Showing posts with label war photography. Show all posts
Showing posts with label war photography. Show all posts

Saturday, July 8, 2017

EDDIE ADAMS: BIGGER THAN THE FRAME





Book Signing and Reception Friday, July 14, 5-7 pm

Best-known for Saigon Execution, his Pulitzer Prize–winning photograph that forever shaped how the world views the horrors of war, Eddie Adams was a renowned American photojournalist who won more than five hundred awards. Eddie Adams: Bigger Than The Frame presents a career-spanning selection of the photographer's finest work from the 1950s through the early 2000s.  In addition to his much-praised Vietnam War photography, the book includes images that uncannily reflect world and domestic issues of today, including immigration, conflict in the Middle East, and the refugee crisis. All of them attest to Adams's overwhelming desire to tell people's stories. As he once observed, "I actually become the person I am taking a picture of. If you are starving, I am starving, too." Adams's widow, Alyssa Adams, will be present and signing copies of the new book.


Open Daily
 112 DON GASPAR SANTA FE, NM 87501
505.992.800      F: 505.992.0810
                     e: info@monroegallery.com  www.monroegallery.com

Sunday, July 2, 2017

Photographer Tony Vaccaro in Santa Fe



57 years later, Tony Vaccaro returned to the location near Georgia O'Keeffe's home where he made his iconic photograph of Georgia holding " "Pelvic Series, Red with Yellow".
Photo courtesy of Tony Vaccaro Studio

"I took this photo 1960 of Georgia she told me not to take color photo and not to take her art of her studio. Well am sorry Georgia I did the opposite. " - Tony Vaccaro





Exhibit reviews and articles

The Santa Fe New Mexican: Monroe Gallery to showcase trove of varied work by photojournalist Tony Vaccaro

The Albuquerque Journal: "The things we live with"

The Santa Fe New Mexican Pasatiempo: Tony Vaccaro's "War and Peace" at Monroe    

The Santa Fe Reporter: Not even a world war stopped this artist



Richard Stolley (left), former Time magazine bureau chief, senior editor and managing editor, and Assistant Managing Editor and Managing Editor of Life magazine, led a Q & A with photographer Tony Vaccaro (right) following the screening of the film "Underfire: The Untold Story of Pfc. Tony Vaccaro" at the Center for Contemporary Arts in Santa Fe.




Tony Vaccaro at Monroe Gallery
Photo by R. David Marks


Tony Vaccaro receiving the City of Santa Fe's Veteran's Service medal from
Santa Fe City Commissioner Signe Lindell, June 30, 201
(photo courtesy Tom Blog)


Tony Vaccaro: "War and Peace" remains on view through September 17, 2017



Friday, June 2, 2017

SAVE THE DATES JUNE 30/JULY 1: TONY VACCARO IN SANTA FE


Kiss of Liberation: Sergeant Gene Costanzo kneels to kiss a little girl during spontaneous celebrations in the main square of the town of St. Briac, France, August 14, 1944



94-year Old Tony Vaccaro travels to Santa Fe for screening of documentary and exhibit  


Santa Fe, NM -- Monroe Gallery of Photography is honored to announce a major exhibition of 50photographs by Tony Vaccaro. The exhibit opens with a public reception for Tony Vaccaro on Friday, June 30 from 5 – 7 PM. The exhibit continues through September 17.  

Monroe Gallery will sponsor a free screening of  HBO Films' “Under Fire: The Untold Story of Private First Class Tony Vaccaro” at CCA on Saturday, July 1, starting at 3:45 pm. The screening will be followed by a Q & A with Tony Vaccaro moderated by former senior editor and reporter for LIFE magazine, Richard “Dick” Stolley. (Seating is limited, RSVP required to Monroe Gallery by June 28.)

The film tells the story of how Tony survived the war, fighting the enemy while also documenting his experience at great risk, developing his photos in combat helmets at night and hanging the negatives from tree branches. The film also encompasses a wide range of contemporary issues regarding combat photography such as the ethical challenges of witnessing and recording conflict, the ways in which combat photography helps to define how wars are perceived by the public, and the sheer difficulty of staying alive while taking photos in a war zone

Born in Greensburg, Pennsylvania on December 20, 1922, Tony Vaccaro spent the first years of his life in the village of Bonefro, Italy after his family left America under threat from the Mafia. Both of his parents had died by the time he was eight years old and he was raised by an uncaring aunt. When World War II broke out, the American Ambassador in Rome ordered Tony to return to the States. He settled in with his sisters in New Rochelle, NY where he joined his high school camera club.

