Showing posts with label Kennedy assassination. Show all posts
Showing posts with label Kennedy assassination. Show all posts

Saturday, January 29, 2011

Mohandas Karamchand Gandhi

October 2, 1869 – January 30, 1948


Gandhi, India, 1946


On January 30, 1948, Gandhi was shot while he was walking to a platform from which he was to address a prayer meeting. The assassin, Nathuram Godse, was a Hindu nationalist with links to the extremist Hindu Mahasabha, who held Gandhi responsible for weakening India by insisting upon a payment to Pakistan. Godse and his co-conspirator Narayan Apte were later tried and convicted; they were executed on November 15, 1949. Gandhi's memorial at Rāj Ghāt, New Delhi, bears the epigraph "Hē Ram", (Devanagari: हे ! राम or, He Rām), which may be translated as "Oh God". These are widely believed to be Gandhi's last words after he was shot, though the veracity of this statement has been disputed. Jawaharlal Nehru addressed the nation through radio:

"Friends and comrades, the light has gone out of our lives, and there is darkness everywhere, and I do not quite know what to tell you or how to say it. Our beloved leader, Bapu as we called him, the father of the nation, is no more. Perhaps I am wrong to say that; nevertheless, we will not see him again, as we have seen him for these many years, we will not run to him for advice or seek solace from him, and that is a terrible blow, not only for me, but for millions and millions in this country."

Monday, November 22, 2010

November 22, 1963: Death of the President

On the 6:25 from Grand Central to Stamford, CT, November 22, 1963
Carl Mydans: On the 6:25 from Grand Central to Stamford, CT, November 22, 1963


By the fall of 1963, President Kennedy and his political advisers were preparing for the next presidential campaign.


Senator John F. Kennedy Campaigning with his Wife in Boston (Time, Inc.)

Carl Mydans: Senator John F. Kennedy Campaigning with his Wife in Boston , 1958


Although he had not formally announced his candidacy, it was clear that JFK was going to run and he seemed confident—though not over-confident— about his chances for re-election.

At the end of September, the President traveled west speaking in nine different states in less than a week. While the trip was meant to put a spotlight on natural resources and conservation efforts, JFK also used it to sound out themes -- such as education, national security, and world peace -- for his run in 1964. In particular, he cited the achievement of a limited nuclear test ban, which the Senate had just approved and which was a potential issue in the upcoming election. The public’s enthusiastic response was encouraging.


A month later, the President addressed Democratic gatherings in Boston and Philadelphia. Then, on November 12, he held the first important political planning session for the upcoming election year. At the meeting, JFK stressed the importance of winning Florida and Texas and talked about his plans to visit both states in the next two weeks. Mrs. Kennedy would be accompanying him on the swing through Texas, which would be her first extended public appearance since the loss of their baby, Patrick, in August.

On November 21, the President and First Lady departed on Air Force One for the two-day, five-city tour of Texas. JFK was aware that a feud among party leaders in Texas could jeopardize his chances of carrying the state in 1964, and one of his aims for the trip was to bring Democrats together. He also knew that a relatively small but vocal group of extremists was contributing to the political tensions in Texas and would likely make its presence felt—particularly in Dallas, where UN Ambassador Adlai Stevenson had been physically attacked a month earlier after making a speech there. Nonetheless, JFK seemed to relish the prospect of leaving Washington, getting out among the people and into the political fray.

The first stop was San Antonio. Vice President Lyndon B. Johnson, Governor John B. Connally and Senator Ralph W. Yarborough led the welcoming party and accompanied the President to Brooks Air Force Base for the dedication of the Aerospace Medical Health Center. Continuing on to Houston, he addressed a Latin American citizens’ organization and spoke at a testimonial dinner for Congressman Albert Thomas before ending the day in Fort Worth.

