Park Avenue Armory. Presented by The Association of International Photography Art Dealers (AIPAD), the fair is the longest-running and foremost exhibition of fine art photography.

More than 70 of the world’s leading fine art photography galleries will present a wide range of museum-quality work including contemporary, modern, and 19th-century photographs, as well as photo-based art, video, and new media. The 33rd edition of the show will commence with an opening night gala on April 3, 2013, to benefit inMotion, which provides free legal services to low-income women.

“AIPAD continues to be at the forefront of the photography market,” noted Catherine Edelman, President AIPAD, and Director, Catherine Edelman Gallery. “Known for their scholarship and expertise, AIPAD galleries are shining light on extraordinary photographs by modern masters and emerging artists, images made in the last year by some of the most important artists working today, as well as relatively unknown work that is ripe for public exhibition. New and established photography collectors are anticipating another extraordinary exhibition.”

EXHIBITORS
Exhibitors will include galleries from across the U.S. and around the world, including Europe, Asia, and South America. Six galleries will exhibit at AIPAD for the first time: Brancolini Grimaldi, London; Fifty One Fine Art Photography, Antwerp; Klompching Gallery, Brooklyn; M97 Gallery, Shanghai; P.P.O.W., New York; and Sage Paris. An exhibitor list is available at aipad.com/photoshow.

EXHIBITION HIGHLIGHTS
A solo exhibition of work by James Welling will be exhibited by David Zwirner, New York. Welling has been questioning the norms of representation since the 1970s, exploring and experimenting with the elemental components of the photographic medium. His work is held in major museum collections including The Museum of Modern Art, The Metropolitan Museum of Art, and the Solomon R. Guggenheim Museum, all in New York.

Lisa Sette Gallery, Scottsdale, will offer a one-person exhibition of work by British photographer Damion Berger, who was once as an assistant to Helmut Newton. Berger’s recent series, Black Powder, documents firework celebrations from around the world. He uses glass plate negatives, multiple exposures, and unusual combinations of focus and aperture for the results, which are as dramatic as the pyrotechnic explosions.

A number of riveting portraits at AIPAD will be on view, including a series by Belgian artist Frieke Janssens entitled Smoking Kids. The digital chromogenic dye prints of children smoking were inspired by a YouTube video of a chain-smoking Indonesian toddler. As the artist notes, “I felt that children smoking would have a surreal impact upon the viewer and compel them to truly see the acts of smoking, rather than making assumptions about the person doing the act.” The work will be exhibited by Catherine Edelman Gallery, Chicago. No real cigarettes were used to make the images. Instead, chalk and sticks of cheese were used as props, while candles and incense provided the wisps of smoke.

P.P.O.W., New York, will offer portraits and work by Martha Wilson, Carolee Schneemann, and David Wojnarowicz, all of it inspired by the human body. M97 Gallery, Shanghai, will show portraits by Luo Dan, who uses the collodion wet plate photographic process invented in 1850. Spending several months traveling with a portable darkroom in remote and mountainous regions of China’s southern Yunnan Province, Luo Dan depicts people living in China’s undeveloped regions, where the way of life has remained largely intact for hundreds of years. Yu Xiao’s surreal images of children from the 2012 Nursery Rhymes series will be shown at 798 Photo Gallery, Beijing.

Extraordinary landscapes from around the globe will on view at AIPAD, including work showing the effects of Hurricane Sandy. An image by Stephen Wilkes, of a roller coaster standing in the ocean at Seaside Heights, New Jersey, will be exhibited by Monroe Gallery of Photography, Santa Fe. Work by Matthew Brandt from his recent Lakes and Reservoirs series can be seen at Yossi Milo Gallery, New York. The L.A.-based artist photographs lakes and reservoirs around the western United States, then submerges each resulting C-print in water collected from the subject of the photograph. Matthew Brandt’s images are included in the collections of The Metropolitan Museum of Art, New York, and the Los Angeles County Museum of Art. Edward Burtynsky’s life’s work is to document humanity’s impact on the planet, so when he shoots a photograph, it is often from an airplane or helicopter. His new riveting geometric aerial landscapes from the Texas Panhandle showing irrigation systems in the high plains will be exhibited by Howard Greenberg Gallery, New York.

Since 2005, Robert Burley has traveled across North America and Europe documenting the exteriors and interiors of the buildings that manufactured traditional film products such as Kodak and Polaroid. Burley’s mastery of large-format photography is a fitting tribute to a once thriving industry laid quickly to waste by digital technology. The work will be on view at Stephen Bulger Gallery, Toronto, and can be seen in a new book, The Disappearance of Darkness, published by Ryerson Image Centre and Princeton Architectural Press.

A portrait by Mariana Cook of one of the world’s most prominent political prisoners, Aung San Suu Kyi, will be exhibited by Lee Marks Fine Art, Shelbyvile, IN. Cook traveled to Burma in 2011 shortly after the Nobel Peace Prize winner was freed from house arrest. The portrait will be included in the upcoming book Justice: Faces of the Human Rights Revolution by Cook, which captures pioneers of the human rights movement from around the globe.

Edward Weston’s The Marion Morgan Dancers, California, 1921, will be on view at Galerie Johannes Faber, Vienna. The elegant composition of the nude dancers was made in collaboration with Margrethe Mather – whom Weston called “the first important person in my life” – and reflects Weston’s early pictorialist style and Mather’s sensitive eye. A pensive Frida Kahlo is the subject of Manuel Alvarez Bravo’s gelatin silver print from the 1940s at Throckmorton Fine Art, New York. Seydou Keïta’s charming portrait Three Malian Women, 1957-60, will be offered by Charles Isaacs Photographs, Inc., New York. Keïta is considered to be the first generation of African photographers to cater to the needs of a populace that was transitioning from French-colonial governance to independence, experiencing population increases and economic growth.