A year later, at the age of 21, Tony was drafted into the war, and by the spring of 1944 he was photographing war games in Wales. By June, now a combat infantryman in the 83rd Infantry Division, he was on a boat heading toward Omaha Beach, six days after the first landings at Normandy. Denied access to the Signal Corps, Tony was determined to photograph the war, and had his portable 35mm Argus C-3 with him from the start. For the next 272 days, Tony fought on the front lines of the war. He entered Germany in December 1944, a private in the Intelligence Platoon, tasked with going behind enemy lines at night.

 After the war, Tony remained in Germany to photograph the rebuilding of the country for Stars And Stripes magazine. Returning to the US in 1950, Tony started his career as a commercial photographer, eventually working for virtually every major publication: Look, Life, Harper’s Bazaar, Town and Country, Newsweek, and many more. Tony went on to become one the most sought after photographers of his day, photographing everyone from Marilyn Monroe and Sophia Loren to Pablo Picasso and Frank Lloyd Wright. He visited Georgia O’Keefe in Abiquiu in 1960 on assignment for LOOK magazine.

Georgia O'Keeffe, Abiquiu, New Mexico, 1960


Now 94, Tony still carries a camera and puts in six or seven hours without a break; creating prints in his darkroom and identifying jobs for his staff. Tony has won numerous honors and awards,  including the Art Director’s Gold Medal (New York City, 1963), The World Press Photo Gold Medal (The Hague, 1969), The Legion of Honor (Paris, 1994), The Medal of Honor (Luxembourg, 2002), Das Verdienstkreuz (Berlin, 2004), and the Minerva d’Oro (Pescara, 2014).


Tony Vaccaro


Since retiring in 1982, Tony has been exhibited over 250 times and has published or been the subject of ten books and two major films. In 2014, the Tony Vaccaro Museum  was inaugurated in Bonefro (Italy). Tony’s photographs are in numerous private and public collections including The Metropolitan Museum in New York, The National Portrait Gallery in Washington, DC, the Centre Pompidou in Paris, and the Library of Congress in Washington.






Sunday, April 30, 2017

O'Keeffe on Camera: Capturing an American Icon




Via the Brooklyn Museum of Art




Get insider views of Georgia O’Keeffe. Join us for a conversation with a filmmaker and three photographers who worked closely with the artist and made images of her. Participants include filmmaker Perry Miller Adato and photographers Christopher Makos, Tony Vaccaro, and Malcolm Varon. Moderated by Wanda Corn, guest curator of Georgia O'Keeffe: Living Modern.

Monroe Gallery of Photography is honored to represent the photography of Tony Vaccaro. The gallery will present a major retrospective exhibition of Tony's work June 30 - September 17, 2017. Tony Vaccaro, now 94, will be present at the opening Friday, June 30, from 5 to 7 pm.

Monday, December 19, 2016

HAPPY 94TH BIRTHDAY TONY VACCARO!


Newly liberated women in Nante, along the North bank of the Loire River, celebrate their freedom, Nante, France, July, 1944


We are very proud to wish Tony Vaccaro the happiest of birthdays on the 94th anniversary of his birth!

Born in Greensburg, Pennsylvania on December 20, 1922, Tony Vaccaro spent the first years of his life in the village of Bonefro, Italy after his family left America under threat from the Mafia. Both of his parents had died by the time he was eight years old and he was raised by an uncaring aunt. When World War II broke out, the American Ambassador in Rome ordered Tony to return to the States. He settled in with his sisters in New Rochelle, NY where he joined his high school camera club.

A year later, at the age of 21, Tony was drafted into the war, and by the spring of 1944 he was photographing war games in Wales. By June, now a combat infantryman in the 83rd Infantry Division, he was on a boat heading toward Omaha Beach, six days after the first landings at Normandy. Denied access to the Signal Corps, Tony was determined to photograph the war, and had his portable 35mm Argus C-3 with him from the start. For the next 272 days, Tony fought on the front lines of the war. He entered Germany in December 1944, a private in the Intelligence Platoon, tasked with going behind enemy lines at night. In the years after the war, Tony remained in Germany to photograph the rebuilding of the country for Stars And Stripes magazine. Returning to the States in 1950, Tony started his career as a commercial photographer, eventually working for virtually every major publication: Flair, Look, Life, Venture, Harper’s Bazaar, Town and Country, Quick, Newsweek, and many more. Tony went on to become one the most sought after photographers of his day.