A light rain was falling on Friday morning, November 22, but a crowd of several thousand stood in the parking lot outside the Texas Hotel where the Kennedys had spent the night. A platform had been set up and the President, wearing no protection against the weather, came out to make some brief remarks. “There are no faint hearts in Fort Worth,” he began, “and I appreciate your being here this morning. Mrs. Kennedy is organizing herself. It takes longer, but, of course, she looks better than we do when she does it.” He went on to talk about the nation’s need for being “second to none” in defense and in space, for continued growth in the economy and “the willingness of citizens of the United States to assume the burdens of leadership.” The warmth of the audience response was palpable as the President reached out to shake hands amidst a sea of smiling faces.

Back inside the hotel the President spoke at a breakfast of the Fort Worth Chamber of Commerce, focusing on military preparedness. “We are still the keystone in the arch of freedom,” he said. “We will continue to do…our duty, and the people of Texas will be in the lead.”

The presidential party left the hotel and went by motorcade to Carswell Air Force Base for the thirteen-minute flight to Dallas. Arriving at Love Field, President and Mrs. Kennedy disembarked and immediately walked toward a fence where a crowd of well-wishers had gathered, and they spent several minutes shaking hands. The First Lady was presented with a bouquet of red roses, which she brought with her to the waiting limousine. Governor John Connally and his wife, Nellie, were already seated in the open convertible as the Kennedys entered and sat behind them. Since it was no longer raining, the plastic bubble top had been left off. Vice President and Mrs. Johnson occupied another car in the motorcade.

The procession left the airport and traveled along a ten-mile route that wound through downtown Dallas on the way to the Trade Mart where the President was scheduled to speak at a luncheon. Crowds of excited people lined the streets waving to the Kennedys as they waved back. The car turned off Main Street at Dealey Plaza around 12:30 p.m. As it was passing the Texas School Book Depository, gunfire suddenly reverberated in the plaza. Bullets struck the President’s neck and head and he slumped over toward Mrs. Kennedy. The Governor was also hit in the chest.

The car sped off to Parkland Memorial Hospital just a few minutes away. But there was little that could be done for the President. A Catholic priest was summoned to administer the last rites and at 1:00 p.m. John F. Kennedy was pronounced dead. Governor Connolly, though seriously wounded, would recover.

The President’s body was brought to Love Field and placed on Air Force One. Before the plane took off, a grim-faced Lyndon B. Johnson stood in the tight, crowded compartment and took the oath of office, administered by U.S. District Court Judge Sarah Hughes. The brief ceremony took place at 2:38 p.m. Less than an hour earlier, police had arrested Lee Harvey Oswald, a recently-hired employee at the Texas School Book Depository. He was being held for the assassination of President Kennedy as well as the fatal shooting, shortly afterward, of Patrolman J.D. Tippit on a Dallas street.

On Sunday morning, the 24th, Oswald was scheduled to be transferred from police headquarters to the county jail. Viewers across America watching the live TV coverage suddenly saw a man aim a pistol and fire at point blank range. The assailant was identified as Jack Ruby, a local nightclub owner. Oswald died two hours later at Parkland Hospital.

That same day, President Kennedy’s flag-draped casket was moved from the White House to the Capitol on a caisson drawn by six grey horses, accompanied by one riderless black horse. The cortege and other ceremonial details were modeled on the funeral of Abraham Lincoln at Mrs. Kennedy’s request. Crowds lined Pennsylvania Avenue and many wept openly as the caisson passed. During the 21 hours that the President’s body lay in state in the Capitol Rotunda, about 250,000 people filed by to pay their respects.


John F. Kennedy Jr. saluting his father's coffin, November 25, 1963 with Ted Kennedy, Jacqueline Kennedy, Rose Kennedy, Peter Lawford, and Robert F. Kennedy in background.
Stan Stearns: John F. Kennedy Jr. saluting his father's coffin, November 25, 1963 with Ted Kennedy, Jacqueline Kennedy, Rose Kennedy, Peter Lawford, and Robert F. Kennedy in background


On Monday, November 25, 1963 President Kennedy was laid to rest in Arlington National Cemetery. The funeral was attended by heads of state and representatives from more than 100 countries, with untold millions more watching on television. Afterward, an eternal flame was lit at the grave site by Mrs. Kennedy and her husband’s brothers, Robert and Edward. Perhaps the most indelible images of the day were the salute to his father given by little John F. Kennedy, Jr. (whose third birthday it was), daughter Caroline kneeling next to her mother at the President’s bier, and the extraordinary grace and dignity shown by Jacqueline Kennedy.