Early work from the birth of photography will also be a highlight at AIPAD. James Hyman Photography, London, will focus on three great French photographers of the 19th century: Edouard Baldus, Gustave Le Gray, and Charles Negre. Hans P. Kraus Jr. Fine Photographs, New York, will show great masters of British and French 19th-century photography, including William Henry Fox Talbot, Linnaeus Tripe, and Gustave Le Gray.

Thursday, January 24, 2013

Photo LA 2013: Diary of Jeff Dunas



Med__mg_2736-edit-jpg
Bill Eppridge, Senator Robert F Kennedy Shot,
Ambassador Hotel Kitchen, Los Angeles, California, June 5, 1968

Via Le Journal de la Photographie

 Slide Show #1


Same venue. A generous group of galleries reconvened this past weekend, January 17 - 21 at the Santa Monica Civic Auditorium for the 21st annual PhotoLA print fair.

Stephen Cohen, PhotoLA's founder, was in good form and seemed happy with the turnout and the exhibitions. The opening night was a wonderful social occasion for the photography community who turned up to benefit the Inner City Arts organization.

The hands-down shining moment of the event was a one and half hour lecture by the great Bill Eppridge. There wasn't a dry eye in the house for the moderately attended talk. Monroe gallery artist Eppridge discussed and showed work from his spectacular career as a photojournalist centering on his assignments from the 1960s including the Beatle's first US tour and the Robert Kennedy assassination If there is a photo-book publisher reading this - here is an incredible opportunity to publish a phenomenal monograph.

It's hard to say if there were detectible new currents on show this year - there was a surprising number of contemporary female nudes evident in many of the exhibitor's spaces but in terms of one emerging star of the program, none surfaced. Ben Nixon, a young photographer working with 19th century wet-plate technology, had a strong show of his forest work as well as his exquisite new title from 21st Editions. A lot of pigment printing on view, with an exceptional piece by Michael Lang at the Cohen Gallery booth. While many tend to pump the colors of modern ink-jet prints, Lang's images displayed a remarkable restraint and mastery of his craft. Less early 20th century masters on display than in prior years, a greater emphasis on the work of contemporary photographers - a good direction for mid-career image-makers. Most were American although a collective booth showing the work of Czech photography was wonderful. Daniel Miller of the Verge and Duncan Miller galleries hosted a booth for a group of women, all emerging photographers which was a good development.

This year an expanded series of seminars, some even tech seminars were added to bring in more photographers who were everywhere this year - a great chance to catch up with friends.

All in all, worthwhile, to be sure. Will I attend the 22nd PhotoLA?
Absolutely.


Jeff Dunas, Los Angeles

Slide Show #2

Jerusalem, Western Wall, Day To Night, 2012

 Stephen Wilkes Day to Night Series



Hurricane Sandy, Seaside Heights, NJ, 2012
Digital C-print, signed, limited edition #1/20 $10,000

Links

http://www.photola.com

Wednesday, January 16, 2013

Stephen Wilkes: The 57th Presidential Inauguration, Day To Night



Stephen Wilkes announced today that he will be shooting a "Day to Night" of the 57th Presidential Inauguration on Monday January 21st in Washington, DC.

Read more about his Day to Night series, which was recently featured on the CBS Sunday Morning Show, here. And, if you are the in the greater Los Angeles area, be sure to visit us this weekend during Photo la 2013 to view a selection of Stephen's work, including the most recent location of the Day To Night series, Jerusalem, and his photograph of Seaside Heights, New Jersey following Hurricane Sandy.

Tuesday, January 15, 2013

Stephen Wilkes, The Power of the Still Image




Via X-Rite Photo Blog


"A new video has just been released today featuring Coloratti Stephen Wilkes talking about The Power of the Still Image, his own projects to document parts of American life and culture that are fading into memory, some of his disturbing and compelling images of the Gulf oil spill, and his latest project called Day to Night. In this video Stephen talks about the “subtext” beneath his photographs. “The power of what’s underneath is much greater than what’s on the surface,” he says. “And I want you to go underneath what I’m showing you but the only way I can get there is to draw you in with beauty.”

 


Wilkes is an amazing photographer. His passion for the still image is fueled by his ardent belief that it is the still image that “burns” into our minds. “I don’t think that, in terms of memory, things stay with us unless we have the image,” says Wilkes. “I think there is infinitely more power in a visual than there is in anything that is verbal or even written.”
 
Hurricane Sandy on the Jersey Shore by Stephen Wilkes
Seaside Heights, N.J
©2012 Stephen Wilkes

One of Stephen’s most recent projects was documenting Hurricane Sandy for Time. Stephen’s 22 image photo essay on the super-storm disaster is available on Time Lightbox. The aerial photos he captured are both beautiful and horrific. Here’s a quote from his words accompanying the photo essay: “On the Sunday after Sandy made landfall, I decided to rent a helicopter and fly over some of the most devastated areas, including the New Jersey shore, Breezy Point and Far Rockaway. It was a beautiful day to fly, but unfortunately that beauty quickly eroded into shock as we began to get close to the coasts. It was everything I’d heard about, but it was difficult to believe what I was actually seeing. Once we got above the shoreline, I really started to understand the scale of the destruction. The expanse of land it ruined, the totality of the devastation — it was like a giant mallet had swung in circles around the area. It was mind numbing.” Read more about the Hurricane Sandy project online and see all 22 photos in the essay at Time Lightbox."


Full post with links here.

See Stephen Wilkes Day To Night and Hurricane Sandy photographs during Photo la, January 17 - 21, at Monroe Gallery of Photograph, booth M-150.