On November 14. 2016 HBO Films premiered “Under Fire: The Untold Story of Private First Class Tony Vaccaro”. The film tells the story of how Tony survived the war, fighting the enemy while also documenting his experience at great risk, developing his photos in combat helmets at night and hanging the negatives from tree branches. The film also encompasses a wide range of contemporary issues regarding combat photography such as the ethical challenges of witnessing and recording conflict, the ways in which combat photography helps to define how wars are perceived by the public, and the sheer difficulty of staying alive while taking photos in a war zone. The film is available on demand from HBO.

Tony's remarkable oeuvre was exhibited in the Pop Up "War, Peace, Beauty" exhibit in New York November 14 - 21. Watch the official video of Tony's retrospective (courtesy of Astfilm.de).

Monroe Gallery will feature a selection of Tony Vaccaro's  photographs at the 26th annual Photo LA Fair, January 12 - 15, at the Reef/LA Mart. The Gallery will also exhibit Tony's photographs, including rare vintage prints, at the AIPAD Photography Show March 30 - April 2 at Pier 94 in New York.



Wednesday, September 21, 2016

US Premiere of Underfire: The Untold Story of Pfc. Tony Vaccaro at Boston Film Festival September 22






Underfire: The Untold Story of Pfc. Tony Vaccaro – Trailer from Dog Green Productions on Vimeo.


BOSTON – September 12, 2016 – The 2016 Boston Film Festival program presents a panorama of striking projects that include “American Wrestler: The Wizard” (starring Oscar winner Jon Voight and William Fichtner, “Crash,” “The Perfect Storm”) and “The First Girl I Loved” -- along with the U. S. premiere of the documentary “Underfire” and the East Coast premiere of “Finding Oscar” (produced by Oscar winner Steven Spielberg). Many of the films address themes of acceptance, tolerance and bullying, timely and urgent concerns in contemporary society.

In the Opening Night U.S. Premiere documentary “Underfire,” World War II veteran Tony Vaccaro fought as an infantryman before returning to begin a successful career as a renowned commercial photographer. As a 21-year-old soldier, Vaccaro’s story began in combat as he took over 8,000 photographs on the front lines – harrowing and personal images that were not made public until the 1990s. The director is Max Lewkowicz from Dog Green Productions and HBO/Cargo Films. Max Lewkowicz and Tony Vaccaro will be in Boston for the film premiere.

Q&A Attendees Immediately After Film:

Dir. Max Lewkowicz, Tony Vaccaro,
Senior NYT Staff Photographer James Estrin

Tickets and information here.

Full press release here.

"Underfire" will air nationally on HBO November 14, 2016.

Related: Monroe Gallery of Photography is honored to represent Tony Vaccaro

Wednesday, March 4, 2015

Alyssa Adams talking about her career in photography, the Eddie Adams Workshop, business, networking, and more


Friday, March 6, 11 AM Eastern

Join Robert Caplin and Alyssa Adams, deputy photo editor at TV Guide, for a LIVE video podcast recording in NYC. They'll be talking about her career in photography, the Eddie Adams Workshop, business, networking, and much more.

This event is open to the public to attend both in person locally in NYC or online at http://thephotobrigade.com/LIVE.



Monroe Gallery of Photography is proud to represent the Eddie Adams Estate. Watch for a major new book relase of Adams' Vietnam photographs and a major exhibition in Spring, 2016 at Monroe Gallery.

Monday, January 26, 2015

San Antonio McNay exhibition offers snapshot of World War II




Alfred Eisenstaedt, V-J Day in Times Square, New York, Aug. 14, 1945. ©Time Inc. All Rights Reserved. Courtesy of Monroe Gallery of Photography, Santa Fe, New Mexico A jubilant Amererican sailor clutching a white-uniformed nurse in a back-bending, passionate kiss as he vents his joy while thousands jam the Times Square area to celebrate the long awaited victory over Japan.