John F. Kennedy laid to rest, Arlington, 1963
Bob Gomel: John  F. Kennedy Laid to Rest, Arlington National Cemetery, November 25, 1963


As people throughout the nation and the world struggled to make sense of a senseless act and to articulate their feelings about President Kennedy’s life and legacy, many recalled these words from his inaugural address which had now acquired new meaning:

"All this will not be finished in the first one hundred days, nor in the first one thousand days, nor in the life of this administration. Nor even perhaps in our lifetime on this planet. But let us begin."

 

Friday, November 12, 2010

JOHN F. KENNEDY: NOVEMBER, AND PHOTOGRAPHY

On November 8, 1960, John F. Kennedy was elected in the 44th American presidential election.

Alfred Eisenstaedt: Vice President-elect Lyndon Johnson chatting with President-elect John Kennedy and his wife Jackie at the president's inaugural ball, Washington, DC, January 1961



On November 22, 1963, John F. Kennedy was assassinated in Dallas, Texas.

Carl Mydans: On the 6:25 from Grand Central to Stamford, CT, November 22, 1963


On November 25, 1963, he was laid to rest at Arlington National Cemetery in Virginia.

John F. Kennedy Jr. saluting his father's coffin, November 25, 1963 with Ted Kennedy, Jacqueline Kennedy, Rose Kennedy, Peter Lawford, and Robert F. Kennedy in background

John F. Kennedy laid to rest, Arlington, 1963
Bob Gomel: John F. Kennedy laid to rest, Arlington, 1963


John F. Kennedy was the first American president to understand the power of the image and photography, and he also understood the opposite impact of the wrong image. As recounted in the book The John F. Kennedys: A Family Album (Rizzoli):

"John spend hours looking at photographs of himself and his family. That was neither narcissism nor pride to Jack Kennedy, but recognition of polities as a show of fleeting images. In the mostly black-and-white world of the early 1960s, the right picture in the right place duplicating itself forever was worth a great deal more than any thousand words. One enduring image, say a photograph of the young senator walking away from the camera through Hyannis Port dunes to the sea, might have the political impact of a small war. Selecting the right image at the right time was at the heart of winning the elusive twin goddesses the man pursued, power and history.

This photograph by Mark Shaw was said to have been John F. Kennedy's favorite photograph of himself


The man who would be president also understood the opposite impact of the wrong image. That same year, Life's sister magazine, Time, assigned one of its most talented young writers, Hugh Sidey, to write about Kennedy, to get to know him. On second meeting, Sidey and Kennedy were walking near the short subway that connects the U.S. Capitol with the Senate Office Building. They bumped, almost literally, into Kennedy's buddy Senator George Smathers of Florida, who was posing for a Senate photographer with a small claque of pretty young women from his state. All laughing, they pulled the handsome young senator from Massachusetts into the group and he smiled for the birdie.

Waving goodbye to the gigglers, Kennedy said to Sidey, "Get hold of that photographer and destroy the negative."

Sidey did it.

President Kennedy had learned the power of the image, of the visual, from his father, who was for a time a power in the movie business. Joseph P. Kennedy was the first, or among the first, to merge the creation and marketing of the celebrity trade, the tricks of public relations, to the business of politics and governing. With politics aforethought, the founding father had created an archive—still and moving pictures of his children—ready to be used to entice a nation into a cause in the same way they were pulled into movie theaters."