Tuesday, December 11, 2012

Stephen Wilkes' Sandy Photographs Among TIME's Best Photojournalism of 2012





Via TIME LightBox
Throughout 2012, TIME’s unparalleled photojournalists were there. At a time when so much hangs in the balance, bearing witness can be the most essential act — and that’s what we do."

Two of Stephen Wilkes photographs of the aftermath of Hurricane Sandy are among the best of  Time's commissioned photojournalism from 2012:




UPDATE: Dec 13, 2013: The above photograph was chosen as one of TIME's "Top 10 Photos of 2012"


Stephen Wilkes for TIME
Nov. 4, 2012. Seaside Heights, N.J. The Jet Star roller coaster at Casino Pier amusement park, once a Jersey Shore Landmark, was submerged in the Atlantic as a result of Hurricane Sandy. From "Flooded, Uprooted, Burned: The Tracks of Sandy on the Shore."






Stephen Wilkes for TIME
Nov. 9, 2012. Staten Island, N.Y. Strong winds and waves ripped several homes from their foundation, like this one in the Oakwood neighborhood. From "Flooded, Uprooted, Burned: The Tracks of Sandy on the Shore."

Related: Mr. Wilkes’ photo eloquently framing: amber waves of grain meets the apocalypse.



Related: The "Best Photos" of 2012 International Compilation

Sunday, December 2, 2012

'BEST' PHOTOS OF 2012



The lists are in. Here is the final edit of everone's photography "Best of" lists for 2012. (Thanks to @Stellazine who made sure we didn't miss any!) Happy 2013 to all!


Photojournalismlinks: Top 10 Photos of 2012

NPPA: Top Five Photojournalism Stories of 2012

TIME: 366: The Year in Photographs 2012

The New York Times: 2012: The Year in Pictures

The New York Times: 2012: The Year in Culture

BBC: The year in pictures 2012

CNN: 2012: The year in pictures

The Washington Post: Best of The Post 2012

The Sacramento Bee: Moments Through Our Eyes, The Year In Pictures

Read more here: http://blogs.sacbee.com/photos/2012/12/moments-through-our-eyes-the-y.html?utm_source=dlvr.it&utm_medium=twitter#mi_rss=The%20Frame#storylink=cpy

TIME: A Year of Photographers in the Picture

BBC: UK Year in Pictures 2012

Al Jazeera - In Pictures: The year in review

The Santa Fe New Mexican photographers look back at their favorite images of 2012

Ad Age's Magazine Covers of the Year

Documenting 2012 Through Instagram

Weather.com: Best Weather Photos of 2012

The Brian Leher Show: The Best of Your 2012 Cell Phone Pictures

Dallas Morning News: Our favorite photos from Getty Images in 2012
 
PDN's 12 Most Popular News Stories of 2012

Chicago Tribune: 2012 best news photos

2012 best Chicago iPhone photos

Guardian: The best photographs of 2012

TIME: In Memoriam: Photographers Who Died in 2012

NYT Lens: The Images of 2012: Sports

Guardian: Best portraits of 2012 – in pictures

A Photo Editor: The Best Photos I Saw This Year That I Haven’t Already Written About Yet

Spiegel: Photo Gallery: The Best News Photos of 2012
 
New York Times Lens: The Images of 2012 - New York

Telegraph: Pictures of the year 2012: UK news

American Photo: 2012's Best Photojournalism

Bloomberg: Bloomberg's Best Photos 2012: A Changing World

Vanity Fair: 2012 in Vanity Fair

Guardian: After 52 weeks of diligent smartphoning, we come to the end of a project to test the limits of iPhoneography and document the year in pictures

LA Times: The year in wire pictures | 2012

NBC News: The Year in Pictures 2012

Twelve from 2012: Portrait Photography in The New Yorker

BagNewsNotes: Best Photos of 2012, and Why: From Syria to the New York Harbor

Reportage by Getty Images: Looking Back at 2012

The Telegraph: 2012: The Year in Pictures

Poynter: Photojournalism in 2012: A year of excellence, ethical challenges and errors

As 2012 draws to a close, BBC invites five photographers to talk about the story behind one of their pictures taken this year:

1. Photographer Robin Hammond on story behind Nigeria picture

2. Associated Press photographer Bernat Armangue speaks about how he obtained this moving picture during the recent conflict between Israel and Hamas

3. Reuters photographer Beawiharta explains the story behind a picture of school children crossing a collapsed bridge in Indonesia

4. Owen Humphreys of the Press Association talks about his dramatic photograph of Mo Farah on his way to victory in the 10,000m at the London Olympics

5. Picture power: Living dead of the drug war

Boston.com The Big  Picture: 2012 Year in Pictures: Part I

                                                 Part 2

                                                Part 3

Boston.com: Best nature pictures of 2012

Associated Press: Top 10 Photos of 2012

Guardian: The best photography of 2012: Sean O'Hagan's choice

From Facebook IPO to Tsunami, Bloomberg Best Photos 2012

TIME Picks 2012′s Best Photographer on the Wires

TIME Picks the Top 10 Photos of 2012

TIME’s Best Photojournalism of 2012

TIME’s Best Portraits of 2012

TIME Picks the Top Photographic Magazine Covers of 2012

TIME Picks the Most Surprising Photos of 2012

TIME: 2012: A Year of Deja Vu

TIME: 2012: The Year in Silhouettes

TIME:  2012: A Year of Strange Landscapes

BagNewsNotes: Best Photos of 2012, And Why — #1: In Sandy’s Tracks

                          Best Photos of 2012 and Why: From Holmes to Newtown

Media Ethics: Top 10 Photo Fails: 2012's Fake & Wrong Photos

Adelaide Now: The most striking photos of 2012

The Phoenix Business Journal's best photos of 2012

Mercy Corps is training women to mediate land conflict in Guatemala: Ten best photos 2012