Monroe Gallery of Photography is very proud to have contributed numerous photographs from its collection to this exhibit.


Via The San Antonio Express News

From iconic images such as Joe Rosenthal’s U.S. Marines raising the flag atop Mt. Suribachi on Iwo Jima, to intimate shots from the home front, “World War II in Photographs: Looking Back” offers a slice of life from “the good war” — which ended 70 years ago this year — chronicling both its triumphs and horrors.

The exhibition of more than 40 prints — as well as video and memorabilia — opens Tuesday at the McNay Art Museum and continues through May 10. There are sections on the European and Asian theaters, the home front, the Monuments Men who rescued stolen art from the Nazis, and the Tuskegee airmen.

“It’s an interesting mix,” said McNay director William Chiego, who organized the show from a wide variety of sources, including the Fort Sam Houston Museum and the Library of Congress. “We intentionally interspersed these iconic images with lesser known works to show all sides of the war. We show leaders, but also the ordinary soldiers, sailors, Marines and civilians.”

The exhibition not only commemorates the 70th anniversary and pays tribute to San Antonio’s rich military history, but also honors museum founder Marion Koogler McNay, who was a strong supporter of the war effort at home.
 
McNay’s first husband Don McNay died in the World War I flu pandemic of 1918, which had a lasting effect on her, Chiego said.

“She really cared about servicemen in San Antonio,” Chiego said. “She even provided housing for servicemen here on the grounds and bought houses around town and made them available to servicemen. She knew how important it was to have a place to live and have family nearby.”

“World War II in Photographs: Looking Back” features the work of eminent names such as Margaret Bourke-White (Buchenwald prisoners), Alfred Eisenstaedt (the kiss in Times Square) and Carl Mydans, who captured two of the war’s most timeless moments: MacArthur returning to the Philippines and the Japanese surrender on board the U.S.S. Missouri in Tokyo Bay.

And then of course there’s the Rosenthal photo, probably the most beloved image of the war.

“I give lectures on history painting — French and American — and I often end with Rosenthal’s famous image as a 20th-century equivalent of history painting,” Chiego said.

But the exhibition also includes intimate moments such as Toni Frissell’s heartrending shot of a small abandoned boy holding a stuffed animal amidst the destruction of the London blitz.

“It’s important to show how much a photograph is able to document the war and how it relates to the history of photojournalism,” Chiego said. “For San Antonio it’s an important show, and I’m hoping we can get some veterans or children of veterans in here who can tell us more about some of these images. And I hope we can attract a younger audience as well, because I fear they don’t know these images at all.”

sbennett@express-news.net

More Information
“World War II in Photographs: Looking Back”
What: An exhibition of more than 40 WWII photographs ranging from iconic images such as Alfred Eisenstaedt’s V-J Day Times Square kiss to intimate images from the home front.
When: Runs through May 10.
Where: McNay Art Museum, 6000 N. New Braunfels
Museum admission: $5 to $10. www.mcnayart.org, 210-824-5368.

Monday, January 12, 2015

World War II in Photographs at the McNay Art Museum


 Marines of the 28th Regiment of the 5th Division Raise the American Flag Atop Mt. Suribachi, Iwo Jima, 1945
Joe Rosenthal/©AP

World War II in Photographs

January 13, 2015 to May 10, 2015


Via The McNay Art Museum

 World War II in Photographs: Looking Back commemorates the 70th anniversary of the war’s end and honors San Antonio’s great military heritage with an exhibition of iconic images by some of the great photojournalists of the time. It also documents the war effort on the home front in San Antonio. A special feature is a group of photographs of the Monuments and Fine Arts Officers, or “Monuments Men,” who rescued art stolen by the Nazis.

The exhibition is especially fitting for the McNay, as Marion Koogler McNay was a strong supporter of the war effort on the home front. Don Denton McNay, her first husband, died at an Army camp in Florida during World War I. During World War II, she purchased and furnished many residences across San Antonio to provide housing for young officers and their families, going so far as to move houses to the grounds of her estate that became the McNay Art Museum.

World War II in Photographs includes images by such luminaries as Margaret Bourke-White, Alfred Eisenstadt, and Carl Mydans that express the heroism, sacrifices, and hard work that brought victory. These photographs are sure to fascinate a younger generation unfamiliar with them, as well as an older generation of Americans that remembers them well.

