Monroe Gallery of Photography specializes in 20th- and 21st-century photojournalism and humanist imagery—images that are embedded in our collective consciousness and which form a shared visual heritage for human society. They set social and political changes in motion, transforming the way we live and think—in a shared medium that is a singular intersectionality of art and journalism.
— Sidney and Michelle Monroe
The new site has been completely revised for easier viewing of exhibitions and photographer’s collections. A new short video highlights Monroe Gallery of Photography’s specialized focus of 20th and 21st Century photojournalism—images that are embedded in our collective consciousness and which form a shared visual heritage for human society. Many of these photographs not only moved the public at the time of their publication but maintain the power to stir the consciousness (and conscience) today. These images set social and political changes in motion, transforming the way we live and think—in a shared medium that is a singular intersectionality of art and journalism.
Monroe Gallery of Photography was founded by Sidney S. Monroe and Michelle A. Monroe in 2001, following decades of experience in New York City. The Gallery is currently open to the public and is New Mexico Safe Certified in Covid-19 operating procedures. Current modified Gallery hours are 10 to 3 daily, admission is free. In accordance with mandated health guidelines face masks are required and visitors must maintain social distancing of at least 6 feet. The gallery is limiting the number of visitors to approximately 10 people at a time. Private viewing is available by appointment.
The new website was created by WebSight Design, a Bay Area web development company that provides clients with creativity, dependability, and value since 1995.
Ted Landsmark was an attorney going to a meeting at City Hall who came face-to-face with protesters. The clash was captured in this iconic photo by now WCVB photojournalist Stanley Forman.
Hide Transcript Show Transcript -- THAT TOOK THAT PICTURE NEWSCENTER 5 PHOTOJOURNALIST STANLEY FORMAN MET UP AT THE , SPOT WHERE THAT PHOTO WAS TAKEN. NEWSCENTER 5'S MATT REED WAS THERE. >> IT'S FUNNY LOOKING BACK THE PICTURE, TAKES ME BACK TO THAT DAY MORE THAN MY MEMORY DOES.
At the start of the Iraq War in 2003, over 600 journalists and photographers are given permission by the US government to follow the conflict as embedded reporters.
Photographer Ashley Gilbertson is working for The New York Times when he enters the city of Fallujah with a US marine battalion.
Fallujah, 40 miles outside Baghdad, would be the deadliest battle the marines would fight since the Vietnam War.
Just over a week after entering the city, a small group of them is ordered to escort Ashley on a recce of a local minaret - what happens next will change their lives forever.