Windsor Star: Photos: More best images of 2012

Stuff: Best world photos 2012

Business Insider: The Best Photos Of Barack Obama in 2012

The New Yorker: The View from Space: 20 Stellar Photos of Earth in 2012

USA Today: Best News photos 2012

Photos: 2012 Photos of the Year by the Associated Press

BagNewsNotes:  Obama, the GOP and a Bookend Pair of “Pics of the Year'

Star-Ledger:  2012: Best N.J. feature photos of the year
                      2012: Best N.J. news photos of the year
                      2012: Best weather photos of the year

TotallyCoolPix: Top Pictures Of 2012 Part 1
                           Part 2

Guardian: Travel Photographer of the Year 2012 – the best pictures

Guardian: A Northern Eye - Chris Thomond's look back on 2012 starts today

Wired’s Favorite Viral Photo Projects of 2012

Sports Illustrated: Pictures of the Year

2012’s Best Entertainment Photography

Vancouver Sun:  Top photos from the year shot by Getty Images photographers
around the world

Global News: Best photos from 2012

Business Insider: 42 Unforgettable Photos From The Past Year

Wall Street Journal: Year in Photos 2012

WSJ’s Photos of the Year: Behind the Images

CNN  2012:The Year in Pictures

The Atlantic: In Focus  2012: The Year in Photos, Part 1 of 3           
                                                                                 Part 2 of 3
                                                                                 Part 3 of 3

Huffington Post: 40 Most Powerful Photos Of 2012

HuffPost photo editors curated a slideshow of serious eye candy from Getty Images and the Associated Press


The Best Photography Blog Posts of 2012

BuzzFeed: The 45 Most Powerful Images Of  2012

Reuters: Best photos of the year 2012

The Most Popular Cameras and Settings for Reuters’ 2012 Photos of the Year

Best Pictures of the Year from Agence France Presse

VII photographers present their best images, shot or released in 2012

UK Telegraph: The 50 best images of the London 2012 Olympic Games

UK: Landscape Photographer of the Year 2012

British photographer wins Travel Photographer of the Year 2012 title

Best of 2012 - National Geographic Magazine Photos of the Year

National Geographic:  Best Space Pictures of 2012: Editor's Picks

National Geographic: Best Camera-Trap Pictures of 2012

Top 10 Kisses of 2012 [PICS]

fotostrada: Collection of the BEST images of 2012 by the 'fotostrada' collective .


BOOKS

Conscientious: My favourite photobooks in 2012
TIME’s Best of 2012: The Photobooks We Loved

Blake Andrews: Under The Radar: Best Photo Books 2012

Guardian: The best photography books of 2012: an alternative selection

Photobookstore UK My Best Books of 2012

Elizabeth Avedon: 2012 HOLIDAY BOOKS: A Few New Favorites

American Photo: Books of the Year: John MacLean's New Colour Guide

Photo District News:  Indie Photo Books of the Year:
                                    Part 2
 
                                    Notable Photo Books of 2012: Part 1

Feature Shoot:  Top 15 Photo Books of 2012

The Photo Book Club  B*@t of 2012

The Daily Beast: Best Coffee Table Books of 2012

phot(0)lia: Photobooks 2012

Shane Lavalette:   Ten (Or Twenty) of The Best Photobooks of 2012

John Edwin Mason: Photo Book of the Year, 2013: Gordon Parks' Collected Works

Announcing photo-eye's Best Books 2012

UK Guardian: The Best Photobooks of 2012

Top 10+ photobooks of 2012 by Alec Soth

Mrs. Deane’s years in books: a Listmas tale

Marc Urust: One more list of 2012 books


MISC

Bag News Notes: Best Bag Posts of the Year: Oversight in the Media-Military Marriage

A Curator: 2012: Some of the best from this year's features

Stellazine: The Favorite Photo Shows of 2012

British Journal of Photography: The 50 best photography products of 2012

Carole Evans Photography: Highlights of 2012

Photoshelter: 57 Reasons to Love Photography in 2012

The Future Of Photography: 7 Images From 2012 That Should Make You Excited For 2013 And Beyond

2012  Year on Twitter

Poynter: The best (and worst) media errors and corrections of 2012

Best art exhibitions of 2012, No 5 – Documenta 13 in Kassel, Germany

Best art exhibitions of 2012, No 9 – SFMoMA presents Cindy Sherman

Best art shows of 2012, No 7 – Everything Was Moving at the Barbican

Bloomberg: Hot Art: Top 10 Auctions of 2012

2012 list of 19 things they didn't want you to know about photography but are actually true


Related:

The most unforgettable images of the year / Best photographs of 2011

Friday, November 30, 2012

To Do Monday: Stephen Wilkes Talks "Day To Night"

Sponsored by Adorama and Canon

Stephen Wilkes: The Big Picture
Monday, Dec 3, 2012
5:30PM - 7:30PM
Event location:
Event Description:

Stephen Wilkes is well known internationally for his fine art and commercial photography, and during this evening's presentation he'll be showing and discussing the pictures, themes, and genres that are signatures of his work. Many of his images, at once epic in scale all share a unique human narrative, showcasing his fascination with scale, and reflecting his passion for making 'The Big Picture.'

He'll show his latest fine art series, "Day to Night', where Stephen photographs a scene from the same perspective during a minimum of 10 hours, as he says, "capturing a fluid visual narrative of day into night within a single frame."