Images have been provided by a variety of sources including the Fort Sam Houston Museum, San Antonio, Texas; Library of Congress, Washington D.C; Monroe Gallery of Photography, Santa Fe, New Mexico; Monuments Men Foundation for the Preservation of Art, Dallas, Texas; National Museum of the Pacific War, Fredericksburg, Texas; and The University of Texas at San Antonio Libraries Special Collections.

Link for tickets.


This exhibition is organized by the McNay Art Museum. The Elizabeth Huth Coates Exhibition Endowment and the Arthur and Jane Stieren Fund for Exhibitions are lead sponsors. Susan and John Kerr, the Director’s Circle, and the Host Committee are providing additional support.

Image: Joe Rosenthal, Marines of the 28th Regiment of the 5th Division Raise the American Flag Atop Mt. Suribachi, Iwo Jima, 1945.  © Associated Press
Courtesy of Monroe Gallery of Photography, Santa Fe, New Mexico.

Wednesday, December 10, 2014

December 10: Human Rights Day



The UN General Assembly proclaimed 10 December as Human Rights Day in 1950, to bring to the attention ‘of the peoples of the world’ the Universal Declaration of Human Rights as the common standard of achievement for all peoples and all nations.


Via The Guardian:
Today is Human Rights Day and the press freedom watchdog, the International Press Institute (IPI), is marking it with a message and a short film, called My Voice.
It features the award-winning humanitarian photojournalist Giles Duley who explains his work in documenting post-conflict communities, to portray what he calls “the legacy of war.”


Related Exhibition: People Get Ready: The Struggle for Human Rights

Sunday, May 25, 2014

Bedrooms of the Fallen: Honoring the Casualties of War





BEDROOMS OF THE FALLEN

Over 5,000 men and women have died serving the United States in the Iraq and Afghanistan wars. This is a project about who they were - sons, daughters, sisters, brothers - and the bedrooms which they once called their own.

About This Project

These bedrooms once belonged to men and women who died fighting in the wars in Afghanistan and Iraq. These fallen men and women were blown up by IEDs, RPGs, hand grenades and suicide bombers. They were shot down in ambushes and by snipers. They died in helicopters, in humvees, and in tanks. It all took place thousands of miles away from home, and the country they fought to defend.

The purpose of this project is to honor these fallen – not simply as soldiers, marines, airmen and seamen, but as sons, daughters, sisters and brothers – and to remind us that before they fought, they lived, and they slept, just like us, at home.

Bedrooms of the Fallen was conceived in 2007 as a way to memorialize soldiers and marines who died in Iraq. It was expanded to include casualties from Afghanistan in 2009. Order the book here.



Related: Time LightBox
Bedrooms of the Fallen: Honoring the Casualties of War

Saturday, February 1, 2014

Today in Photographic History: Eddie Adams’ Pulitzer Prize Image of the Vietnam War



Eddie Adams©AP: Street Execution of a Viet Cong Prisoner, Saigon, 1968


This Week in Photography History: Eddie Adams’ Pulitzer Prize Image of the Vietnam War
by Julius Motal on 02/01/2014
Via The Phoblographer


On February 1, 1968, General Nguyen Ngoc Loan fired a gun at the head of Nguyen Van Lam early on in the Tet Offensive. Lam was a member of the National Liberation Front, also known as the Viet Cong, and went by the alias Bay Lap. Gen. Loan executed Lam on a street in Saigon and that moment was sealed in time when Eddie Adams photographed it. Adams was covering the Vietnam War for the Associated Press, and that image won the Pulitzer Prize and World Press Photo. The image soon became a sore point for Adams. (click for pull post)



Related: Alyssa Adams is currently beginning a new book on Eddie’s work with the University of Texas Press, where Eddie’s archives are housed. Details will be forthcoming.




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Monday, December 2, 2013

To Do Wednesday: Ashley Gilbertson in conversation with VICE's Rocco Castoro





Via VII

Featuring Ashley Gilbertson
December 4, 2013
Brooklyn Brewery, 79 N. 11th Street
New York, NY
$25

For a discussion about war reporting, VII photographer Ashley Gilbertson will speak with VICE’s Rocco Castoro about his book Whiskey Tango Foxtrot, hosted by the Brooklyn Brewery.