John Kennedy's campaign, presidency, and tragic assassination resulted in countless photographic images, many now considered to be iconic. In the mostly black-and-white world of the early 1960s, the right picture in the right place duplicating itself forever was worth a great deal more than any thousand words.


Related: 50 Years Ago: the Kennedy Nixon Debates

             Marilyn Monroe, Kennedys Recalled in White House Archive Sale

Tuesday, September 7, 2010

BILL EPPRIDGE EXHIBIT FEATURES THE HISTORIC MASTER VINTAGE PRINT OF ROBERT KENNEDY SHOT

©Bill Eppridge

"Bill Eppridge: An American Treasure" features the historic master vintage print of Busboy Juan Romero trying to comfort Presidential candidate Robert F. Kennedy after assassination attempt, June 5, 1968. Taken by photographer Bill Eppridge, it is the original master print used to reproduce this iconic image in the LIFE magazine issue dated June 14, 1968. Eppridge's photograph of Robert F. Kennedy running on the beach in Oregon was on the cover.




On the night of Senator Kennedy's assassination in Los Angeles, LIFE was closing that week's issue. Bill Eppridge’s negatives were processed in Los Angeles by J.R. Eyerman, and then flown to the Time Life lab in New York for printing. The printer was Carmine Ercolano, and he made only one master print for reproduction purposes. The negative was very thin, and the face of the busboy had to be airbrushed to bring out his features. The airbrushing is visible on the print, as are the pencil instructions along the bottom in the white border. This master print was later copied on a 4 x 5 camera, in the Time Life lab, and all future reproductions were made using a copy negative.

The master print was given to Bill Eppridge by Doris O'Neill, then the Director of the Time Life Picture Collection, shortly after LIFE magazine ceased weekly publication in 1972. Bill Eppridge was reluctant to display the print in his home in Laurel Canyon, and he placed it behind a sofa. Sometime later, a canyon fire destroyed his home. When Bill returned to the house to retrieve belongings, he found the print had burned around the edges, but had survived the fire.

Writing in Black & White magazine in September, 2008, photography appraiser Lorraine Anne Davis stated:

"An artifact is a human-made object that gives information about the culture of its creator and its users, and reflects their social behaviors. An icon, from the Greek "image", is a representation that is used, particularly in modern culture, as a symbol representing something of greater significance.

"Several 20th-century photographs have attained icon status but few are considered artifacts. One example is Bill Eppridge's damaged photograph of Bobby Kennedy as he lay wounded in a kitchen passageway in Los Angeles.

"But how does one value such an object? What comparables are appropriate? Would it be possible to compare it with the film footage shot by Abraham Zupruder that captured President Kennedy's assassination in Dallas in 1963? That film was deposited with the National Archives in 1978 by the family for safekeepimg. In 1992 a Federal law required all records of the assassination be transferred to the National Archives, passing ownership to the government. It acknowledged that the Zapruder family was entitled to reimbursement as owners of private property taken by the government for public use, but establishing the value was difficult. the case eventually went to arbitration, and a three-member panel awarded $16 million to the family, the highest amount ever paid for a historical artifact. One of the panel members disagreed - he thought that $3 - $5 million would have been more realistic, as the family had always controlled the licensing of images from the film. The issue lay with the value of the original film strip as a collectible object. Since there have been no documented sales of any other historically significant original film strips, the dissenting member of the panel felt the value was in the image and not in the film strip itself.

Like the film, the burned photograph belongs in a national museum - however, valuing it will be difficult because the event and the object are so emotionally charged that it will be difficult for any appraiser to remain dispassionate."


"Bill Eppridge: An American Treasure" continues through September 26, 2010.

Watch Bill Eppridge discuss events leading to the night of the assassination in this trailer from the forthcoming documentary "The Eye of The Storm".

Updated: Bill Eppridge Tributes and Obituaries

Related: A Civil Rights Legacy: Neshoba and The Price of Freedom.