Stephen's assignments and projects have taken him around the globe, where his continuing interest in architectural imagery and how rapid industrial growth impacts our world and environment. He'll be showing examples that range from his series on China's transformation from it's rural and natural beauty to teeming cities as an industrial behemoth, to a recent commercial assignment in Mumbai that combined his expertise shooting on location in challenging situations and combining his exciting visualization capturing the essence and energy of a place. He'll also be showing images from his Ellis Island series, and from the Hurricane Katrina and the Gulf oil spill series among others.

Throughout the presentation, be prepared to look at things differently; you will see and hear about the symbiotic relationship between his commercial and fine art work, as Stephen shares how he manages to balance an active commercial and fine art career.

Register here  (event expired)


(A selection of Stephen Wilkes' Day To Night photographs are currently on view at the gallery. UPDATE: Contact the gallery for news about the newest international addition to the collection: Jerusalem, Day To Night.)


Biography: Stephen Wilkes

  For more than two decades Stephen Wilkes has been widely recognized for his fine art and commercial photography. His photographs have been exhibited in both galleries and museums, and featured in the New York Times Magazine, Vanity Fair, Time, Sports Illustrated, London Sunday Times, and Travel + Leisure.

In 2000, Epson America commissioned him to create a millennial portrait of the United States, a 52-day odyssey that resulted in a critically acclaimed exhibition that traveled to New York, Chicago, Los Angeles, and San Francisco.

The monograph, Ellis Island: Ghosts of Freedom was published in 2006. Stephen was featured on Weekend Edition with Scott Simon of NPR, CBS Sunday Morning with Martha Teichner and the book received high critical acclaim including Time Magazine's 5 Best Photography Books of The Year, 2006. His newest body of work is titled Day to Night. The work embodies epic cityscapes of New York with fleeting moments throughout the day to night. Stephen photographs from one camera angle continuously for approximately 15 hours. A select group of images are then electronically blended into one photograph. The photographs have been exhibited at Clampart Gallery in NYC, and Monroe Gallery in Santa Fe. CBS Sunday Morning  featured Stephen in a segment on his process in creating Day to Night images on November 11, 2012.

In 1999 he completed a personal project photographing the south side of Ellis Island: the ruined landscape of the infectious disease and psychiatric hospital wings, where children and adults alike were detained before they could enter America. Through his photographs and video work, Stephen has inspired and helped secure $6 million in funding towards the restoration for the south side of the island.

Educated at Syracuse University's S. I. Newhouse School of Public Communications, his awards and honors include the Alfred Eisenstaedt Award for Magazine Photography, Photographer of the Year from Adweek Magazine, Fine Art Photographer of the Year 2004 Lucie Award, and the Epson Creativity Award.
Stephen's work is in the permanent collection of the International Museum of Photography in the George Eastman House, Houston Museum of Fine Arts, Dow Jones Collection, Griffin Museum of Photography, Jewish Museum of New York, Library of Congress and numerous private collections.

He also shoots advertising campaigns for many of the worlds leading agencies and corporations, including, SAP, IBM, PepsiCo, Wyeth Pharmaceuticals, American Express, Nike, Sony, Verizon, IBM, AT&T, Rolex, Honda, J.W.T., EuroRSCG, McCann Erickson, Ogilvy & Mather, Goodby Silverstein & Partners, and Rubin Postaer among others.

Thursday, November 22, 2012

Friday: To Do



Mark Shaw: Jackie Kennedy at John. F. Kennedy's Senate desk, 1959


Please join us Friday, November 23 from 5 - 7 for the opening reception for the exhibition Mark Shaw: The Kennedys.     (Santa Fe Reporter Pick: Mark Shaw’s photos of the Kennedys bring Camelot to Santa Fe)


 


Following the recent special feature segment on CBS News Sunday Morning about Stephen Wilkes' Day To Night photographs, the gallery is also exhibiting a selection of these acclaimed photographs.



 
 
 
 
 
Christmas Tree Lighting on the Plaza
3 PM Christmas poems
3:30 - 5:45 Entertainment and Christmas songs
Santa and Mrs. Claus arrive
5:45 Tree lighting
Hot chocolate, hot cider, and cookies provided by the Girls Scouts

Thursday, November 15, 2012

Stephen Wilkes' Sandy Photo Essay for TIME Magazine

Stephen Wilkes for TIME
Breezy Point, N.Y.: On the night Sandy made landfall, a fire swept through this community on the tip of the Rockaway Peninsula, consuming more than 100 homes.

Flooded, Uprooted, Burned: The Tracks of Sandy on the ShoreVia Time LightBox


"After TIME commissioned me, along with four other photographers, to capture Hurricane Sandy using Instagram, I and many of my colleagues felt a deep personal need to go back and document the aftermath. I’ve covered disasters in other parts of our country, but this is my hometown, and Sandy was a storm of historical significance. I’ve often found that there is great power in telling difficult stories in a beautiful way. Interest in any given story wanes so quickly, yet it’s only through taking the time to go deeper that we get to a place of real understanding. I had to return to this story, and I wanted try to comprehend the scale of this storm. The only way for me to capture Sandy’s destructive fury was from above.
 
On the Sunday after Sandy made landfall, I decided to rent a helicopter and fly over some of the most devastated areas, including the New Jersey shore, Breezy Point and Far Rockaway. It was a beautiful day to fly, but unfortunately that beauty quickly eroded into shock as we began to get close to the coasts. It was everything I’d heard about, but it was difficult to believe what I was actually seeing. Once we got above the shoreline, I really started to understand the scale of the destruction. The expanse of land it ruined, the totality of the devastation — it was like a giant mallet had swung in circles around the area. It was mind numbing.