Gilbertson’s book is a collection of images taken over the course of four years in Iraq. The book charts path of Iraq from the post-invasion excitement to the extreme violence that later occurred in the country.

The event will begin at 7:30 pm. Tickets are required to attend and include a free Brooklyn Brewery beer. All proceeds from the events in this series benefit RISC (Reporters Instructed in Saving Colleagues

More information here.

Monday, October 28, 2013

With war photography in the news, wrote Bob Gomel of Life magazine, how about some recognition for Max Desfor of The Associated Press?


Max Desfor  ©Photo Bob Gomel


Via The New York Times Lens Blog
October 28, 2013


It was one celebrated photographer’s salute to another. With war photography in the news, wrote Bob Gomel of Life magazine, how about some recognition for Max Desfor of The Associated Press?

“Max was a great inspiration and mentor,” said Mr. Gomel, 80, of Houston. “He was a sweetheart, a gentle soul.”

Mr. Desfor had won the 1951 Pulitzer Prize for photography with his Korean War pictures, particularly the haunting shot of a bombed bridge crawling with refugees (Slide 1).

In 1958, he had offered Mr. Gomel a coveted job with The A.P’s Wide World Division. Mr. Gomel had turned it down for a career in feature photography. Whereupon Mr. Gomel became perhaps best known for his 1969 Life cover, shot from high above, of President Dwight D. Eisenhower’s coffin ringed with mourners in the Capitol rotunda. He also photographed the Kennedys, the Beatles, Malcolm X, Cassius Clay (later Muhammad Ali), Mickey Mantle and Marilyn Monroe.

“Max is 98,” Mr. Gomel said, and was living in a retirement community in Silver Spring, Md. Full article with slideshow here.

Thursday, September 5, 2013

"In a digital world, the pre-eminence of Vietnam-era photography is unlikely ever to be duplicated"


Street Execution of a Viet Cong Prisoner, Saigon, 1968
Eddie Adams/©AP Street Execution of a Viet Cong Prisoner, Saigon, 1968
 


Via The New York Times:


"Perhaps even more viscerally even than on television, America’s most wrenching war in our time hit home in photographs, including these three searing prize-winning images from The Associated Press newsmen Malcolm W. Browne, Eddie Adams and Nick Ut. They are the subject of retrospectives now, in a new book and accompanying exhibitions.
      
No single news source did more to document the bitter and costly struggle against North Vietnamese Communist regulars and Vietcong insurgents, and to turn the home front against the war, than The A.P."  Full article here.

PHOTOJOURNALISTS ON WAR AT 25TH INTERNATIONAL FESTIVAL OF PHOTOJOURNALISM





KAMBER'S ACCLAIMED BOOK ABOUT THE IRAQ WAR TO BE FEATURED AT 25TH INTERNATIONAL FESTIVAL OF PHOTOJOURNALISM
VISA POUR L'IMAGE, PERPIGNAN, SEPTEMBER 5 AND 6, 2013


A multi-media piece on Photojournalists on War: The Untold Stories from Iraq

(University of Texas Press) by Michael Kamber with a foreword by Dexter Filkins will be projected during the evening screening tonight, Thursday, September 5, at this year's international photojournalism festival at Perpignan in France. On Friday, September 6 at 16:00 hours, there will be a book signing with Michael Kamber and some of the photographers featured in the book in the courtyard of Le Poudrière near the Festival's bookshop, The Chapitre, where the book can be bought.

Photojournalists on War (University of Texas Press), which published in May of 2013 and has been receiving critical acclaim worldwide, is a ground breaking new visual and oral history of America's nine-year conflict in the Middle East. With visceral, previously unpublished photographs and eyewitness accounts by the world's top news photographers, Michael Kamber, a writer and photojournalist for over 25 years, interviewed thirty nine colleagues for the book, many of them from leading news organizations including Agence France-Presse, the Associated Press, the Guardian, the Los Angeles Times, Magnum, Newsweek, The New York Times, Paris Match, Reuters, Time, The Times of London, VII Photo Agency, and The Washington Post.