Monday, August 23, 2010

BILL EPPRIDGE DOCUMENTARY TRAILER TO SCREEN

Maureen Muldaur's documentary proposal for "The Eye of The Storm" has been accepted into Westdoc, the the “go-to” conference for Documentary and Reality Filmmakers." The conference takes place in Santa Monica, California, September 13 - 15.


The Eye of the Storm tells the story of the assassination of Bobby Kennedy through the eyes of five photojournalists, four of whom were in the room when he was shot. The other was still in the Embassy Ballroom of the Ambassador Hotel in Los Angeles where Bobby had just finished giving his victory speech for his win in the California Primary for President, a win that would probably take him to the White House.


Only these five photojournalists will tell the story of that night; we will experience an inherently dramatic event as it unfolds moment by moment. These five men will not only tell their personal stories as human beings but they will speak directly of that experience through being a photojournalist. Bobby was a man they had come to love and once he was shot, they had to bury their grief to perform the task at hand and chronicle a national tragedy. They had originally gone to the hotel to document a celebration but they had to use their skills instead to document one of the worst tragedies in American history.

The documentary will end when Bobby’s death was announced at 1:44am the next day at Good Samaritan Hospital.

The five photographers include:

Bill Eppridge of Life Magazine

Boris Yaro of The Los Angeles Times

Ron Bennett of UPI

David Kennerly of UPI

Richard Drew of the Pasadena Star News

Many of their photographs live on as icons of American History.

Muldaur Media filmed Bill Eppridge at the opening of  his exhibition "Bill Eppridge: An American Treasure" at Monroe Gallery of Photography, as well as in a lengthy interview over the July Fourth weekend. The exhibition continues through September 26.

Tuesday, June 29, 2010

BILL EPPRIDGE: AN AMERICAN TREASURE ON AMERICA'S BIRTHDAY


©Bill Eppridge: Bobby Kennedy campaigns in Indiana during May of 1968, with various aides and friends: former prizefighter Tony Zale and (right of Kennedy) N.F.L. stars Lamar Lundy, Rosey Grier, and Deacon Jones

Monroe Gallery of Photography is honored to announce a very special exhibition of photographs by the renowned photojournalist Bill Eppridge. Mr. Eppridge will be our guest at the opening reception in his honor on Friday, July 2, from 5 to 7 PM. Mr. Eppridge will also be in the gallery Saturday, July 3. This is a rare opportunity to meet one of the most accomplished photojournalists of the Twentieth Century. The exhibition will continue through September 26.

Bill Eppridge has captured some of the most significant moments in American history: he has covered wars, political campaigns, civil rights, heroin addiction, the arrival of the Beatles in the United States, the summer and winter Olympics, Vietnam, Woodstock, (see the special 40th Anniversary audio and slide shows from the New York Times and Life), and perhaps the most dramatic moment of his career - the assassination of Senator Robert Kennedy in Los Angeles. Over the last 50 years  his work has appeared in numerous publications, including National Geographic, Life, and Sports Illustrated. He is the recipient of the 2009 Missouri Honor Medal for Lifetime Distinguished Service in Journalism awarded by The Missouri School of Journalism.





©Bill Eppridge: The Chaney family as they depart for the burial of James Chaney, Meridian, Mississippi, August 7, 1964

Recently, The Beatles! Backstage and Behind the Scenes, a photography exhibition of Bill's images of the band was displayed at the Smithsonian Institution, National Museum of American History in Washington, D.C, before starting a world tour. In 2008, his photographs were included in the exhibition Road to Freedom: Photographs from the Civil Rights Movement 1956 - 1968 at the High Museum, Atlanta, Georgia, later traveling to the Skirball Center in Los Angeles and the Bronx Museum of the Arts in New York. Additionally, Eppridge's photographs are included in the exhibitions Voyeurism, Surveillance, and the Camera since 1870; Tate Modern, London; San Francisco Museum of Modern Art (2010); and A Star is Born: Photography and Rock Music Since Elvis Presley, Museum Folkwang, Germany (2010).

View the exhibition on-line here.