When I got home that night, the images still in my mind made it impossible to sleep. Through various points of this storm, it felt like we were all living through a science fiction movie. Seeing these devastated towns from above showed the cold reality of this storm’s severity.

From above, I realized how close particular neighborhoods were to bays or oceans. Sometimes, it was a matter of two blocks, and it’s a proximity not immediately apparent when you’re on the ground. In Breezy Point, for example, I knew that more than 80 homes had burned down in a fire, but nothing could have prepared me for what I actually saw. The blackened and charred blocks of homes viewed as a giant physical scar across the landscape. Seeing how much land was affected and yet how many homes were saved, made me think of the firefighters and how hard they must have worked just to contain this fire.

In flying over Staten Island, I was really struck by the marina, and how the boats were physically lifted from the pier and tossed together. It looked like a child’s game—huge, 40-ft. boats being thrown around like toys. We then flew over Oakwood, where I saw a house that had been lifted and dragged through a field of cattails; its path clearly visible days later, having left a trail of destruction through the cattails.

Sandy was a warning shot. I’ve had a unique view of what’s happened on a physical level. But the emotional toll has yet to be measured. It’s my hope that these images serve as a wakeup call — whether that call is about global warming, infrastructure, or just the recognition that the world is changing, it’s a reminder that we need to take special care of our fragile world." -- Stephen Wilkes



Stephen Wilkes is a fine-art and commercial photographer based in New York. Wilkes was awarded the Photo District News Award of Excellence in 2011 and 2012.

Wilkes’ work will be part of a Sandy relief benefit auction hosted by 20×200 and TIME. Visit LightBox on Monday for more information.



Related: Stephen Wilkes Day To Night on CBS News Sunday Morning

Tuesday, October 30, 2012

Stephen Wilkes DAY TO NIGHT Photo Shoot Feature On CBS News Sunday Morning Show Nov 11







In his series, “Day to Night,” Stephen Wilkes photographs a scene “for a minimum of ten hours, from the same perspective, capturing a fluid visual narrative of day into night within a single frame.” CBS News Sunday Morning correspondent Martha Teichner joined Stephen Wilkes in a crane suspended over New York's Central Park during the recent creation of one of Wilkes "Day To Night" photographs. A special CBS Morning News segment, produced by Meggie Miao, was broadcast on November 11 - check local listings for time in your area.



"Day To Night", an exhibition of large-scale color photographs (up to 50 x 80 inches) was held at Monroe Gallery of Photography in Santa Fe April 27 through June 16, 2012, the first time the full collection was exhibited together. A selection of these photographs remains on view in the gallery.

 For more than two decades Stephen Wilkes has been widely recognized for his fine art, editorial, and commercial photography. With numerous awards and honors, as well as five major exhibitions in the last five years, Wilkes has made an impression on the world of photography. His most recent series features vibrant photographs of Times Square, Park Avenue, Coney Island, and Central Park, among other iconic New York locations, and capture, in a single frame, the transition from “Day to Night”. Using digital composites of images of the same site taken over a period of up to 15 hours, the photographs have a time-traveling quality, with the hustle and bustle in the afternoon sun giving way to the glow of city lights in darkening, cloud-streaked skies.


View the full "Day To Night collection here.  December 1, 2012 UPDATE: Contact the gallery for news about the newest international addition to the collection: Jerusalem, Day To Night.)


"Anything one can imagine one can create. Over the last several years, photographic technology has evolved to a point where anything is possible. I imagined changing time in a single photograph. I began to explore this fascination with time in a new series of photographs called: “Day to Night”. Photographing from one camera angle continuously for up to 15 hours, capturing the fleeting moments throughout the day and night. A select group of these images are then digitally blended into one photograph, capturing the changing of time within a single frame."

"Day to Night embodies a combination of my favorite things to photograph; documentary street photography melded with epic cityscapes. The work is a personal reflection of my deep love for New York. As this series has evolved, I discovered that the photographs began to highlight a form of emergent behavior within the daily life of the city. Studying the communication between pedestrians on sidewalks, cars and cabs on the street, these individual elements become a complex life form as they flow together to create the chaotic harmony that is Manhattan."

"Henri Cartier Bresson once said, “Photography is the recognition of a rhythm in the world of real things.” I am forever fascinated by the rhythm that is New York, the city’s relentless energy from “Day to Night”'.--Stephen Wilkes



Wilkes' photographs are in the permanent collection of The Library of Congress, Washington, D.C.; George Eastman House, Rochester, New York; Museum of Fine Arts, Houston; Dow Jones & Company, New York City; The Jewish Museum, New York City; and in numerous important private collections throughout the world. His work has graced the covers of numerous international publications, including Sports Illustrated, Fortune, Vanity Fair, The New York Times Magazine, Life Magazine, and Time Magazine.

For further information, please contact the Gallery.

Related:

THE Magazine Review: Stephen Wilkes: Day to Night

 Opening Night: Stephen Wilkes "Day To Night"




Wednesday, October 17, 2012

THE Magazine Review: Stephen Wilkes: Day to Night



Installation Photograph by Stephen Wilkes

The Magazine
Critcal Reflections
June, 2012

Iris McLister



Are you a city person? Do you like hailing a taxi or looking upward to see the tippy top of a skyscraper?


Maybe you’re more of a country mouse like me, and being among millions of people with places to go and people to see leaves you cold. My only, very brief, visit to New York City, several years ago, left my feathers substantially ruffled. The rush, the anonymity, the impossible task of trying to be nonchalant about riding the subway; the everywhere presence of interesting-looking people I’d never know or even meet.