 
Photojournalists on War photographers are: Lynsey Addario * Christoph Bangert * Patrick Baz * Nina Berman * Ben Brody * Andrea Bruce * Guy Calaf * Patrick Chauvel * Alan Chin * Carolyn Cole * Jerome Delay * Marco Di Lauro * Ashley Gilbertson * Stanley Greene *Todd Heisler * Tyler Hicks * Eros Hoagland * Chris Hondros * Ed Kashi * Karim Ben Khelifa * Wathiq Khuzaie * Gary Knight * Yuri Kozyrev * Rita Leistner * Benjamin Lowy * Zoriah Miller * Khalid Mohammed * John Moore * Peter Nicholls * Farah Nosh * Gilles Peress * Scott Peterson * Lucian Read * Eugene Richards * Ahmad Al-Rubaye * João Silva * Stephanie Sinclair * Bruno Stevens * Peter van Agtmael

Michael Kamber (www.kamberphoto.com) was the Times' principal photographer in Baghdad in 2007, the bloodiest year of the war. Other conflicts he has covered for the Times include Somalia, Afghanistan, the Congo, and Liberia. Kamber is an adjunct professor at Columbia University, and has taught at the Corcoran College of Art and Design, and the International Center of Photography. He is the founder of the Bronx Documentary Center (www.bronxdoc.org) and is the recipient of a World Press Photo and many other awards.


ISBN: 978-0-292-74408-0
$65.00 hardcover
10 x 12 inches, 288 pages
166 color and b&w photos

                     Publisher Website: here

 Media Contact: Andrea Smith, andreasmith202@gmail.com; 646-220-5950

Thursday, August 22, 2013

"Do you think that the media should show more of what is really happening in war?"




An excerpt from last month's "War Correspondents at The Brooklyn Brewery" discussion featuring Mike Kamber:

Steve Hindy (Brewery co-founder and former Middle East correspondent): Do you think that the media should show more of what is really happening in war? In the name of good taste, they don't publish anything gory, or anything terribly tragic.

Mike Kamber: We went halfway around the world and invaded somebody else's country, and between 100,000 and half a million Iraqi citizens are dead. It's not about good taste.

Watch the full discussion below.


 
 

Wednesday, July 17, 2013

Photographing war on the domestic front



Via The Annenberg Space for Photography


Nina Berman
Evidence and Fantasy: The War at Home

On Thursday, May 30th, 2013, Nina Berman was the featured speaker at The Annerberg Space's Iris Night lecture Series. The Iris Nights lecture series is a public program offered free of charge, by online reservation on a first-come, first-served basis. The series brings to life the most current exhibit with presentations by exhibit featured photographers and other notable experts and guest artists, and takes place from 6:30-8pm Thursday evenings at the Annenberg Space for Photography

Photographer, author and educator Nina Berman is known for her work photographing wounded American veterans including her 2006 “Marine Wedding” image. Presenting selections from work made since 9/11, she will explain her motivations and approaches to photographing war on the domestic front.






Related:

NPR reviews "War/Photography": What do cameras and combat have in common? Neither seem to be going away

WAR/PHOTOGRAPHY Opens Veterans Day, Sunday, November 11, 2012 in Houston

 

Monday, July 15, 2013

"What do cameras and combat have in common? Neither seem to be going away"



Via NPR The Picture Show


What Do Cameras And Combat Have In Common?

"For me it's about the impact of war as it relates on a very basic human everyday life," says New York-based photographer Nina Berman, who has been photographing wounded veterans since 2003. Her image titled "Marine Wedding," made in 2006, captures a moment between Marine Sgt. Ty Ziegel and his bride on their wedding day. Ziegel was seriously wounded by a suicide car bomber in Iraq and spent 19 months in recovery.

"In that moment I saw a shellshocked couple," says Berman. "That is what war does. It disturbs, distresses and changes the normal lovely course of life."

The image itself has had a life of its own, garnering Berman a World Press Photo Award and launching Ziegel into the national spotlight to discuss the failures of veteran care.
Years later, Berman sees the image as less about the couple and more of a symbol of the impact of war.

"I think that people can be taken aback by how [Ziegel] looks," she says, "but there are a lot of people that look like him. He wasn't a freak, an anomaly; that's what this war has done. People who would have died are surviving. That is the reality."

Berman's voice shuddered as she spoke about Ziegel's passing late last year. She says she often wonders: What does it all amount to?

If you strip war of its historical and political context, it seems, what you are left with is simply to wonder: Why has war been a constant throughout human history?