No, not all of us are city people. Contemporary photographer Stephen Wilkes chose New York City as his subject for his series Day to Night, capturing moments of astonishing urban beauty in luscious, vivid color. His unique digitally manipulated, time-lapse photography allows the course of an entire day to be viewed in one image, thereby exposing the city’s constant energy while suggesting its ultimate stability.

We’ve all seen pictures of the Empire State Building or the Brooklyn Bridge at dusk; these aren’t those. The first thing you notice about the photos in Day to Night is the uncanny quality of light they capture; they look lit up from within. Wilkes has been a commercial photographer for many years, working for major publications like Sports Illustrated, Vanity Fair, The New York Times Magazine, and Time. As a fine-art photographer, his work reaches similarly wide audiences and often has political undertones. A series shot on Ellis Island depicts eerie scenes of dilapidated buildings and neglected grounds—it garnered so much attention that it helped prompt Congress to grant the area millions of preservation dollars and designate it as a “living ruin.” In a 2008 body of photographs taken in China, Wilkes conveyed in equal measure the sterile coldness of sprawling factories and the humanity of their workers.

For this more neutral, but visually dazzling, body of work, the artist began by choosing an iconic New York City location like Central Park or Washington Square. Perched fifty feet above ground level in a rented boom lift, the artist spent ten to fifteen hours taking hundreds of pictures of the same scene throughout the course of a day, painstakingly ensuring that every shot came from the same, fixed perspective.

Wilkes then blended together dozens or so carefully chosen shots with digital photo software to forge utterly seamless portrayals of a day’s shift into night. Painstakingly detailed and full of nuance, a single image can take months to create. Photographs take on time-travel qualities in their ability to relate distinct times of day in just one frame. In Gramercy Park, this city landmark becomes a dense forest, composed so that the vermillion shock of tall trees in the foreground gives way, somewhat ominously, to darkened evening skies. Apartment building windows are so warmly and clearly lit you can almost make out figures, and the bizarre lighting, which Wilkes sometimes manipulates into veritable fluorescence, suggests the contrivance of a movie set or a starkly illuminated dollhouse. In Park Avenue, rows of golden yellow cabs stream down traffic lanes in a scene of ecstatic motion. Thrillingly bright light beams downwards onto the avenue, and an inky-dark, cloudy sky makes a perplexing and delightful backdrop. This is a remarkably beautiful rendering of an urban scene—and it feels consummately new in its depiction. Coney Island is more literal in its representation of a day’s transition from morning to night; the evening portion on the left side of the picture gradually turns to brilliant daylight on the right. The neon blur of the Ferris wheel against the night sky gives way to the sunbathers and sailboats creating areas of startling, but somehow organic, contrast. Of these photographs, which Wilkes calls “quintessential city portraits,” the artist says: “You realize that the pedestrians are communicating, the cabs [are communicating], all these elements are coming together and creating a complex life form… that’s how the city works.”

In this eye-catching exhibition, Stephen Wilkes manages to inject scenes of urban New York with a dynamism that conjures universally relatable themes of renewal and change. This work encourages us to celebrate and share in the ineffably triumphant quality of New York City—and it’s got this country girl yearning for a visit to the Big Apple.

The exhibition has been extended through June 24, 2012.




Friday, October 5, 2012

The DC Fine Art Photography Fair: "I want to encourage people to educate their eyes”



Stephen Wilkes/Monroe Gallery


Via The Washington Post

Photography fair offers opportunity for collectors

By Michael O’Sullivan
Friday, October 5, 2012

With the (e)merge art fair’s exclusive focus on up-and-coming artists, the organizer of another art fair hopes there’s room in the spotlight this weekend for more established names.

On Saturday and Sunday, Washington photography dealer Kathleen Ewing will unveil the inaugural DC Fine Art Photography Fair, featuring 15 booths by photography dealers she invited from across the country, each of whom specializes in more traditional imagery than one can expect to see at (e)merge.

Ewing will offer a wide range of prints, including a $12,000 photograph by the great Edward Weston (1886-1958) and a $450 image by MacDuff Everton, a contemporary photographer based in California. Washington’s Hemphill Fine Arts also will showcase a diverse mix of artists, including Colby Caldwell, William Christenberry, Don Donaghy, Godfrey Frankel, Max Hirshfeld, Franz Jantzen, Tanya Marcuse, Kendall Messick, Anne Rowland, Hiroshi Sugimoto and Julie Wolfe.

Dealers include the far-flung and the homegrown. San Francisco’s Scott Nichols Gallery, which is known for handling work by Ansel Adams and other members of the famous Group f/64, will participate, along with Multiple Exposures, a contemporary cooperative gallery based at Alexandria’s Torpedo Factory Art Center.

Ewing says visitors to the fair should expect something completely different than the edgy (e)merge and FotoWeek DC, a photography festival -- returning next month for its fifth year -- that’s known more as a broad celebration of all things photographic than as a breeding ground for collectors. Ewing says she thinks that with Washington’s educated, culturally connected and visually sophisticated population -- not to mention its booming economy -- the time is ripe for a commercial fair offering a range of price points for both the aspiring and the established collector.

“I want to encourage people to educate their eyes,” says Ewing, who hopes her fair will introduce the “passion of possessing beautiful works of art” to a new generation. To that end, the fair will feature a free panel discussion on collecting Saturday at 11 a.m.

Event Information

Details:

Saturday-Sunday, Oct. 6-7

Information:

202-986-0105

Price:

Free
2801 16th St. NW
Washington, DC

Sunday, July 1, 2012

Sunrise, sunset



Sunrise, sunset

Photographer shows morning and night in New York in a single frame

Sunday, July 1, 2012
 
 
 
 
 
It’s called the city that never sleeps — and for good reason. Photographer Stephen Wilkes captured New York City from morning to night in one frame to create what he calls a “fluid narrative.”

“I have always been fascinated by the way the city’s energy ebbs and flows from morning to night,” Wilkes told The Daily.

His surreal-like “Day to Night” series of cityscapes comes from shooting 10 hours from the same perspective. His photography is what he describes as “a visualization of the energy that is New York.”

Wilkes just completed his first international piece of the same effect in Shanghai, and plans to shoot in Los Angeles, Chicago, Europe and Jerusalem. Visit his website for more images.

Elizabeth.Semrai@thedaily.com
@easemrai

Sunday, June 3, 2012

Coney Island's endless summer

To create this image, the photographer spent 15 hours suspended in a crane 150 feet above the Coney Island boardwalk.

To create this image, the photographer spent 15 hours suspended in a crane 150 feet above the Coney Island boardwalk

Via Fortune Magazine

New York City's No. 1 destination for thrill-seekers is in the middle of a high-dollar facelift.

By Anne VanderMey, reporter


FORTUNE -- In 1938, at the height of Coney Island's popularity, Fortune reported that the "narrow strip of land, about 800 to 1,000 feet in width and two and a quarter miles long," was valued at about $22 million, or $337 million in today's dollars. But the strip is probably worth more than that: New York City expects the boardwalk to generate $14 billion in the next three decades.

By the numbers:
11 million: Number of visitors to Coney Island last summer. Of those, 640,000 went to Luna Park and Scream Zone for the 26 rides -- the highest amusement park attendance since 1964. Two new rides will open this summer.

$4.5 million: Sale price of the Eldorado Auto Skooters building, purchased this spring by Thor Equities. Thor now owns about seven acres of land in Coney Island, and plans to develop some of its properties into ritzy hotels.

90 mph: Top speed of the Sling Shot, Luna Park's fastest ride. The first roller coaster in the U.S. made its debut in Coney Island in 1884. It cost 5¢ to ride and topped out at 6 mph. The Sling Shot costs $20 a pop.

Source: New York City Economic Development Corp.
This story is from the June 11, 2012 issue of Fortune.



Related: Stephen Wilkes: Day To Night exhibition extened through June 24

Wednesday, May 16, 2012

Stephen Wilkes: Day To Night Exhibition Featured in La Lettre de la Photographie


Flat Iron Building, New York, 2010
Flatiron Building, Day To Night (2010) © Stephen Wilkes
  COURTESY MONROE GALLERY OF PHOTOGRAPHY


Via La Lettre de la Photographie

For more than two decades Stephen Wilkes has been widely recognized for his fine art, editorial, and commercial photography. With numerous awards and honors, as well as five major exhibitions in the last five years, Wilkes has made an impression on the world of photography. His most recent series features vibrant photographs of Times Square, Park Avenue, Coney Island, and Central Park, among other iconic New York locations, and capture, in a single frame, the transition from Day to Night. Using digital composites of images of the same site taken over a period of up to 15 hours, the photographs have a time-traveling quality, with the hustle and bustle in the afternoon sun giving way to the glow of city lights in darkening, cloud-streaked skies.

"Anything one can imagine one can create. Over the last several years, photographic technology has evolved to a point where anything is possible. I imagined changing time in a single photograph. I began to explore this fascination with time in a new series of photographs called: “Day to Night”. Photographing from one camera angle continuously for up to 15 hours, capturing the fleeting moments throughout the day and night. A select group of these images are then digitally blended into one photograph, capturing the changing of time within a single frame."

"Day to Night embodies a combination of my favorite things to photograph; documentary street photography melded with epic cityscapes. The work is a personal reflection of my deep love for New York. As this series has evolved, I discovered that the photographs began to highlight a form of emergent behavior within the daily life of the city. Studying the communication between pedestrians on sidewalks, cars and cabs on the street, these individual elements become a complex life form as they flow together to create the chaotic harmony that is Manhattan."

Full post and slide show here.

NOTE: Exhibition has been extended through June 24, 2012

Tuesday, May 8, 2012

Abandoned Ellis Island – And How It Can Be Saved


Via Scouting New York:

The following article was produced in participation with the Partners in Preservation program, which will be awarding $3 million in grants to historic sites across New York City based on your votes – so go vote now!

Chances are, when you think of Ellis Island, you picture just one building…

001



The “Main Building,” a Beaux-Arts masterpiece built in 1900, through which millions of immigrants passed until its closure in 1954. Today, it houses the Immigration Museum, and if you’ve ever visited on a school field trip, or passed through on a vacation, this is where you spent your day.
002
One question: while you were there, did you happen to turn around…
003
…and notice the row of gorgeous Belgian-style buildings across the water? The ones that seem to be totally abandoned?




Monroe Gallery of Photography is currently exhibiting Stephen Wilkes' "Day To Night" collection.

 
Perhaps Wilkes’ most ambitious project was photographing the south side of Ellis Island (1998 – 2003). With his exclusive photographs and video work, Wilkes was able to help secure $6 million in funding to restore the south side of the island. Today all that remains of the past are Wilkes' haunting images. These photographs have appeared in The New York Times Magazine and have won numerous awards including American Photographer, The Art Directors Club, Applied Arts Magazine, Graphis and other industry awards. Wilkes continues to be involved with his passion for Ellis Island, working with the "Save Ellis Island" foundation. Wilkes received the Alfred Eisenstaedt Award for magazine photography, and in 2004 he received the Lucie Award for Fine Art Photographer Of The Year Award. His work is in the permanent collection of several important museum collections. Ellis Island: Ghosts of Freedom was published by W.W. Norton & Company in the fall of 2006, and was accompanied by a major exhibition at Monroe Gallery of Photography October 6 – January 7, 2007.